One of India’s oldest design firms gets a fresh burst of life

The Sonoma-based interior design firm Hommeboys, led by Alex Mutter-Rottmayer and Austin Carrier, has opened a new studio and launched three new capsule collections for their furniture line, Haus of Hommeboys. The firm is known for its thoughtful design approach and hands-on craftsmanship, blending classic Wine Country aesthetics with a modern, refreshing twist. Mutter-Rottmayer and Carrier, who have been married since 2019, have previously garnered acclaim for their designs in projects such as Healdsburg’s Marine Layer tasting room and Sonoma’s Valley Bar + Bottle restaurant. The new studio, which also houses a woodshop and cabinetry studio, is situated just off the plaza in downtown Sonoma. This expansion represents a significant step for the Hommeboys, fulfilling a long-held ambition to establish their own showroom. Mutter-Rottmayer expressed a mix of excitement and apprehension about the venture, acknowledging the risk involved in showcasing their unique design vision to a wider audience, but emphasizing their consistent desire for a dedicated space. The Hommeboys’ design philosophy is characterized by an emphasis on mixing materials and incorporating organic and natural elements. They experiment with various shapes in plaster, stone, and wood, aiming for a look that is both earthy and deeply connected to the Californian landscape. This approach is reflected in their furniture line, which features organic and natural materials. One of their new capsule collections for Haus of Hommeboys draws inspiration from rustic themes. This collection includes dark, ebony-stained, hand-notched cedar furniture, designed to evoke a raw, rustic, and edgy feel. The shapes within this collection are described as anthropomorphized, influenced by the golden hills of California. The design process at Hommeboys is driven by creativity and a desire to have fun. Alex Mutter-Rottmayer highlighted an instance where green velvet from a photo shoot was spontaneously used to cover a bedroom’s walls, illustrating their adaptive and playful approach to design. This method emphasizes utilizing available resources and embracing unexpected inspirations to shape their distinctive interiors. #InteriorDesign #Sonoma #DesignStudio #FurnitureDesign #HausOfHommeboys #WineCountryDesign #OrganicDesign #Craftsmanship

Daniel Lalonde, CEO of Design Holding, a prominent luxury multibrand group in the high-end interiors market, outlines his strategic vision for the company's future, focusing on making the experience of purchasing high-end interior products more accessible. Design Holding, established through Investindustrial's acquisitions of Flos (2014), B&B Italia (2015), and Louis Poulsen (2018), has expanded its portfolio to include nine brands, such as Maxalto, Azucena, Arclinea, Fendi Casa, Audo, and Lumens. This consolidation has positioned the group as a significant entity in design-led, luxury interior products, operating in over 130 countries with ten manufacturing facilities. Lalonde, who assumed the CEO role in late 2021, brings extensive experience from luxury multi-brand companies like LVMH, Louis Vuitton, Ralph Lauren, and SMCP. He acknowledges the transition from high fashion to interiors as a "leap of faith" but recognizes commonalities in heritage, craftsmanship, and the use of top designers. The company's brands collectively boast an extensive collection of works from celebrated designers, including modern classics by Achille and Pier Giacomo Castiglioni, Poul Henningsen, Arne Jacobsen, and contemporary pieces by Tobia Scarpa, Antonio Citterio, Philippe Starck, Naoto Fukasawa, Jasper Morrison, and Piero Lissoni, among others. The group also actively seeks emerging design talent. A key aspect of Lalonde's strategy involves shifting the sales model to be more consumer-centric. Historically, over half of Design Holding's business relied on wholesale channels. To address this, the company has opened a 25,000 sq ft retail center at 135 Madison Avenue in New York. Designed in part by Lissoni & Partners, this flagship store provides distinct spaces for each brand, offering a comprehensive multibrand experience. This move aims to engage architects and designers, who significantly influence furniture sales (up to 45% in the US), by providing an immersive environment for both professionals and consumers to make informed decisions. Technological advancements are also integral to the strategy, with new e-commerce platforms and a configurator app being developed for individual brands. However, Lalonde emphasizes the importance of physical interaction with products, which the Madison Avenue store facilitates. The company is also exploring other innovative showcases, such as the West Coast model home at the Mandarin Oriental Residences in Beverly Hills, which features B&B Italia products exclusively. Lalonde's role includes maintaining the distinct identity and character of each brand while fostering collaboration. He highlights the complimentary nature of the brands, noting, for example, the different design DNA between a B&B Italia sofa and a Maxalto sofa. Collaborative efforts among contract teams across brands are encouraged, especially for large projects. The group includes Italian brands (B&B Italia, Maxalto, Azucena, Flos, Arclinea, Fendi Casa), Danish brands (Louis Poulsen, Audo), and the San Francisco-based Lumens. Sustainability and ethical practices are central to Design Holding's environmental, social, and corporate governance (ESG) strategy. The company prioritizes product longevity, quality, ease of maintenance, and repairability. They also focus on sourcing sustainable and ethical supply chains, with benefits extending across all nine brands, such as sourcing wood from certified forests. The preservation of traditional manufacturing techniques and skills is also a priority, with investments in technical schools in Italy to ensure the continuity of craftspeople. The company is also targeting expansion into new markets, particularly Asia, where there is a large luxury market but a relatively nascent high-end design market. Plans are underway to open stores in China, as Design Holding aims to bring the enduring value of design to a global audience. #DesignHolding #LuxuryInteriors #FurnitureBrands #RetailStrategy #DanielLalonde #SustainableDesign #GlobalExpansion #DesignInnovation #Craftsmanship

Daniel Lalonde, CEO of Design Holding, discusses the company's vision and strategic plans, emphasizing its mission to be a global leader in high-end design by focusing on innovation, accessibility, and sustainability. Lalonde, who joined Design Holding in 2021, brings extensive experience from luxury brands like Nespresso and Louis Vuitton. His strategy aims to build a solid business plan and achieve global leadership in high-end design through a portfolio of complementary brands, reaching both designers/architects and end consumers via a multi-channel approach. The core of Design Holding's strategy is to allow its brands, such as Flos, B&B Italia, and Louis Poulsen, to maintain their individual heritage and DNA while fostering collaboration to leverage natural synergies. This approach has proven successful in expanding their contract business across retail, hospitality, corporate, and residential sectors. The company is committed to promoting organic growth within its existing brands while also exploring opportunities to integrate new brands that align with its high-end positioning and values. Accessibility to customers is a key pillar of Design Holding's growth strategy. Lalonde aims to make the high-end design experience less intimidating and more accessible by investing in an omnichannel approach that bridges online and offline interactions. This includes opening directly operated stores (DOS) and mono-brand stores in key global destinations like Miami, New York, Washington, Boston, Shanghai, and Tokyo. These physical spaces provide curated environments that inspire both customers and the architecture & design (A&D) community. For example, a new retail hub is planned for Manhattan’s Madison Avenue, and a B&B Italia Design Studio in Miami will showcase multiple brands. Over the next five years, Design Holding plans to pursue a four-point strategy: enhancing brand desirability through innovative products, pursuing a direct-to-consumer journey with more store openings and e-commerce investments, expanding geographical reach into North America, Greater China, and the Middle East, and strengthening its leadership in the high-end contract business. Illustrious examples of their contract work include projects for Bulgari Hotels and Rolex Stores. Sustainability is deeply ingrained in Design Holding's ethos. Lalonde emphasizes that crafting beauty must be done sustainably, viewing durability as a true embodiment of sustainability. The company challenges its brands to design long-lasting pieces with minimal environmental footprints, focusing on a circular economy model. This involves transforming frameworks and systems across the entire value chain, from sourcing and production to consumer use and end-of-life recyclability. Examples include the B&B Italia ‘Bambole’ collection and Flos ‘Almendra’ by Patricia Urquiola, which utilize recycled materials and facilitate recyclability. Additionally, Louis Poulsen’s 'PH 5' take-back scheme demonstrates a commitment to upcycling and reusing existing materials. Looking ahead to Salone del Mobile 2023 and Milan Design Week, Design Holding plans to showcase numerous new designs, with a particular focus on Maxalto. Flos will present new decorative and architectural designs at Euroluce, while B&B Italia and Fendi Casa will display their latest collections at their respective showrooms in Milan. The company's participation highlights its ongoing commitment to innovation and engagement within the global design community. #DesignHolding #DanielLalonde #LuxuryDesign #SaloneDelMobile #MilanDesignWeek #BrandStrategy #Sustainability #RetailExpansion #InteriorDesign

Design Holding, a company born in 2018 from a joint venture between two private equity firms, is rapidly expanding its portfolio of luxury design brands with the ambitious goal of becoming the LVMH of the home sector. Led by CEO Daniel Lalonde, a veteran in the European luxury market, Design Holding aims to create a global group of highly desirable brands while maintaining the individual identities of each acquisition. The company started by merging B&B Italia, Flos, and Louis Poulsen under one corporate umbrella, and has since acquired seven more brands, bringing its total to ten. Key brands in its current portfolio include Flos, B&B Italia, Louis Poulsen, Fendi Casa, Maxalto, and Lumens. Lalonde emphasizes that while the corporate entity, Design Holding, may not be widely known to end consumers, the individual brands within the group are crucial for recognition and desirability. The strategic vision involves an aggressive business approach focused on several key areas. One primary objective is to enhance direct-to-consumer (DTC) sales channels, allowing the brands to establish closer relationships with their customers and exert greater control over their market presence. Another significant focus is geographical expansion, particularly into the Chinese market, which represents a vast opportunity for luxury goods, and further strengthening its presence within the United States. To support its growth and market penetration, Design Holding is also investing in a bigger brick-and-mortar fleet. This includes piloting innovative retail stores that showcase multiple brands from its portfolio under a single roof, providing a comprehensive luxury design experience to consumers. Lalonde anticipates a significant transformation in the high-end design segment and believes Design Holding, as a market leader, has a responsibility to drive this change. This involves becoming more consumer-centric, adapting to global market trends, and adopting modern communication strategies. Lalonde also addressed the existing pricing models within the design industry, particularly the common practice of trade discounts. He expressed a desire to move towards a more transparent, one-price-fits-all model, drawing parallels to luxury fashion brands like Louis Vuitton and Hermès, which maintain strict pricing policies without discounts. While acknowledging that achieving such a model in the home design sector presents challenges, the long-term ambition is to establish a more equitable and transparent pricing structure. Crucially, Lalonde clarified that the strategy of Design Holding does not involve altering the core identity or heritage of the acquired brands. Instead, the entire premise is to preserve and leverage the existing legacies and histories of these brands, recognizing that true luxury status is built over time and cannot be artificially created. The emphasis is on building upon the authentic stories and established reputations of each brand to foster their continued growth and desirability in the global market. This approach underscores the belief that the longevity and authenticity of a brand's heritage are indispensable components of its luxury appeal. #DesignHolding #LuxuryHomeBrands #HomeDesignIndustry #GlobalExpansion #AcquisitionStrategy #DirectToConsumer #RetailExpansion #BrandHeritage

RH, a prominent home furnishings retailer, has launched RH Contemporary, a new business branch that significantly expands its product offerings through collaborations with a diverse array of global designers. This initiative marks RH's most substantial concept launch since RH Modern in 2015, reinforcing the company's ambitious growth trajectory. The new collection encompasses a wide range of items, from large furniture pieces such as sofas, beds, wardrobes, and outdoor furniture, to lighting, textiles, and decorative objects. The launch of RH Contemporary follows other significant developments for the company, including the unveiling of RH San Francisco, the acquisition of private planes and a yacht for charter, and plans for future locations in Manhattan, Oxfordshire, Paris, London, Milan, and an 'RH Ecosystem' in Aspen featuring the company's first spa. The development of RH Contemporary began prior to the pandemic, with RH leadership strategically using that period to focus on long-term growth initiatives rather than short-term revenue pursuit. A key aspect of RH Contemporary is its multi-tiered approach to elevating production standards and materials. This includes a partnership with Holland & Sherry, an established Savile Row tailor, to supply a comprehensive range of fine textiles for upholstery and curtains. Additionally, the collection features high-caliber Indian hand-loomed throws and pillow covers by textile artist Neeru Kumar, whose work has been acquired by the Victoria & Albert Museum. A significant portion of RH Contemporary's upholstered furniture, including modular leather seating and low linear sofas, is crafted in Italy. To achieve this, RH collaborated with expert Italian upholsterers, ALT in Romagna and Crivellari in Padova, whose founders are prominently credited on the RH website alongside the designers. Italian-sourced materials, such as travertine stone from outside Rome and Arabescato marble, are also widely used, although some fabrication occurs elsewhere. The emphasis on top-tier materials and production, including lacquered burl wood, hand-carved Spanish alabaster, and hand-applied plaster on lighting, is reflected in the collection's higher price points, with items like Jonathan Browning’s ‘Vouvray’ chandelier starting at over $35,000 and Joris Poggioli’s ‘Vitolo’ dining table starting at over $12,000. Gary Friedman, RH chairman & chief executive officer, notes that RH Contemporary items are priced approximately 30 to 35 percent higher than the current RH offerings. While large-scale furniture forms the core of the collection, smaller shoppable items are also included, such as vases and decorative dishes by Brooklyn-based ceramicist Dina Nur Satti, which incorporate her Sudanese and Somali heritage. Friedman expresses strong belief in RH Contemporary's potential impact, stating that it will likely have a greater influence on the company than RH Modern, not only from a design perspective but also in terms of quality. He anticipates that this new venture will redefine consumer perceptions of RH and expand its market aperture significantly. #RHContemporary #DesignerCollaborations #LuxuryFurniture #InteriorDesign #HighEndMaterials #ItalianCraftsmanship #GlobalDesigners #HomeFurnishings

Saltwolf, an e-commerce furniture company based in Boulder, launched its mobile showroom in June 2021, one year after its initial founding. The company, established by husband-and-wife team Lindy and Jordan Williams in May 2020, aimed to address common challenges faced by interior designers, such as the difficulty of sampling and ordering high-quality furnishings with quick turnaround times. Saltwolf distinguishes itself by offering direct-to-designer services, providing heirloom-quality pieces through an online platform. The decision to create a mobile showroom, affectionately known as "Ms. Saltwolf," stemmed from the founders' desire to provide designers with a tactile experience of their products, without committing to a traditional brick-and-mortar presence. Lindy Williams noted that while many trade brands rely on third-party showrooms, Saltwolf wanted to explore alternative methods to showcase their furniture. The 18-foot-long box truck, designed with a theater background by Jordan Williams, functions as a fully immersive living room environment. This setup allows designers to visualize how Saltwolf's furniture would integrate into their projects. The mobile showroom was particularly timely given the onset of the COVID-19 pandemic. It enabled Saltwolf to safely introduce its products to design firms through masked, outdoor meetings, adhering to health and comfort guidelines. The interior of Ms. Saltwolf is meticulously designed, featuring painted wainscoting and patterned wallpaper, creating an inviting atmosphere. It showcases upholstered furniture from each of Saltwolf’s four lines: a 7-foot Linden sofa in Belgian linen, a Hawthorne chair in Italian leather, a Mapleton chair in performance velvet, and a Norwood bench in Belgian linen. Additionally, the showroom features examples of the brand’s three wood finishes and large fabric swatches. These larger swatches allow designers to gauge the material and color at scale, offering a more comprehensive understanding than small samples. After initial test drives in various Western cities like Boulder, Denver, Aspen, Salt Lake City, Park City, and Austin, the mobile showroom commenced its official tour in Southern California in June 2021. The tour itinerary included further stops in Portland, Seattle, Bozeman, Jackson, and Sun Valley. Team members, including Lindy and Jordan, travel to each destination to meet with individual designers and host events within the showroom. The summer tour was scheduled to conclude on the Front Range with an event at Roth Living in Denver on August 26. Future plans for the fall involved visits to Colorado mountain resort towns, Utah, and Lake Tahoe. While Ms. Saltwolf has played a crucial role in introducing the brand, the company plans to transition to a permanent display at its Boulder design studio by the end of the year. Remote tours via video conferencing will also be offered, and discussions are underway to place Saltwolf pieces in designers’ showrooms in various mountain resort towns. Lindy Williams observed a significant shift in consumer and designer purchasing behavior due to the pandemic, with an increased comfort level in buying luxury goods online. Saltwolf aims to continue innovating to make the online purchasing experience as effortless as possible for its clients. The article provides practical information for interested designers, stating that Saltwolf's upcoming mobile showroom stops are listed on their website, where designers can RSVP to events or request a visit. Updates on new stops are also available online, ensuring designers can stay informed about the showroom's schedule and plan their engagement accordingly. #mobileShowroom #furnitureDesign #directToDesigner #homeFurnishings #interiorDesign #BoulderBusiness #eCommerceFurniture #luxuryGoods #designInnovation

In an era characterized by rapid production and technological advancement, a burgeoning movement within Indian design emphasizes the enduring value of craftsmanship. This approach views craft not merely as a relic of the past but as a cornerstone for contemporary luxury, transforming traditional techniques into innovative designs for modern interiors. The movement prioritizes tactility, patience, and the unique story embedded within each handcrafted object, fostering a connection between material, memory, and emotion. Several pioneering Indian brands are redefining craftsmanship by integrating classical idioms with modern materials and sensibilities. These brands demonstrate a commitment to preserving traditional skills while adapting them to suit current aesthetic preferences and functional needs. Their creations range from repoussé metal furniture and hand-illustrated, embroidered wallpapers to jacquard textiles and sculptural woodwork. This thoughtful adaptation ensures that heritage techniques remain relevant and desirable in contemporary homes, setting new standards for traditional heirlooms. Among these brands, KalakaariHaath stands out for its unique blend of illustration and embroidery. Each piece originates from a hand-drawn sketch, which is then meticulously translated into intricate threadwork, sequins, and beads. This process results in tactile wall art, framed textiles, and bespoke wallpapers that blur the lines between fine art and functional decor. KalakaariHaath’s work often draws inspiration from nature, folklore, and personal memories, embodying a narrative depth that champions intimacy and careful observation. A recent collaboration with the Welfare of Stray Dogs, which transformed portraits of street animals into textile tributes, exemplifies the brand's empathetic approach to design. Magicsimsim similarly uses embroidery as a medium for storytelling, crafting tapestries rich in myth and cultural memory. The studio's raw silk panels are adorned with heritage techniques such as Aari, Zardozi, Marori, and Pitta, executed by generations of skilled artisans. Collections like 'Akshayvata,' which depicts the immortal banyan tree with ornate needlework and semi-precious stones, and 'Mayura on Ghat,' which renders the peacock in shimmering Zardozi, showcase a delicate fusion of textile and jewelry. Magicsimsim also incorporates Japanese beads and Austrian crystals to create painterly effects, repositioning embroidered art as both a cherished heirloom and a contemporary collectible. Karu, a multidisciplinary design studio, approaches craftsmanship through the lens of sacred geometry, temple architecture, and folk symbolism. Their creations, including sculptural wall panels and shrine-like forms, are contemplative by design, often finished with burnished gold leaf. Karu’s process is guided by intuition, resisting repetition to ensure that each object possesses a unique, quiet presence. The brand focuses on creating enduring presences that invite stillness and anchor emotions within the home, offering a sense of permanence in a rapidly changing world. KVAR Design, under Kunal Mehta, transforms textiles into immersive narratives inspired by nature. Installations like 'The Secret Garden' feature meticulously stitched birds, blooms, and insects, celebrating intricate detail and expressive freedom. The 'Tadoba' collection, a collaboration with National Geographic’s Sudhir Shivaram, weaves wildlife photography into jacquard fabrics, offering richly textured surfaces for cushions and wall coverings. KVAR’s work aims to create lasting pieces grounded in material richness and narrative intent, as seen in 'Vrindavan,' which reimagines the sacred hues of the Banke Bihari Temple in vibrant silk Dupion. Scarlet Splendour infuses glamour into generational craft, where furniture becomes a theatrical statement. The brand utilizes repoussé, an ancient metal-shaping technique, to create striking pieces such as Sacha Walckhoff's 'The Land of Legends' panel, adorned with semi-precious stones. Their 'Forest Bar' evokes old-world opulence, while the 'Orbit Bar' features geological orbs and custom lighting, embodying a blend of spectacle and deep technical craftsmanship passed down through generations. Each piece reflects a commitment to transforming raw material into functional, timeless art. Chester's embodies a legacy of craftsmanship centered on carved wood. Renowned for its Chesterfields, the studio honors 19th-century forms through deep buttoning, rich detailing, and robust construction. Artisans utilize time-tested techniques with solid beech and pine framing, hand-polished teak, and leathers finished in their Tamil Nadu tanneries. Their carved floral panels, headboards, and sideboards demonstrate traditional chiseling techniques adapted for modern design. Chester's commitment to quality ensures longevity, producing furniture that ages beautifully and becomes a cherished heirloom. These brands collectively represent a shared ethic of intentional making, valuing process, and celebrating craftsmanship, offering collectible objects that bring story and soul to contemporary homes. #IndianCraftsmanship #HomeDecor #ArtisanalDesign #LuxuryInteriors #TextileArt #SculpturalFurniture #TraditionalTechniques #ModernInteriors #CulturalHeritage

This article celebrates the 10th anniversary of Ekaya Banaras, an Indian label led by CEO Palak Shah, which aims to revolutionize the traditional Benarasi weave and make it relevant to a younger, contemporary audience. Shah, who initially pursued a career in finance, unexpectedly joined her family's century-old textile business and took charge of the retail division, transforming it into the modern brand Ekaya. Her motivation stemmed from a desire to instill pride in Indian textiles and craftsmanship, noticing that while international brands emphasized their artisanal heritage, Indian traditional garments often lacked similar recognition and appeal among younger generations. She observed a hesitation, particularly among young people, to embrace traditional attire like saris, which were often perceived as something only older generations would wear. Ekaya Banaras sought to recontextualize the timeless Banarasi weave, preserving its essence while infusing it with a contemporary aesthetic. The article highlights Shah's entrepreneurial journey and her leadership philosophy, which embraces taking risks and learning from mistakes rather than striving for unattainable perfection. She emphasizes the importance of continuous learning and adapting to changing times, citing her upcoming course at Harvard Business School as a step to further innovate Ekaya. Shah also discusses the advantage of being a woman in the textile industry, particularly when selling products primarily consumed by women. She believes that women can offer deeper personal insights into the sartorial dilemmas associated with saris, effectively conveying a concept and providing solutions from their own experiences, which can lead to higher success rates compared to male-dominated sales environments. Addressing potential concerns about the declining popularity of Banarasi textiles among younger consumers, Shah outlines Ekaya's strategy to keep the craft relevant. Instead of confining the textiles to traditional sari forms, Ekaya aims to present them in ways that align with modern consumer preferences, such as tailoring them into pantsuits or other contemporary products. The core objective is to revive and promote Indian crafts and the textile industry through innovative applications. The brand fosters a relaxed and fun working environment, with Shah sitting directly with her team, treating colleagues as family, which she believes contributes to employee retention and spontaneous, creative ideas, such as their successful 'sari anxiety' video series. Regarding brand promotion, Shah expresses a selective approach to celebrity endorsements, prioritizing authentic connections to handloom and the promotion of the right message. She values genuine word-of-mouth recommendations over celebrity modeling, believing that a satisfied customer's endorsement leads to more significant sales and popularity than a superficial association with a famous personality. The article concludes by detailing ten significant milestones in Ekaya Banaras's journey. These include the launch of 'Thaan by Ekaya' for contemporary motifs, a collaboration with MISHO jewelry, participation in Paris Haute Couture Week, Sonam Kapoor being the first celebrity to wear Ekaya, a menswear collaboration with Kunal Rawal, the 'Crossing – Natives of Nowhere' collection inspired by migration, the 'Second Chance' initiative for reselling pre-owned textiles, the opening of five retail stores, the launch of a home collection featuring cushions made from woven fabrics, and a 'Project Renaissance' collaboration with Vogue for International Women's Day, which also included a special Benarasi Brocade 'Fiamma' bag created with Salvatore Ferragamo, celebrating women's roles in carrying forward family businesses. #EkayaBanaras #BenarasiWeave #IndianTextiles #PalakShah #FashionInnovation #HandloomLegacy #TextileEntrepreneurship #SariCulture #HomeCollection

Dezeen Showroom has unveiled 14 new products this week, featuring a diverse range of furniture, lighting, and finishes for both commercial and residential projects. Among the highlights is the "Technicolour" textile collection by graphic designer Peter Saville for Danish brand Kvadrat. This collection draws inspiration from the colorful sprays used by farmers to mark sheep, translating this rustic aesthetic into a series of vibrant handwoven and robot-tufted rugs with color spots, iridescent curtains, and upholstery made from British sheep's wool. Saville describes the collection as bringing "the industry of the land, in raw form, into the living environment," likening it to "rural graffiti." Other notable product additions include the "Mouro" lamp, designed by Patricia Perez for Case Furniture. This portable and rechargeable table lamp, suitable for indoor and outdoor use, features a disc-shaped LED light that rotates 360 degrees, enclosed within a rectangular frame that doubles as a handle. Rainlight's "Phlox" collection for Okamura offers a comprehensive range of seating and tables, including conference chairs, lounge chairs, high stools, and five table shapes. The collection, characterized by its gently undulating silhouettes, is inspired by the petals of the night-blooming phlox flower. For storage solutions, Bruno Rainaldi's "Ptolomeo" bookshelf for Opinion Ciatti is designed to emulate the appearance of books stacked in high piles while providing structural stability. Named after the founder of the Library of Alexandria, this stainless steel shelf is available in black, white, or Corten effect lacquered finishes. Dedar introduces two new textile collections: "The Art of Jacquard" and a "Textile wall covering collection." The Jacquard collection features ultra-thin yarns woven directly into the fabric to create rich patterns, including tropical bird motifs, nature-inspired designs, bold graphics, and abstract floral landscapes. The wall covering collection, inspired by grand tapestries, includes four patterns, such as screen-printed illustrations on linen and classic weaves of jute and linen, aimed at creating a cozy atmosphere. The "Hymn" lamp by Hiroto Yoshizoe for Ambientec is another portable and durable lighting option for indoor and outdoor settings. It employs two magnets to create constant oscillations, producing a flickering effect reminiscent of a candle flame. GamFratesi's "Beetle Chair," available through Suite NY, has been re-released with four new upholstery options in neutral shades, alongside black or brass leg finishes. John Pawson's "Frame" dining table for Nikari, originally designed for his own farmhouse, is a minimalist piece made from responsibly sourced ash or oak wood with a natural oil finish, boasting a lifespan of over 100 years. Alegre Design's "Talent" desk for Actiu is a versatile, mobile, and height-adjustable workstation designed for educational and training environments, featuring a dry-erase worktop that functions as a whiteboard when folded. Finishes also see new additions with CDUK's expanded "Corian Solid Surface" range, now available in a broader spectrum of neutral and warm colors. This material is lauded for its hygienic, durable, abrasion-resistant, and fade-proof qualities, making it suitable for both commercial and residential applications. Forbo Flooring Systems introduces "Marmoleum Linear," a carbon-neutral, plant-based linoleum flooring made from linseed oil, waste wood flour, and jute, designed to mimic wood with irregular grey and neutral stripes. ADEX presents the "Habitat" tile collection, a sustainable ceramic option for interior walls made with 55 percent white-body ceramics for enhanced durability. Lastly, Decocer's "Crag" tiles offer a family of porcelain tiles that replicate the look of stone and weathered steel, suitable for indoor and outdoor walls and floors, characterized by an industrial aesthetic and textured matte finish. #ProductLaunch #InteriorDesign #FurnitureDesign #TextileDesign #LightingDesign #SustainableMaterials #DesignInnovation #HomeDecor #WorkplaceSolutions

Matches Fashion, a prominent online luxury retailer, has expanded its offerings with the launch of its Homewares Studio. This new venture aims to provide a curated selection of designer homewares, mirroring the high-end fashion experience the platform is known for. The initiative comes in response to a growing consumer demand for elevated home aesthetics, driven in part by social media and the desire to create interiors as fashionable as personal wardrobes. The Homewares Studio features a diverse range of products, including throws, cushions, tabletop items, and decorative pieces. It brings together established luxury brands and emerging designers, creating a comprehensive collection for interior design enthusiasts. Among the notable established brands included are Gucci, known for its distinct homewares that inspire complete remodelling fantasies; Maison Margiela; Loewe; and the homewares stalwart Missoni, recognized for its vibrant patterns and textiles. The platform also champions new and exciting talents in the design world. For instance, British designer Luke Edward Hall's ceramic pieces, which serve as canvases for his hand-painted illustrations of classical sculptures, flora, fauna, and bold slogans like “VICTIM OF LOVE,” are featured. Other emerging brands highlighted include Once Milano, offering sophisticated crushed-linen table linens in muted tones; Cire Trudon, specializing in haute parfumerie through its exquisite candles; and Raawii, a Copenhagen-based brand celebrated for its modernist crockery and rich color palettes. Matches Fashion’s approach to its homewares offering mirrors its successful strategy in ready-to-wear fashion: introducing shoppers to exclusive and innovative talents. An example is Kilometre Paris, which presents a collection of embroidered tea towels, cushions, and aprons designed to evoke postcards from exotic destinations, with each piece intricately crafted by region-specific female artisans. The studio also addresses specific trends, such as the popularity of Pendleton blankets, famously featured in Raf Simons’ Calvin Klein 205W39NYC collection for Spring 2018, which are now available for purchase. In addition to these designers, the article highlights a variety of specific items available, such as the Raawii Strom small ceramic jug, Once Milano rectangular crushed-linen tablecloth, L’Objet large Teo vase, Cire Trudon Marie-Antoinette Bust decorative candle, Calvin Klein 205W39NYC x Pendleton wool-cotton saddle blanket, Luke Edward Hall fish-painted ceramic serving platter, La Double J Editions set of two Housewives glasses, Cinnamon Projects Circa Mineral dalmation stone incense burner, Pendleton Fire Legend wool and cotton-blend blanket, Kilometre Paris palm-tree embroidered cotton apron, Maison Margiela embroidered clock, Saved NY cloud-jacquard cashmere blanket, Gucci Herbarium Verde porcelain salad bowl, Anya Hindmarch Anya Smells Washing Powder small scented candle, Missoni Home Ridley zigzag-knit cotton throw, and Perfumer H Ash scented candle. Each item is presented with its price and a direct link to Matches Fashion for purchase. The launch of the Homewares Studio reflects a broader trend of integrating fashion and lifestyle, allowing consumers to extend their personal style into their living spaces. By offering a meticulously chosen range of high-quality, designer home goods, Matches Fashion positions itself as a destination for creating aspirational interiors, reinforcing the idea that home décor is as crucial to personal expression as clothing. The platform encourages consumers to embrace the concept of "dressing for the home you want," turning their living spaces into curated reflections of their desired lifestyles. #MatchesFashion #HomewaresStudio #DesignerHomewares #InteriorDesign #LuxuryLifestyle #HomeDecoration #FashionRetail #EmergingDesigners #HighEndDecor

The 1990s, a decade often associated with unique cultural phenomena like Koosh balls and dial-up Internet, also left a distinct mark on home decor. While some trends from this era, such as sponge-painting and overly poufy curtain valances, have justifiably faded from memory, a surprising number of 1990s home design elements are experiencing a resurgence. This return is often characterized by a modern reinterpretation, blending nostalgia with contemporary aesthetics. One prominent comeback is floral wallpaper. While the 2000s saw a widespread rejection of wallpaper, contemporary designers are embracing updated floral patterns, using them sparingly as accent walls in powder rooms or bedrooms. Bold, vibrant designs are particularly popular, as demonstrated by Candice Kaye Design's peony pattern featured by Cynthia Rowley. However, the article explicitly warns against the return of wallpaper borders. Blond wood floors are also making a return, moving away from the dark, Tuscan-brown trends of the 2000s. Interior designers like Jennifer Grey note the practicality of lighter floors, which show less dust, and align with the current movement towards fresh, bright interior hues. The key is to distinguish between the orange-toned oak prevalent in the 90s and the contemporary blond wood look, which offers a cleaner, more updated feel. Japanese influence, a hallmark of 90s minimalism, is another trend resurfacing. This includes clean lines, natural wood elements, and shoji-style screens. Modern interpretations emphasize an uncluttered aesthetic and a connection to nature, offering a subtle nod to the Far East without fully committing to a Zen theme. The classic combination of beige and white, reminiscent of 90s minimalism and Calvin Klein advertisements, is regaining popularity. Beige is challenging gray as the dominant neutral, with designers like Phoebe Schuh celebrating its return for its elegant and pretty appearance when reworked into modern designs. This style often involves layering different tones of beige and white to create a serene and sophisticated interior. Wall-to-wall carpeting, despite the recent preference for hardwoods and wood-plank tiles, is also making a quiet comeback. The article suggests that high-quality, neutral-colored carpets can still be chic, especially when integrated into a monochromatic room design with strategic pops of color, offering comfort and style. White kitchens, a staple of the 90s, continue to be highly sought after. This trend encompasses not only bright white cabinetry but also white appliances, indicating a sustained preference for a clean, bright, and timeless kitchen aesthetic. While stainless steel remains popular, the article ponders whether its dominance might wane in the future. Hunter green, a saturated hue, is experiencing a revival, but not in the form of old-fashioned carpets. Instead, it's being used in refined applications such as kitchen cabinets, accent pillows, painted furniture, and even exterior siding, as seen in celebrity homes. This modern use of hunter green provides a regal and sophisticated touch to interiors. Pastels, particularly shades like rose quartz and serenity (Pantone's colors of the year), are being reincorporated into home decor. Unlike the 90s trend of painting entire rooms in pastel shades, contemporary use is more subtle, featuring pastels as accent colors in throw pillows or lamps. This approach offers a fresh change from more conventional color palettes without overwhelming the space. Blue-and-white accessories, a popular 90s combination, are re-emerging as a classic and beautiful pairing. From ginger jars to chevron-patterned chairs and even kitchen floor tiles, this color scheme offers a timeless appeal. Oversized, American-made blue-and-white accent pieces are particularly noted for their ability to create a significant design impact. Skirted tables, a common sight in 90s bedrooms, are also making a return as a sophisticated design choice. Modern iterations move away from dated motifs like cabbage roses, favoring solid colors or bold contemporary prints. The emphasis is on quality tailoring to ensure an elegant, rather than sloppy, appearance. Finally, brass hardware and fixtures are experiencing a significant comeback. Modern brass differs from its 90s counterpart by being less shiny and featuring more contemporary shapes. This trend is easily incorporated through small touches like drawer pulls, faucets, light pendants, and decorative items with gold legs, adding a touch of elegance. Country accents, specifically modern farmhouse style, are also making a comeback, largely influenced by figures like Joanna Gaines. This updated country look is clean, simple, and often paired with minimalist backdrops and modern architectural elements, moving away from the '90s kitsch toward a more refined aesthetic. #90sDesignTrends #HomeDecor #InteriorDesign #FloralWallpaper #BlondWoodFloors #JapaneseInfluence #BeigeAndWhite #WallToWallCarpet #WhiteKitchens #HunterGreen #PastelAccents #BlueAndWhite #SkirtedTables #BrassHardware #FarmhouseStyle

Helen Parker, creative director at DeVol, undertook a kitchen renovation in her Victorian home in Leicestershire, England, drawing inspiration from a still life painting of a fish by American artist Wendy Prather Burwell. Her primary goal was to transform her kitchen from a space with cheap chipboard cabinets and worn appliances into a functional and aesthetically pleasing area. The existing room possessed inherent beauty with arched sash windows, good proportions, and views of a walled garden, providing a strong foundation for the renovation. The teal edge of a plate in the inspirational painting directly influenced the choice of backsplash. Parker selected DeVol’s Vintage Teal Lace Market tiles, utilizing all six available styles. These tiles, which vary in shape (square, rectangular) and pattern (intricate relief, smooth), contribute to a busy, textural, and uneven appearance, making them distinctive. To complement this, she painted the walls and ceiling in a soft, mellow, peachy pink, inspired by the backdrop of the painting. This deliberate combination of unexpected colors creates a less curated and more authentic feel. A significant investment was made in the flooring to establish an authentic and visually harmonized foundation. Parker chose a checkered marble pattern from Floors of Stone, which presented a grand yet slightly aged aesthetic. This choice was crucial for aligning with her specific color palette, with tiny pink flecks within the natural stone seamlessly integrating with the Farrow & Ball Setting Plaster hue on the walls. To achieve DeVol’s signature old-new aesthetic, Parker emphasizes sourcing vintage or unusual pieces instead of relying on mass-produced items. She incorporated furniture typically found in living rooms, such as a faded squishy chesterfield couch in powdery blue, into her kitchen. This approach aims to create a comfortable and inviting atmosphere, encouraging guests to linger. Due to the tight galley layout of her kitchen, a central island was not feasible, making the sofa a practical and charming addition. The ceiling was also accessorized to enhance the room's character. Parker utilized DeVol’s brass hanging rail, a popular accessory, by mounting it on a once unsightly beam rather than over the backsplash. This created a visual feature upon entering the room, displaying a collection of copper pans. While acknowledging the potential for a country kitchen aesthetic, she maintains discipline in not overcrowding the rail. Parker blended different cabinet styles and eras to achieve a layered look. She integrated a black sink cabinet from DeVol’s Classic English range, appreciating its proportions. Opposite this, she placed pink lower cabinets. A notable piece is a Georgian-style bedroom wardrobe, discovered at an antiques fair, which she repurposed by painting it, adding bun feet, and topping it with a curvy marble work surface. Adjacent to the sofa, a freestanding cupboard serves as a display case for her diverse dishware collection. Inspiration from travel played a role in the design, with elements reflecting Parker’s trips to Italy. Thonet café chairs and a vintage rise-and-fall ceramic light over the breakfast table evoke the ambiance of Venetian _bacari_ (cafés or bars). Additionally, fancy lace café curtains, decorative colorful ceramics, and a general Mediterranean feel recall her visit to Sicily. These elements contribute to a simple, classic, plain, and sparse aesthetic, reminiscent of how these establishments are integrated into daily life. This careful curation of elements, from color and texture to furniture and accessories, allowed Parker to create a unique and personal kitchen space that embodies DeVol's distinctive style. #KitchenRenovation #InteriorDesign #DeVolKitchens #VintageStyle #OldNewAesthetic #HomeDecor #DesignInspiration #CustomKitchens

The article explores the collaboration between designers Stephen Burks and Malika Leiper of Stephen Burks Man Made, and the Italian wood veneer company Alpi, to translate the intricate patterns of Kuba cloth into a contemporary design product. Kuba cloth, a raffia textile handcrafted by the Kuba people of the Democratic Republic of Congo, originated in the 17th century and served as a significant status symbol among the ruling class. While it was once thought that the tradition of Kuba cloth declined after the kingdom's fall due to internal rebellions and colonization, Burks and Leiper discovered during a visit to Kinshasa that this ancient art form is, in fact, thriving among a new generation of artists and makers in villages. Burks clarifies that the perception of Kuba cloth as a 'dying artform' is a Western misconception, often influenced by the commodification of 'prestige cloths.' His and Leiper's practice, Stephen Burks Man Made, is dedicated to demonstrating the current vitality of Kuba art, emphasizing that for Kuba to have a future, it must have a present. Their efforts include producing a documentary, curating an exhibition in Japan, and designing the scenography for an upcoming show at the Mint Museum in Charlotte, North Carolina, all centered on their research into Kuba cloth. A pivotal project in their endeavor is the collaboration with Alpi, a company established in 1919 and renowned for its designer collaborations with figures such as Ettore Sottsass, Alessandro Mendini, Konstantin Grcic, Patricia Urquiola, and Ron Arad. Alpi's president, Vittorio Alpi, expresses a passion for experimentation and invites designers to create unique pieces that push the boundaries of industrial production, granting three-dimensionality to Alpi surfaces. At Design Miami 2025, Burks and Leiper unveiled their collection of sculptural furnishings, titled 'Lost Cloth Object,' which translates the geometric patterns of traditional Kuba textiles. This collection, presented as part of the fair’s 2.0 section curated by Glenn Adamson, serves as a conceptual starting point for a commercial veneer that will be developed with Alpi. Burks highlights that their practice consistently investigates the intersection of craft, community, and industry. The design process involved creating a Kuba-inspired motif using thousands of laser-thin sheets of FSC-certified poplar veneer, a technique that embodies both repetition and variation, mirroring the inherent qualities of Kuba cloth. Leiper explains that each motif in Kuba cloth carries social meaning, indicating the maker or wearer, and often mimics natural shapes, acting as a language in itself. The use of variegated veneers from Alpi’s Legacy Collection adds another layer of significance, as these veneers replicate the appearance of endangered wood species like ebony, teak, rosewood, and zebrawood, without contributing to deforestation. Vittorio Alpi notes that this collection allows for the reproduction of rare woods sustainably. The 'Lost Cloth Object' collection features a curved platform, round stools, and a circular partition with integrated shelving, designed to evoke both Alpi’s postmodern collaborative tradition and the sacred, ceremonial contexts in which Kuba cloth is traditionally used. While the specific sculptural objects will not be mass-produced, the 'Lost Cloth Object' pattern is intended for further development as a commercial veneer. Burks concludes that the project honors the traditions of the Kuba Kingdom by combining African patterns with natural wood in a sculptural, modern application, connecting to Alpi's legacy of surface design. #AfricanTextile #KubaCloth #StephenBurksManMade #Alpi #DesignCollaboration #VeneerDesign #Craftsmanship #DesignMiami #CulturalPreservation

Wood has long been a fundamental material in furniture design, valued for its durability, availability, and versatility. It allows for diverse forms, from linear to sculptural, and offers a wide range of colors depending on the timber species, such as cherry, oak, or walnut. This enduring appeal of wood is being revitalized by a new wave of designers, particularly those based in Los Angeles, who are approaching this traditional material with fresh and innovative perspectives. These creatives are experimenting with shape, color, and overall style, pushing the boundaries of what can be achieved with timber. The article highlights several designers and their unique contributions to this resurgence of wood furniture. One featured piece is the 'Sweater Chair' by Sam Klemick, who brings a background in fashion design to furniture. This chair features a surreal element: a carved wooden sweater draped over its back, meticulously crafted to mimic the delicate hang of fabric. This piece functions as both a statement and a conversation starter, showcasing an unexpected blend of materials and aesthetics. Nik Gelormino's 'Shell Stool' is another example, known for preserving the natural texture and hue of the original timber while completely re-imagining its form into a swirling, sculptural design. Gelormino's work is recognized in both private residences and prominent online shops, reflecting a blend of organic inspiration and refined craftsmanship. The Los Angeles-based studio Base 10, founded by Lindsey Muscato and Joshua Friedman, presents the 'Bowtie Chair.' Influenced by Japanese woodworking techniques and the inherent qualities of the wood itself, this chair highlights the beauty of elm wood, subtly enhanced by small bowtie inlays along its legs, which also give the piece its name. Adi Goodrich, who grew up in her father’s woodshop, explores the interplay of color and wood in her 'Sketti-S Side Table.' Her collection of tables, chairs, and stools demonstrates how vibrant colors can accentuate the natural beauty of wood, with blue, for instance, providing a striking contrast against natural cherry wood. Tristan Louis Marsh’s 'Elephantine Chair' represents a different approach, where the designer opts to smooth over the raw qualities of wood. This chair is created using a technique that coats the frame in resin, resulting in a smooth, almost otherworldly effect that transforms the perception of the material. Finally, Shin Okuda’s studio, Waka Waka, focuses exclusively on wood furniture, producing designs that are both functional and aesthetically pleasing. The 'Leaning Cylinder Chair,' with its distinctive barrel-backed silhouette, is one of Okuda’s more recognizable pieces, available in various colors such as indigo, green, and red. These designers collectively illustrate how an age-old material can be given a contemporary and often surreal twist, making wood furniture cool again through innovative techniques and artistic vision. #WoodFurniture #FurnitureDesign #LosAngelesDesigners #ContemporaryWoodworking #InteriorDesignTrends #SustainableMaterials #ArtisanFurniture #DesignInnovation

British-Nigerian multidisciplinary artist and designer Yinka Ilori has partnered with Momentum Textiles & Wallcoverings to launch his inaugural collection of commercial textiles and wallcoverings. This collaboration, Yinka Ilori x Momentum, aims to inject positivity and joy into commercial spaces, drawing inspiration from Ilori's dual heritage and his belief in the power of community and affirmation. The collection is designed to transform commercial environments into vibrant, creative hubs that uplift and inspire. Ilori emphasizes that the collaboration underscores the happiness derived from strong community bonds and storytelling, bringing a fresh, optimistic approach to commercial design. The collection features five distinct patterns available as textiles. "Shower Me With Flowers" reimagines floral motifs with geometric shapes, offering a contemporary take on traditional prints. "Dream Catchers" explores perception through its unique and shapely patterns. "Eyes in Reflection" presents a grid-like design interspersed with subtle rounded elements, providing a structured yet softened aesthetic. "Blossoms Time" focuses on woven textures and is available in a variety of solid colors, adding depth and tactile appeal to the collection. The most dynamic textile pattern, "Rhythms Surround You," layers colors, shapes, and patterns to create a complex and visually engaging design. In addition to its textile form, "Rhythms Surround You WC" is also offered as a wallcovering, expanding its application possibilities within commercial settings. The wallcovering collection further includes "Moving Mountains," a playful geometric pattern that adds a sense of movement and fun to walls, and "Shifting Motions," which delivers a kaleidoscopic explosion of color, creating a dynamic and energetic atmosphere. These wallcoverings are intended to bring Ilori's signature vibrant and fresh perspective to a broader range of commercial interior applications. The Yinka Ilori x Momentum collection is rooted in themes of cultural heritage, community, and the positive influence of joy in everyday life. Ilori's work consistently leverages bold colors and geometric patterns to create spaces that evoke happiness and well-being. This new venture into commercial textiles and wallcoverings allows his distinctive artistic vision to be integrated into larger-scale projects, making his cheerful and thoughtful designs accessible for offices, hospitality venues, and other public spaces. The collection aims to not only enhance aesthetics but also contribute to an atmosphere that encourages creativity and healing, reflecting Ilori's philosophy of design as a tool for positive impact. This collaboration marks a significant step for Ilori in extending his artistic reach into the commercial design sector, promising to bring his characteristic cheerfulness and thoughtful design to a wider audience. #YinkaIlori #CommercialDesign #Textiles #Wallcoverings #MomentumTextiles #InteriorDesign #GeometricPatterns #VibrantColors #CreativeSpaces

Once confined to mountain cabins, 1990s basements, and Swedish saunas, cedar walls are experiencing a significant resurgence in modern interior design. This wall treatment, historically associated with rustic aesthetics, is being reimagined by contemporary designers to offer warmth and a subtle evergreen scent without the dated appearance of its past iterations. The key to this modern revival lies in a strategic approach to finish, color palette, and accompanying decor. Traditionally, cedar paneling in its less desirable form was characterized by a glossy, orange-red tint, often paired with elements like Tiffany lamps and laminate flooring, contributing to an outdated look. However, a new generation of designers is proving that the natural beauty of unpainted timber—whether pine, cedar, or oak—can be elevated to create sophisticated and inviting spaces. The core principle for modernizing this material involves opting for a light, matte finish that preserves the natural texture and color of the wood. This approach moves away from heavy stains and glossy treatments, allowing the wood's inherent character to shine through in a more refined manner. To prevent the wood paneling from appearing overtly rustic or reminiscent of a bygone era, designers are integrating vibrant textiles, bold paint colors, and striking art pieces. These contrasting elements serve to modernize the space, injecting a fresh and contemporary feel while leveraging the warmth that wood naturally provides. The juxtaposition of natural wood with modern furnishings and decor creates a dynamic and visually appealing environment that transcends traditional cabin aesthetics. Max Humphrey, a Portland, Oregon-based designer known for his Americana aesthetic, exemplifies this trend by staining wood in lighter tones and pairing it with pale furniture. This method brightens the space and updates the classic wood-paneled look. Similarly, French designer Pierre Yovanovitch has adopted this style in projects like Le Coucou in Méribel, France. He maintains a monochrome palette, such as a rusty red-dotted carpet complementing a painted ceiling in the same hue, to update quintessential Alpine pine paneling. This cohesive color strategy allows the wood to integrate seamlessly into a sophisticated, contemporary design. Frances Merrill of Reath Design embraces the cabin vibe, enhancing the rusticity of wood planks with elements like checkered table skirts, oil paintings, and patchwork quilts. Crucially, she ensures the overall design remains current by incorporating furniture with clean, modern lines. This thoughtful balance prevents the space from feeling dated, instead creating a harmonious blend of rustic charm and contemporary elegance. The renewed interest in wood wall treatments signifies a shift towards natural materials and an appreciation for their inherent beauty when thoughtfully integrated into modern design schemes, positioning them as a compelling alternative to popular finishes like shiplap. #WallTreatment #InteriorDesign #CedarWalls #HomeDecorTrends #WoodPaneling #DesignInspiration #ModernRustic #HomeRenovation #MaterialRevival