Mathieu Lehanneur’s liquid marble installation makes a splash in France

The online tile retailer clé has unveiled its new Artist Cement Collection, a series of handmade encaustic cement tiles. This collection is a collaborative effort, featuring designs from eleven artist studios spanning Europe, South America, and the United States. The curated group of artists, architects, designers, and sculptors includes ALT for Living, Boris Aldridge, Coletivo Muda, Deborah Osburn, Erica Tanov, Gachot Studios, John Whitmarsh, Michelle Weinberg, Ruan Hoffmann, Sarah & Ruby, and Smink Things. The Artist Cement Collection showcases a diverse range of aesthetic styles, moving from bold, graphic geometric patterns to motifs inspired by nature, and even incorporating typography. Each tile is available in 8-inch by 8-inch square and hexagonal formats, offering flexibility in design application. A key feature of these tiles is their pre-polished and pre-sealed finish, which enhances their durability and versatility. This treatment makes them suitable for a wide array of applications, both indoors and outdoors, and for installation on either walls or floors, expanding their potential use in various architectural and interior design projects. Among the featured designs, Coletivo Muda contributes the 'Lagoa' tile, which appears multiple times in the illustrations, highlighting its distinct appeal. Michelle Weinberg's contributions include 'Pattern 1' and 'Pattern 2,' demonstrating a varied artistic approach. Smink Things presents several designs that bear its studio name, indicating a unique and recognizable style. Ruan Hoffmann offers a selection of patterns, including 'Amsterdam Express,' 'Arrow Dynamic,' and 'Bio Circuit,' each bringing a different visual narrative to the collection. Deborah Osburn's 'Manuscript Letters' introduces a textual element, adding another dimension to the tile offerings. Boris Aldridge provides 'Pattern 4' and 'Pattern 5,' showcasing his design philosophy. Gachot Studios also features 'Pattern 4,' suggesting a potentially different interpretation or variation from Aldridge's similarly named pattern. Erica Tanov presents 'Baccio' and 'Jacobson,' contributing unique artistic expressions. Finally, Sarah and Ruby's 'Pattern 5' completes the selection of artists and their designs, ensuring a rich and diverse collection for consumers and designers. The collection emphasizes both artistic expression and practical application. The use of cement as a medium for these artistic designs provides a tactile and durable surface, while the handcrafted nature of the tiles ensures uniqueness in each piece. The curated selection of artists from various global locations brings a wide spectrum of cultural and artistic influences to the collection, allowing for a broad appeal across different design preferences and styles. The collection aims to provide distinctive and high-quality options for residential and commercial spaces, allowing for personalization and artistic flair in surface design. #CementTiles #ArtistDesigned #EncausticTiles #HomeDecor #InteriorDesign #TileCollection #ArchitecturalSurfaces #HandmadeTiles #GlobalArtists

French artist JR has executed an optical illusion at the Louvre in Paris, making I.M. Pei's renowned glass pyramid appear to vanish. This intervention, which involves covering the pyramid with a black and white photographic simulacrum of the palace's grand architecture, creates an 'anamorphose' that perfectly aligns with the Pavilion Sully in the background. The project, which took place in May 2016, showcases JR's signature monumental photographic gestures, though this particular installation marks a significant shift from his usual focus on human faces. JR, known for his large-scale photographic projects in various global locations like the favelas of Rio de Janeiro and the Tate Modern, has primarily used human portraits to create iconic statements that emphasize demographics. However, his Louvre project represents an audacious architectural intervention. The glass and steel structure of the pyramid is camouflaged by an exceptionally precise scan of the historical building behind it, effectively transforming a modern architectural element into an extension of the classical Louvre façade. This initiative was undertaken in collaboration with the Louvre, which has a tradition of inviting contemporary artists to create temporary site-specific works. Discussions for the project began approximately a year before its execution, with technical details meticulously planned and implemented by the same specialists who worked on JR’s 2014 installation at the Panthéon. The installation process involved applying a specialized film that, upon close inspection, reveals an abstracted pattern resembling Ben-Day dot pixilation. JR confirmed that this film was designed not to leave any residue on the glass once removed. Every intricate detail of the pyramid's entry, from its recessed framing to the door pulls, was covered with pieces of the image to ensure total visual continuity and enhance the illusion. A notable aspect of the project is its self-funded nature, a principle JR maintains as crucial to his artistic practice. He emphasizes that his work is deeply intertwined with contemporary media and technology, utilizing digital photography, social networks, and a global presence without corporate branding. Despite the Louvre pyramid being a divisive structure among some Parisians, JR clarified that his project was not intended as a critical commentary on I.M. Pei’s design. Instead, the artist aimed to encourage a different kind of interaction with the pyramid, offering an ephemeral reinterpretation of an institution deeply rooted in preservation. JR acknowledges that the debate over whether the Louvre was ‘better before’ the pyramid is generational, noting that he grew up with the structure. The anamorphic image strategically covers only the outward-facing side of the pyramid, ensuring that visitors can still experience Pei's original creation from other vantage points. The project generated significant public interest, with queues forming to witness the 'disappearance.' To further engage the public, JR organized interactive programming over 24 hours, featuring artists such as Daniel Buren, Felice Varini, and Agnès Varda. These public events elevated the project beyond a mere artistic stunt, fostering a collective memory and shared experience. JR expressed his fascination with how the public would discuss, share, and remember the image once it was gone, anticipating that these memories would evolve and amplify the reality of the installation. The exhibition, titled *JR au Louvre*, ran until June 27th, and further details about the 24-hour program were available on the Louvre's official website. The installation was located at the Musée du Louvre, 75058 Paris, France. #ArtistJR #LouvrePyramid #OpticalIllusion #SiteSpecificArt #ContemporaryArt #IMPei #Paris #ArchitecturalIntervention

Heath Ceramics, renowned pottery makers, has introduced 'Mural,' their latest addition to a series of pre-configured tile pattern combinations. The inaugural design within this series is named 'Twill,' which incorporates the 'Little Diamond' shape from their 'Dwell Patterns' collection. This unique pattern is distinguished by its use of six distinct glazes, creating a multidimensional and visually intricate effect. The combination of these glazes is carefully curated to produce a mind-tripping aesthetic, where the interplay of colors and textures adds depth and complexity to the overall design. The Twill pattern is available in eight different color ways, each meticulously designed to offer a dynamic configuration. These color ways integrate both matte and gloss finishes across the six glazes, allowing for a varied sensory experience. The glazes are strategically applied to enhance the multidimensional aspect of the tile, with each color way presenting a unique visual narrative. The inclusion of both matte and gloss elements ensures that the tiles not only offer a diverse visual appeal but also a tactile richness. Among the eight available color ways, several notable options are presented, each with its own distinct character. 'Arctic' offers a cool and serene palette, evoking images of icy landscapes. 'Rhythm' suggests a more energetic and flowing visual, possibly through a harmonious arrangement of colors and finishes. 'Yarrow' likely features a warm and earthy tone, drawing inspiration from natural hues. 'Alabaster' provides a classic, subtle, and perhaps luminous option, indicative of its namesake material. 'Black Walnut' hints at a deeper, richer color scheme, possibly incorporating dark and sophisticated tones. Further options include 'Tide Pool,' which might display a blend of blues and greens, reminiscent of shallow ocean waters. 'Old Growth' could feature colors and textures that evoke ancient forests, suggesting a natural and weathered aesthetic. Lastly, 'Denim' points to a familiar, comforting blue, possibly with a textured finish that mimics the fabric. These diverse color ways demonstrate the versatility of the Twill pattern, allowing it to adapt to various interior design styles and preferences. The introduction of Mural and its Twill pattern underscores Heath Ceramics' commitment to innovation in tile design, blending traditional craftsmanship with contemporary artistic vision. The multidimensionality achieved through the careful selection and combination of glazes and shapes offers a new avenue for interior designers and homeowners to create visually engaging and sophisticated spaces. The article highlights the intricate details and thoughtful design process behind these new tile patterns, providing insight into the aesthetic considerations and technical execution. #HeathCeramics #MuralTile #TwillPattern #TileDesign #InteriorDesign #HomeDecor #MultidimensionalPattern #CeramicGlazes #DwellPatterns

This article details the journey of Amy and Bruce Paul in designing and decorating their 11,000-square-foot home in Rye, New York, focusing on integrating their extensive art collection into a cohesive interior design. Having previously lived in a post-modern home with traditional furnishings and a growing contemporary art collection, the Pauls sought to create a new residence where the exterior architecture and interior aesthetics were harmoniously aligned with their personal taste in design and art. Their objective was to construct a home that could comfortably accommodate their family of six while optimally showcasing their practiced and perfected collection of paintings and sculptures. The couple acquired a 13-acre estate in Rye before the 2001 World Trade Center attacks, subdividing it into seven lots and reserving a two-plus-acre parcel for their own home. They collaborated with builder Michael DiChiaro to construct a six-bedroom, seven-full-bath residence that offers views of a wooded yard, later enhanced with a pool and waterfall by Coral Sea Pools, and adorned with bronze sculptures by Mexican artist Bruno Luna. For the interior design, Amy Paul enlisted Joseph R. Stabile of J.R. Cattington, who had previously worked with them. Stabile and his team were involved from the ground up, providing input on architectural design, interior finishes, electrical layouts, and lighting selection. Stabile chose a palette of cream and gold to complement the Pauls' artwork and suggested structural modifications, such as adding a doorway to improve flow in the formal living room. Amy's primary design directive was for a "light and bright" home, which was achieved in the living room through buttery gold satin-striped fabric from Robert Allen for window treatments and crystal wall sconces by Crystorama. This room serves as a gallery for various notable paintings, including works by Janet Treby, Liane Abrieu, and Russian artists. The soft color scheme is accented by silk brocade wing chairs with colorful throw pillows and fuchsia and silk rugs from China. The family room continues the luminous theme with yellow walls, a toile pattern by Antonia Vella, Seabrook wallcoverings, and similarly colored fabrics in lemon, green, and persimmon for window treatments, pillows, and side chairs. Crystal chandeliers from Murano, imported by Castilian Imports, were chosen to coordinate with paintings by Isaac Maimon and Charles Levier. The coffered ceiling in a green apple shade with cream-colored woodwork further enhances the vibrant, garden-like atmosphere. Bruce Paul's personal space, a clubby card room, contrasts with Amy's preferences, featuring dark wood paneling, built-in bookcases, a bar, and masculine fabrics. This room, separated from the family room by a stone-front fireplace, includes Biedermeier chairs with leopard-print fabric and various personal artifacts. Stabile designed the fireplace with intricately carved mahogany lions and used a Serengeti Leopard carpet to connect Bruce’s adjoining office. The Pauls' children, Joanna, Ryan, Matt, and Jason, also contributed to the design of their respective bedrooms and bathrooms, incorporating elements such as Masland Carpets, Bernhardt furnishings, and Thibaut wallpapers. The master bedroom, with its vaulted ceiling, presented a challenge in scale, addressed by Stabile using Highland Court silk brocade for a cornice "headboard" that coordinates with custom curtains. The article highlights the Pauls' passion for art collection, which began with a French artist Charles Levier painting and expanded to include works from their travels to Europe, South America, Asia, and the Southwest. Despite concerns about diminishing wall space, their quest for art, driven by personal connection and memories from their travels, continues. #HomeDesign #InteriorDecor #ArtCollection #LuxuryHome #RyeResidence #JosephStabile #CustomDesign #ArchitecturalFeatures #PersonalStyle

The French design studio Bruit du Frigo has created a playful and thought-provoking installation titled 'Chamarande les bains' in the historic grounds of Chamarande, Paris. This unique sculpture features a series of wooden bathtubs extending outwards from a fountain, providing a contemporary resting spot within a site historically known for its emphasis on water and its exclusive use by nobility. The installation reimagines public spaces by blending art with everyday objects, inviting visitors to interact with the environment in novel ways. Historically, the Chamarande grounds were a renowned holiday destination, with water features being a significant element, though access was limited to the aristocracy. Over time, the site has transformed into a vibrant cultural and artistic center. Bruit du Frigo's intervention directly addresses this historical context by making the once-exclusive water experience accessible to everyone. The row of bathtubs, arranged in a fan-like pattern, visually connects to the central fountain, symbolizing an open invitation for public engagement. Not all bathtubs in the installation are filled with water; some are ingeniously fitted with cushions, serving as comfortable deckchairs. This dual functionality allows visitors to choose their level of interaction, whether they wish to immerse themselves in the 'bath' or simply relax and observe. This adaptive design caters to varying comfort levels and preferences, promoting a relaxed atmosphere within a public art setting. The presence of bright yellow ducks positioned at the edge of the basin adds a whimsical touch, designed to spit water into the fountain as the bathtubs are emptied, creating an engaging visual and auditory spectacle. The 'Chamarande les bains' installation transcends mere aesthetics, acting as a social commentary on accessibility and public space. By placing domestic objects like bathtubs in a grand historical park, Bruit du Frigo challenges traditional notions of art and public utility. The project aims to remind people that the park, with its rich heritage and natural beauty, is now a shared resource for all to enjoy, fostering a sense of community and inclusivity. This creative use of everyday items in an unexpected context transforms the visitor's perception of both the objects and the environment, encouraging reflection on the evolution of public spaces and their role in contemporary society. #BruitDuFrigo #ChamarandeLesBains #PublicArt #OutdoorInstallation #InteractiveSculpture #FrenchDesign #ParkDesign #CommunityEngagement

Ranieri's New Lava Range introduces a novel application and evolution of the glazed aesthetic within the design world, leveraging volcanic stone as its core material. The Campania-based company's innovative approach highlights the material's unique and varied composition through diverse cutting styles, glazes, effects, finishes, and colorings. Each piece of lava stone is a solidified expression of geological formation, characterized by surfaces rich in minerals, apertures, metallic shards, and matte fragments, offering inherent variations in shades, colors, textures, and mineral compositions that make it inherently distinct from other materials. Lava stone's versatility and strength provide a broader range of technical possibilities compared to traditional materials like marble and ceramic. This makes it suitable for a wide array of applications in both interior and outdoor design, including tiles, wall claddings, bar and kitchen countertops, outdoor furniture, bathtubs, sinks, reception desks, spa and wellness areas, and swimming pools, given its natural heat-retention properties. Ranieri's focus on enhancing the stone's inherent qualities marks a significant shift in its utilization, moving beyond ancient applications to contemporary design. The design studio's pioneering treatment of lava stone honors and amplifies its natural state, building upon the rich tradition of craftsmanship in the Campania region. By emphasizing the stone's heterogeneity and rich surfaces, Ranieri has developed a new aesthetic that renders lava an innovative and multipurpose design material. Originating from extreme heat, lava stone uniquely endures the high temperatures required for glaze application, enabling vibrant and diverse color effects. Ranieri's cutting techniques allow for the creation of sculptural, three-dimensional tiles and elements that can be thinly glazed. The brand offers a variety of glaze options, which, in addition to the stone's natural chromatic peculiarities, are transformative. These options include the 'Bare' variant, where the stone is carved but unmanipulated; translucent colorings; and tinted, smooth, and deep colorings. Tinted surfaces apply a sheer veil of color, accentuating the natural scintillations and clefts of the lava. Smooth colorings result in a highly polished, enameled finish with dynamic reflections and varied chromatic intensity, while deep colorings involve dense enamel application, achieving solid, profound, and intense hues unique to lava stone. By challenging conventional perceptions of lava stone—whether used in its raw form or completely covered by enamel—Ranieri’s methodologies introduce new design philosophies. These trailblazing techniques deliberately accentuate the nuances of the magma, recontextualizing and rejuvenating the material for contemporary design applications. #Ranieri #NewLavaRange #VolcanicStone #GlazedAesthetic #InteriorDesign #OutdoorDesign #MaterialInnovation #ArchitecturalMaterials #ItalianDesign

Ceramic artist Peter Lane's work is explored through a monograph, highlighting his distinctive approach to large-scale architectural installations and his unique position within contemporary ceramics. Lane's process typically begins on the studio floor, where he and his team lay a thick clay slab. This slab is then meticulously sculpted, marked into a grid, and cut into modular units. Each component undergoes separate glazing and firing, often featuring metallic leaf details in white gold, yellow gold, or palladium. The completed units are then installed on walls, with each composition conceived as site-specific, resulting in monumental pieces that blend art, craft, engineering, and architecture. Lane's prominence in contemporary ceramics stems from the sheer scale of his operations, exemplified by his 10,000-square-foot Brooklyn studio, which houses New York City's largest kiln capacity. His interdisciplinary work transcends traditional boundaries, integrating elements of sculpture, painting, architecture, and interior design. Initially a painter focused on materiality, Lane discovered ceramics through a serendipitous encounter with mid-century modern pottery. This led him to Greenwich House Pottery, an Arts and Crafts institution, where he quickly embraced clay. His early creations included functional lamp bases, but his artistic scope expanded significantly following trips to Japan in 1998, which exposed him to an aesthetic that valued both artistic pottery and decorative painting. This exposure inspired Lane to develop a versatile artistic idiom applicable across various contexts and scales, from tableware and vases to furniture, murals, and complete interiors. Renowned designers and architects, such as Chahan Minassian and Peter Marino, recognized his talent and began incorporating his work into their projects. Lane soon started receiving independent commissions, primarily for residential settings, where his genius for monumental bespoke work became evident. Consistency and variation are hallmarks of Lane's success. His works are immediately identifiable by their deep relief textures and gilt spheres, yet he continually discovers new possibilities within this established vocabulary. A significant variable is his glazes, which he formulates from scratch, utilizing minerals like cobalt, manganese, and copper to achieve a wide chromatic range. The grid structure, a practical necessity for tilework, is transformed by Lane into an element of sculptural interest, with striations, perforations, or accordion folds moving across the regular backdrop, preventing the grid from completely disappearing under the biomorphic forms. One of Lane’s most notable commissions to date is the interior for the Hôtel de Crillon in Paris, completed in 2017. Collaborating with Minassian and architect Aline Asmar d’Amman, he designed the walls for the hotel's swimming pool, which is part of a spa area beneath a courtyard. This project was part of a major renovation of the 18th-century building, aiming for a streamlined opulence that distinguished it from contemporary hotel renovations. Despite working on high-profile commissions and for celebrity clients like Robert Downey, Jr., Lane maintains an unpretentious approach, remaining hands-on in his studio daily, transforming raw clay into evocative installations that infuse spaces with mood and physicality. #PeterLane #CeramicArt #ArchitecturalInstallations #InteriorDesign #Sculpture #ClayArt #BespokeArt #Materiality #HôtelDeCrillon

This article discusses a recent art installation at the Dior Homme store in Paris, created by young Italian artist Andrea Mastrovito. The installation, inaugurated last Thursday, features a multitude of black decoupage butterfly replicas. These replicas are intricately arranged to serpentine across the ceiling and walls of the store's white interior, evoking a visual parallel to birds in flight, albeit with a less menacing and more aesthetic appeal. The project was specifically commissioned by Kris Van Assche, the artistic director for Dior Homme. His inspiration for this particular installation stemmed from his Fall/Winter '08 collection, which prominently featured butterfly motifs. This collection integrated butterflies into various clothing items, ranging from blazers and t-shirts to uniquely designed butterfly-shaped bow ties, showcasing a whimsical and distinctive aesthetic. The installation consists of nine thousand individual black decoupage replicas, meticulously placed throughout the boutique. The visual effect created by these numerous replicas is one of dynamic movement and artistic grace, transforming the space into an immersive experience for visitors. The choice of black for the butterflies against the white backdrop of the store enhances their visual impact, making them stand out as a striking design element. Mastrovito's work is intended to be a temporary exhibition, enhancing the store's ambiance for a limited period. The installation is scheduled to remain on display for one month, after which it will be dismantled. This temporary nature adds to its exclusivity and artistic appeal, encouraging visitors to experience it within its specific timeframe. The Dior Homme store, where this installation is housed, is located at 25 rue Royale, Paris 8ème. This address is a notable location in Paris, contributing to the prestige and visibility of the art project. The collaboration between a contemporary artist like Andrea Mastrovito and a high-fashion brand such as Dior Homme highlights a growing trend of integrating art into retail spaces, creating unique brand experiences that go beyond mere product display. Such initiatives serve to blend fashion, art, and design, offering a multifaceted engagement for the audience. The installation not only serves as an artistic statement but also as a homage to Kris Van Assche's past work and his enduring influence on Dior Homme's aesthetic. By reinterpreting a key motif from a previous collection, the project bridges different periods of the brand's creative history, providing a sense of continuity and evolution. The detailed craftsmanship involved in creating and installing nine thousand decoupage pieces underscores the dedication to artistic quality and the immersive experience sought by both the artist and the brand. This event contributes to the cultural landscape of Paris, positioning Dior Homme not just as a fashion retailer but also as a patron of contemporary art. #DiorHomme #AndreaMastrovito #ArtInstallation #ParisFashion #FashionAndArt #RetailDesign #KrisVanAssche #DecoupageArt

Contemporary interior design is witnessing a profound transformation, moving beyond mere aesthetics to create deeply personal, experiential, and expressive living spaces. This shift is marked by a resurgence of sculptures as primary design elements, transcending their traditional roles in museums and gardens to become integral components of architectural design within homes. Sculptures are now seen as instrumental in shaping the atmosphere and guiding movement within a residence, reflecting a growing appreciation for contemplative beauty in everyday life. Internationally recognized Indian sculptor Murtikar Naresh Kumar Kumawat, renowned for his Samudra Manthan mural in the new Parliament, emphasizes that sculptures are establishing themselves as a permanent fixture in interior design. Historically, Indian sculptures primarily depicted divine figures, animals, and intricate stone carvings. While these traditional forms continue to inspire contemporary aesthetics, modern Indian artists are broadening the scope to include abstract and kinetic art, utilizing diverse materials such as industrial steel, polished resin, and ceramic alloys. This evolution encourages residents and designers to approach the entire space as a canvas, where a singular, impactful sculpture can redefine the room's character. For instance, a large, abstract metal sculpture placed in a minimalist foyer can become a dynamic focal point, its raw energy invigorating an otherwise quiet space and complementing the overall architectural design. Sculptures possess a unique ability to engage viewers and redefine three-dimensional space in ways that two-dimensional paintings cannot. They invite interaction from multiple perspectives, influencing the flow and perception of a room. Designers are leveraging this characteristic, using sculptures to subtly direct movement and attention. A series of wall-mounted pieces, a rhythmically arranged collection, or a delicately suspended installation can guide the eye through a space. Furthermore, a strategically positioned large vertical sculpture in an open-plan living area can function as an elegant, non-physical divider, separating conversational zones from dining areas without the need for solid walls. This architectural utility is highly valued by individuals seeking distinctive living environments. There is a discernible trend among homeowners to view their residences as extensions of their identity, artistic preferences, and personal philosophies. This perspective has led to an increased demand for sculptures that function as small-scale architectural installations, indicative of a sophisticated artistic sensibility. In modern design, the selection of a sculpture often precedes furniture choices, with the artwork dictating the room's color palette, material textures, and lighting scheme. Subsequent furnishings are then carefully chosen to complement and support the sculpture, ensuring it remains the artistic nucleus of the space. In contemporary homes, sculptures are often placed to foster a seamless connection between indoor and outdoor environments. A robust stone or bronze figure, for example, can effectively anchor an interior, bridging the gap between sleek modern designs and the dynamic elements of a garden, thereby imparting a sense of timelessness and intentional connection with nature. Kumawat notes that this burgeoning artistic trend has significantly benefited the Indian contemporary art market. Homeowners are actively commissioning both emerging and established Indian sculptors for site-specific works, thereby fostering a stable and robust ecosystem for creative talent. This practice not only ensures an aesthetic fit tailored to individual homes but also cultivates a deep personal connection to local craftsmanship and artistic vision. The use of innovative and unconventional materials further enriches this trend. Sculptures crafted from reclaimed wood, repurposed textiles, or recycled industrial waste not only offer visual interest but also reflect a growing environmental consciousness and a commitment to responsible consumption among Indian consumers. Therefore, sculptures are no longer mere accents but central characters that structure and elevate modern Indian homes, transforming ordinary living areas into sophisticated, complex, and highly personalized works of art that capture a cultural moment characterized by optimism and discerning taste. #SculptureDesignTrend #HomeInteriors #ArchitecturalSculpture #IndianArt #MurtikarNareshKumarKumawat #ContemporaryArtMarket #SustainableArt #PersonalizedHomeDecor #ExperientialDesign

The Pigalle Duperré basketball court in Paris has transformed from a mere sports facility into a cultural landmark and social media phenomenon. Located in a formerly grey neighborhood between the ninth and 18th arrondissements, near the Moulin Rouge, this 600-square-meter outdoor space, once a carpark, is now a vibrant community hub and a significant tourist attraction. Its aesthetic appeal, characterized by constantly evolving colorful patterns and designs, has earned it a 4.5-star rating on Google Maps and a reputation as one of the most visually striking basketball courts globally. The court's creation was spearheaded by Parisian designer Stéphane Ashpool in collaboration with creative brands Pigalle and Ill-Studio. Ashpool initiated the project in 2009, with the motivation to provide young people in the neighborhood a safe and engaging place to play. Over the years, the court has undergone five distinct design iterations, each meticulously planned and executed. The design process for each iteration is elaborate, taking approximately six months and involving up to 20 people working on various aspects, including design, production, and specialized flooring. The choice of rubber panels made from recycled shoe soles ensures durability and playability in all weather conditions, addressing the challenges of its uneven ground and narrow strip layout. Financial backing from Nike has significantly supported the development and regular redesigns of the court. The court's global recognition is evident from the diverse array of visitors it attracts, ranging from local basketball enthusiasts to international tourists and even celebrities like actor Adam Sandler and NBA stars such as LeBron James and Kevin Durant, as well as rappers Central Cee and Skepta. The court's Instagram page boasts nearly 26,000 followers, highlighting its immense popularity and influence in the digital sphere. This widespread appeal underscores its role as a blend of sports, art, and urban regeneration. Ashpool acknowledges the viral trend of colorful courts that followed Pigalle Duperré's success, emphasizing the importance of not just aesthetics but also functional design to ensure a safe and healthy environment for players. Beyond its visual and recreational aspects, Pigalle Duperré fosters a strong sense of community. Ashpool, who has a long-standing affiliation with basketball, including playing in a French youth academy and coaching young players, emphasizes that the community is paramount. The court serves as a positive influence, offering a healthy outlet for teenagers and shaping the lives of many locals who have grown up with the court. The area around Pigalle Duperré has also experienced gentrification, with new businesses emerging, contributing to increased housing prices and attracting young professionals. Ashpool's design influence extends beyond Paris, with courts designed in Mexico City and Beijing, all sharing the distinctive blend of global appeal and unique colorways. His involvement in fashion is equally significant; he designed uniforms for Team France at the 2024 Paris Olympics and Paralympics and will do so for the upcoming Winter Olympics in Italy. This cross-pollination of sports and fashion highlights basketball's unique position at the intersection of these two industries, with players often setting trends. The growing popularity of basketball in France, spurred by figures like NBA Rookie of the Year Victor Wembanyama and the national teams' Olympic successes, further solidifies Pigalle Duperré's cultural significance as a colorful beacon in an otherwise grey urban landscape, bringing positive energy and fostering a healthy lifestyle within its community. #PigalleDuperre #BasketballCourt #ParisCulture #UrbanRegeneration #StephaneAshpool #SportsArt #CommunityHub #SocialMediaSensation #BasketballFashion

Photographer Sebastian Erras, known for his captivating series of mosaic floors, continues to expand his project by documenting diverse and imaginative tiled patterns across Europe and Cuba. Erras initially focused on the intricate floors found throughout Paris, meticulously capturing their unique designs. Over time, his project broadened to include other European cities such as Barcelona and London, where he discovered equally stunning examples of floor artistry. His work is primarily showcased on his Instagram account, @parisianfloors, where he shares his downward-facing photographic finds. The article highlights several of Erras's recent captures, including two distinct perspectives of a sea-themed floor located at the restaurant Le Bon Pecheur in Paris. One image features a friendly-looking crab rendered in mosaic, while another depicts a fantastically detailed conical shell. These examples demonstrate the variety and charm of the mosaic and tile work that Erras seeks out. The photographer's dedication to this niche subject reveals the often-overlooked beauty beneath our feet, transforming everyday surfaces into works of art. His collection serves as a visual archive of these intricate designs, many of which embody historical and cultural narratives through their patterns and motifs. By presenting these floors from a unique, direct-overhead perspective, Erras invites viewers to appreciate the craftsmanship and aesthetic appeal of these architectural elements, encouraging a closer look at the details that contribute to a space's character. His ongoing project underscores the importance of preserving and recognizing these traditional forms of interior design, which are often integral to the identity of the buildings they adorn. Erras's work not only documents these beautiful floors but also brings them to a wider audience, fostering an appreciation for the artistic heritage embedded in urban environments. The expansion of his project beyond Paris to other European and even Cuban locations signifies the universal appeal and presence of such decorative floorings, indicating a rich tapestry of design history waiting to be explored. #FloorArt #MosaicPhotography #TileDesign #SebastianErras #EuropeanFloors #ParisianFloors #ArchitecturalDetails #InteriorDesign #VisualCulture

The art collective rAndom International, known for their interactive and experimental works, has unveiled a monumental outdoor installation titled 'Tower: Instant Structure for Schacht XII' at the Zollverein Coal Mine Industrial Complex in Essen, Germany. This performative structure, a towering shower, cycles an impressive 30,000 liters of water per minute. The choice of location is particularly significant, as the world heritage site requires approximately 6 million cubic meters of water to be pumped out of its former mines annually to maintain the structural integrity of the entire region. The installation ingeniously harnesses this native resource to fuel its ambitious design. This marks rAndom International's first outdoor installation, following their highly successful 'Rain Room' project, which similarly featured large quantities of water in an architectural context. The 'Tower' creates an ephemeral, yet intensely loud, man-made storm, leaving a palpable film of moisture in the surrounding air. The controlled and structured application of such vast amounts of water animates the space, transforming the static architecture of the former industrial site into a dynamic, experiential environment. The project aims to explore new possibilities for engagement with and access to historic industrial spaces that were not originally designed for human or social interaction. It creates a striking juxtaposition between the simulated, temporary architecture of water and the solid, permanent buildings of the coal mine complex. 'Tower: Instant Structure for Schacht XII' was commissioned by Urbane Künste Ruhr for the RuhrTriennale 2013. The installation offers a unique sensory experience, allowing visitors to witness and interact with the immense power and movement of water on a grand scale. The constant flow and visible presence of water highlight the ongoing ecological and structural relationship between the site and its natural resources. By transforming a necessity—water removal from the mines—into a captivating art installation, rAndom International brings attention to the hidden processes that sustain such industrial heritage sites, while simultaneously offering a fresh perspective on architectural possibilities and the interplay between natural elements and constructed environments. The artwork's powerful visual and auditory components, combined with the tactile sensation of moisture, create an immersive experience that challenges perceptions of space, structure, and nature within an industrial setting. It invites contemplation on the history and future of such sites, and the potential for artistic intervention to reveal new layers of meaning and engagement. The installation ran daily from 10 AM to 1 AM until October 6, 2013, offering a temporary yet impactful transformation of the Zollverein complex. #ArtInstallation #InteractiveArt #WaterArt #Ruhrtriennale #ZollvereinCoalMine #OutdoorInstallation #EphemeralArchitecture #PublicArt #RandomInternational

The author, Camille Dubuis-Welch, recounts her recent trip to Paris, highlighting four interior design trends observed in various establishments, including homes, stores, cafés, and restaurants. The first trend identified is "Bibliothèque charm," inspired by a visit to the Cravan bar in Saint-Germain-des-Prés. The bar's Rizzoli Library on the second floor, designed by Ramy Fischler, showcased a cozy yet luxurious aesthetic. This space featured red velvet couches, Parquet de Versailles wooden floors, and a combination of built-in and free-standing bookshelves. The color scheme was neutral, complemented by clean lines and angular furniture, creating an open yet intimate atmosphere. This observation reinforced the "Bookshelf wealth" trend, prompting the author to consider incorporating similar design cues into her own reading nook. The second covetable trend is the "hint of unexpected marble." While marble is traditionally associated with kitchens and bathrooms, the author noticed its subtle integration into Parisian decor through accessories, statement lamps, and small side tables. This observation broadened her perspective on marble, suggesting its use in less conventional ways to enhance a home's aesthetic, particularly when aiming for a "Paris Grandma Aesthetic." This trend encourages a fresh approach to incorporating luxurious materials in unexpected details rather than solely in large-scale applications. The third trend is the striking "Red and white" color combination. Although summer color palettes often lean towards peach tones, the author found herself drawn to the classic red and white scheme prevalent in Parisian settings, including outdoor bistro chairs at Bar Bisou Paris. The article notes that by toning down the red and warming up the white, a high-contrast yet livable design can be achieved. An example from Les Bains Paris hotel illustrated how a rustier red paired with white can create an effortlessly cool and inviting space, especially when combined with sculptural furniture to add visual interest. Finally, the author observed a trend towards "Exaggerated sculptural decor." Examples included silver hot air balloons in Louis Vuitton window displays and voluminous light shades in restaurants. This trend suggests using subtle yet dramatic elements, such as curvaceous furniture or unique ceramic pieces, to elevate traditional Parisian interiors. The interplay of fluid shapes with angular architectural features, like marble hearths, can soften a space. The author also notes the use of gold and silver accents to inject life into a room. These observations collectively provide practical and inspiring ideas for readers looking to infuse their homes with a modern French aesthetic, moving beyond conventional country-style interpretations.

Lebanese designer Charles Kalpakian has introduced 'Rocky,' a credenza distinguished by its sharp, angular, and sculptural aesthetics. This design represents a three-dimensional interpretation of a traditional pattern frequently employed by cabinet makers, integrating optical illusions to manipulate perceptions of space and volume. The credenza's appearance dynamically shifts depending on the viewer's perspective, offering a constantly evolving visual experience. Crafted from steel, the 'Rocky' credenza features a subtly textured coating available in three distinct color options: black, blue, and aluminum grey. Each color choice enhances the credenza's angular forms, allowing the play of light and shadow to further define its sculptural quality. The steel construction ensures durability and a contemporary industrial aesthetic, while the textured finish adds a tactile dimension to the visual depth created by the optical illusions. Kalpakian’s design process for 'Rocky' involved extensive experimentation, including the use of 3D printed prototypes. These prototypes were instrumental in refining the precise angles and lines necessary to achieve the desired optical effects, ensuring that the credenza’s structure effectively tricks the eye into perceiving varying depths and forms. This meticulous approach highlights the designer's commitment to both innovative aesthetics and precise execution. The functionality of 'Rocky' is also carefully considered. The shelving units are designed to accommodate oversized books, reflecting a practical application for its unique structure. This feature ensures that the credenza is not merely a sculptural art piece but also a functional furniture item, capable of serving its primary purpose effectively while simultaneously acting as a striking design element within any interior space. 'Rocky' forms part of Charles Kalpakian's broader Middle Eastern furniture collection, which often explores the intersection of traditional craftsmanship with modern design principles and technological advancements. This collection frequently showcases his ability to infuse contemporary pieces with cultural resonance while pushing the boundaries of material and form. The credenza exemplifies his signature style, characterized by a blend of artistic vision and practical design. The piece challenges conventional perceptions of furniture by transforming static objects into dynamic visual experiences through the strategic application of geometric principles and optical play. Its versatile color options and robust construction ensure its suitability for a variety of interior design schemes, from minimalist to more eclectic environments. #CharlesKalpakian #RockyShelves #OpticalIllusions #FurnitureDesign #Credenza #SteelFurniture #SculpturalDesign #ContemporaryDesign #InteriorDesign

The article discusses the emerging trend of colored quartzite countertops as a departure from the long-standing popularity of all-white kitchens and marble. As color trends in home decor shift towards darker, more moody shades, countertops are following suit, with colored quartzite offering a bold and luxurious alternative. This natural stone, described as resembling agate crystal, is presented as a statement-making choice for kitchens, dining rooms, and bathrooms. Several factors contribute to the rise of this trend. Firstly, there's a growing interest in quartzite in general due to its natural stone aesthetic combined with low maintenance requirements, similar to man-made quartz. Nancy Epstein, founder and president of Artistic Tile, highlights that quartzite is a quartz-rich sandstone that undergoes recrystallization through heat, pressure, and chemical reactions, making it highly scratch and heat-resistant. This inherent durability appeals to homeowners seeking practical yet elegant solutions. Secondly, the desire for more durable, yet still chic, alternatives to marble has led to a broader availability of options. The article suggests that the ubiquity of white kitchens eventually led to a desire for change, prompting homeowners to explore colorful cabinets and, consequently, reconsider their countertop choices. The shift away from conventional white and vein-free surfaces indicates a move towards more personalized and expressive interiors. Epstein further explains that with people spending more time at home, the deep colors and engaging appearance of natural materials like quartzite can enrich living spaces and provide a sense of escape. For those who do not align with the 'cottagecore' aesthetic but still want their home to feel like a retreat, a vibrant quartzite, potentially paired with dark-hued cabinets or used as a striking dining room table, offers a compelling option. Colored quartzite is available in a wide spectrum of colors, including ocean-inspired blues such as Azul Bochira, vibrant emeralds reminiscent of 'Wizard of Oz,' and intricate combinations of orange, green, and gray. Its versatility extends beyond traditional kitchen and dining room applications; it can be used for bathroom walls, as a backsplash, or even for outdoor flooring. Epstein herself has quartzite floors in her pergola, attesting to its flawless performance and durability even in outdoor environments. She emphasizes its suitability for adding color to high-traffic areas due to its robust nature. The article concludes by suggesting that 2021 might be the year for homeowners to embrace bolder choices in home renovation, moving away from predictable designs and opting for materials that offer both visual impact and long-lasting quality. #HomeDecor #CountertopTrends #Quartzite #InteriorDesign #KitchenRenovation #NaturalStone #DesignTrends #HomeRenovation

The annual 1000 Vases exhibition in Paris, founded in 2018 by Francesco Pirrello, celebrates the vase not merely as a container for flowers, but as a standalone object of art. Pirrello's vision for the exhibition prioritizes unique pieces from independent and emerging artists, asserting that a truly good vase does not require flowers to demonstrate its aesthetic merit. This perspective was inspired by his friend Roberto Baciocchi, an Italian architect and avid vase collector. Initially conceived to feature a large quantity of works, symbolizing abundance and diversity much like the '1000-sheet' delicacy of mille-feuille or the fables of 1001 Arabian Nights, the exhibition ultimately adopted a 'less is more' approach, showcasing around 100 items. This adjustment aimed to allow visitors to appreciate each piece individually and engage with the artists. Pirrello observes that contemporary vase-making trends show a predominance of women artists and a preference for ceramic materials, noting that vases are accessible, affordable, and easily incorporated into any space, referring to them as "democratic objects." This year's 1000 Vases exhibition, running during Paris Design Week until September 8, highlights the works of eight participating artists, each bringing a distinct perspective and technique to the art of vase creation. Chous Ceramics, a duo from Sparta, Greece, presents hand-built sculptures that explore balance and tension, drawing inspiration from nature and Greek ceramic history. Their predominantly beige vases are characterized by voluminous bases and open, elegant rims. Belgium-based artist Dietmar Michiels, born in 1988, works with ceramic sculpture, employing coiling, plating, and throwing techniques with porcelain and glaze to create imaginative, creature-like pieces often accompanied by conversational titles. His work draws from everyday inner experiences, the mystical, historical art, the occult, and various cultural identities. Hellen Song, an artist from Shanghai now based in Toronto, uses ceramic vessels to delve into themes of the human condition, philosophy, and nature, often influenced by the supernatural and Impressionistic mark-making. Her exhibited stoneware vessel, with its blue and white tones, evokes a seascape, representing a range of emotions through the metaphor of water bodies. The collaboration between French artist Coco Brun and Mexico City-based Sten Studio yields the 'Mistico' vase, a geometric, multi-colored piece made from red travertine, Venetian marble, and pink onyx. This work pays homage to Meso-American culture, with each color carrying symbolic meaning related to rituals, fertility, and the balance of masculine and feminine energies, inspired by Meso-American architecture. Norwegian artist Karin Amdal presents 'Pluss', a pair of smooth, round terracotta pots designed to form a 'plus' sign when combined, showcasing her style of creating simple yet characterful pieces that often incorporate extensions or words. Amdal's inspiration stems from nature and everyday life, with her pieces designed to be open to interpretation and evoke a smile. Magdalena Zarychta, a multidisciplinary Polish artist specializing in decorative and stained glass, showcases her (COM)PRESSION vase. This hot-formed, blown glass object is hand-shaped, embossed, and features botanical markings, symbolizing traces of the past akin to fossils. Istanbul-based artist Sara Montazeri's coral reef-like artwork, crafted from stoneware clay, pays tribute to the 13th-century Sufi poet Rumi, incorporating his words "You are my soul and my world" in gold Farsi script, blending tradition with modern organic design. Finally, New York City-based writer and artist Emily Tate Moreu, inspired by ancient Greek pottery, creates minimalist, thoughtful pieces that explore the philosophies of form and human interaction, including greige vessels, abstract sculptures, and a stoneware candelabra. #VaseExhibition #ArtisticVases #CeramicArt #IndependentArtists #ParisDesignWeek #ContemporaryDesign #HomeDecor #SculpturalVases #DesignTrends

The ancient art of decorative plasterwork, known as stucco, is experiencing a resurgence, moving beyond its historical association with the affluent to become a contemporary design element. Originating with the Egyptians and refined by the Romans, stucco reached its peak during the Italian Renaissance and later found prominence in 18th-century Ireland, where stuccodores like Michael Stapleton adorned Georgian homes with intricate plasterwork. Examples of this historical craftsmanship, resembling delicate wedding cake piping, can still be observed in places like the Powerscourt Shopping Centre in Dublin. Historically, plaster finishes often served to imitate more expensive materials, such as marble. Scagliola, a Florentine plaster technique developed around the Medici era, perfectly mimicked the appearance of marble columns often seen in Irish Georgian houses. However, contemporary stuccodores, such as Paul Marlow from Belfast, emphasize that modern decorative plasterwork aims to celebrate its own inherent qualities rather than feigning other materials. Marlow differentiates his craft from standard plastering, likening the distinction to that between a joiner and a cabinet-maker. He views stuccodores as artisans who work with color and texture, not just smooth surfaces. Marlow creates his products from scratch using traditional ingredients like lime, marble flour, and earth pigments, which he claims yields superior results at a comparable cost to pre-mixed products. Despite its artisan nature, decorative plasterwork remains relatively expensive. For instance, Marmarino, a type of stucco resembling 'little marble', costs approximately €96 per square metre. However, this cost can be offset by eliminating the need for painting, as the color is embedded within the material, offering indefinite durability with proper care. Marlow notes that his own home, featuring various stucco finishes, will likely never require redecoration. His personal residence showcases different applications of stucco. The children's bedroom features a matt green Marmarino with a suede-like texture, priced around €108 per square metre. In the master bedroom, he utilized a Moroccan Tadalakt, a soft-looking finish with minimal color variation, in black oxide with a hint of cobalt blue, costing €156 per square metre. The living room boasts a shiny black ceiling panel made from stucco lucido, a fine grade of marble powder and lime polished with a hot iron. Marlow advises clients against choosing currently fashionable colors for these permanent installations, suggesting that trendy shades can quickly become tiresome. For those seeking a less permanent and more economical wall finish, the article introduces whitewash. Also lime-based, whitewash offers a distinct alternative to chemically-based paints. Edward Byrne of the Traditional Lime Company in Co. Carlow explains that whitewash possesses a "double-refractive index," causing light to bounce off it in two directions, contributing to the luminous and sparkling appearance of traditional Irish cottages. While historically applied annually for hygiene and mite control due to lime's antiseptic properties, modern application does not require such frequent re-coating. Whitewash is significantly more affordable, costing around €1 per square metre, although more sophisticated lime-based paints can reach €5 per metre. A crucial consideration for using pure limewash is the porosity of the wall; it will only adhere properly to a porous surface, a characteristic easily tested by observing water absorption. Traditionally, whitewash was not exclusively white, with colors varying across Ireland based on local mineral pigments, such as yellow in Adare and Limerick, pink in east Cork, and red in Wicklow from Avoca mine pigments. While some contemporary lime-based interior products still derive colors from earth pigments, others may incorporate non-organic ingredients, making expert consultation advisable before purchase. The article concludes by listing websites for Paul Marlow and the Traditional Lime Company for further information. #Stucco #DecorativePlasterwork #InteriorDesign #HomeRenovation #ArtisanCraftsmanship #LimeWash #TraditionalBuildingMaterials #PaulMarlow #EdwardByrne

This article highlights a remarkable Preston Hollow French transitional residence designed by Nixon Custom Homes, owned by Mary-Margaret and Drew Scaggs. The home exemplifies a blend of traditional French architectural elements with modern design, creating a timeless and classic aesthetic without excessive ornamentation. Key architectural features include a slate roof, groin-vaulted hallway, and beamed ceilings. The article emphasizes the owner's bold and inspiring use of color throughout the home, setting it apart from many properties. The foyer makes a memorable statement with black and white marble flooring in a checkerboard pattern, a brass-altered handrail, and a staircase adorned with Stark’s Missoni carpet. The dining room features walls lacquered in Farrow & Ball’s Peignoir, painted by Martin Painting Corporation, with color inspiration drawn from a painting discovered at Round Top. The room is further enhanced by a rock crystal and brass chandelier from Nick Brock Antiques. A standout feature is the family room, which boasts custom-colored panels by Iksel. These panels are a homage to a first-century BCE fresco from Livia, the wife of Roman Emperor Augustus, offering a unique historical connection and a personal recreation of Livia’s Garden. The breakfast room incorporates Lee Jofa wallpaper with a tile-patterned design between its beams. Another distinctive space is the Mahjong room, inspired by its Patterson and Flynn Moulins Dusty Rose abaca floor covering. The room's paint color was matched to Thibaut Sisal wallpaper, creating a warm, enveloping atmosphere, and features a Moroccan light fixture sourced from Etsy. In contrast, the library serves as a retreat for Drew and his friends, notable for its preserved natural woodwork, offering a refreshing departure from painted home offices. The home measures 7,251 square feet, with five bedrooms and seven bathrooms. The Scaggs completed the extensive interior design work within six months, adhering to Mary-Margaret’s motto of thoughtful and effective decision-making. Her approach prioritized cohesion, ensuring that each room flows seamlessly into the next, creating a harmonious and joyful living space. The exterior features a backyard with a pool, spa, a screened-in porch with motorized screens, and a fully equipped summer kitchen. The property, located at 6223 Park Ln. in Dallas, Texas, is listed by Allie Beth Allman Realtor Erin Young for $4.75 million. The article concludes by presenting this home as a significant opportunity for prospective buyers to acquire a beautifully designed and thoughtfully curated residence. #PrestonHollow #FrenchTransitional #HomeDesign #InteriorDesign #LuxuryRealEstate #ColorPalette #NixonCustomHomes #DallasLuxuryRealEstate #NixonCustomHomes