Marble table pushes the boundaries of furniture manufacturing

The "Bolete" table series, a collaboration between Hong Kong-based architect and sculptor Henry D’Ath and design-art duo Batten and Kamp, introduces a family of limited-edition coffee and side tables. These pieces are distinguished by their mushroom-like forms, crafted from hand-carved solid wood and natural stone. The design integrates the sculptural weight typical of permanent furniture with a flexible, modular approach that features configurable, overlapping surfaces. The genesis of the Bolete series traces back to a custom commission where Batten and Kamp recognized a natural synergy between D’Ath’s carved wood creations and their signature raw stone bases. This initial insight led to the formal collaboration and the development of the Bolete collection, emphasizing a harmonious blend of two distinct material elements. Each table in the Bolete series is meticulously carved by Henry D’Ath, who allows the intrinsic patterns of the wood grain and the natural contours of the stone to guide the creation of subtly organic shapes. The wooden tops are available in two finishes: a natural, sealed varnish that highlights the wood's inherent beauty, or a glossy black finish achieved through layers of calligraphy ink. The choice of wood for the tops is Camphor, a variety prevalent in China and Japan, known for its aromatic properties and natural insect-repellent qualities. For the bases, raw Taishan Granite stones are used. These stones are culturally significant, often featured in Zen gardens, and are admired for their grey-white hues, reminiscent of the dramatic Karst Mountains. Each granite base is individually sourced and intentionally left untreated, ensuring that every table possesses a unique character. The collaboration is deeply rooted in the shared heritage and mutual admiration among Alexandra Batten, Daniel Kamp, and Henry D’Ath, all originally from New Zealand but now working together in a Hong Kong studio. This shared background is reflected in the design philosophy, which embraces natural materials, robust forms, and simplicity—elements integral to New Zealand aesthetics—while also incorporating local materials and subtle Zen influences. Alexandra Batten describes the collaboration as effortless, stemming from a lifelong connection and shared artistic vision. Initially launched as a side table in 2023, the Bolete series has expanded to include coffee tables. The modular nature of the design is key, allowing for diverse configurations and sizes through the arrangement of overlapping surfaces, which enhances the collection's adaptability and aesthetic appeal. The tables are produced in limited editions, with eight pieces plus four artist proofs available per configuration, highlighting their exclusivity. Plans are underway to exhibit the series in major art and design hubs, such as New York or Paris, in 2025, further solidifying its presence in the global design landscape. The project was submitted through a DIY submission feature, reflecting a direct engagement with the creative community. #FurnitureDesign #Woodwork #StoneCraft #TableDesign #ModularDesign #LimitedEdition #DesignCollaboration #NaturalMaterials #HandCarved

SolidNature, a Dutch stone supplier known for collaborating with architects and designers on custom projects, frequently accumulates offcuts from its high-profile commissions. Recognizing the potential in these leftover materials, the company engaged Budde, a design studio based in Cologne, Germany, to explore innovative ways to repurpose them. This collaboration resulted in the creation of 'Five x Seven,' a limited-edition furniture collection comprising five distinct tables: a console, and various coffee and side tables. The Budde studio, led by founders Johannes Budde and Meike Papenfuss, developed a concept that showcases the inherent beauty and variety of natural stone. The collection utilizes seven different types of stone, including marble, onyx, granite, and travertine, sourced from SolidNature's inventory of offcuts. Each table is meticulously crafted by combining slabs of these diverse stones, which are then layered together to create a visual effect reminiscent of sedimentary rock formations. A distinctive design element of the collection is a slim, carved arch integrated into all four sides of each piece. The layered construction of the tables results in muted stripes of cream, pink, green, and gray, offering a dynamic aesthetic that changes depending on the viewing angle. This design approach not only highlights the unique characteristics and rich color palette of each stone type but also addresses the issue of material waste by transforming what would otherwise be discarded into valuable and aesthetically pleasing furniture. The 'Five x Seven' collection is presented as a limited edition, emphasizing its exclusivity and artisanal nature. However, SolidNature also offers the possibility of custom pieces, allowing clients to commission tables tailored to their specific preferences and design needs, further expanding the collection's adaptability and appeal. The collection is exclusively available through the Rossana Orlandi Gallery, a renowned platform for contemporary design that champions innovative and sustainable practices. The partnership with Rossana Orlandi underscores the collection's artistic merit and its place within the high-end design market. By transforming remnants into sophisticated furniture, the 'Five x Seven' collection demonstrates a commitment to sustainable design principles while celebrating the enduring appeal and versatility of natural stone. #furnitureDesign #naturalStone #SolidNature #BuddeStudio #tableCollection #sustainableDesign #RossanaOrlandiGallery #interiorDecor #materialInnovation

The ancient art of marbling, traditionally found in antique books with its distinctive swirling and veined patterns reminiscent of Carrara quarries and Florentine workshops, is experiencing a significant resurgence in contemporary design. This centuries-old technique, once confined to specialized applications, has now permeated various aspects of modern aesthetics, from high fashion to home decor. The trend's widespread adoption is evident through its incorporation into collections by notable designers and brands. For instance, Rachel Comey has featured kaleidoscopic marbled prints in her collaboration with Target, making the sophisticated pattern accessible to a broader audience. In the realm of home decor, prominent ELLE DECOR A-List designers, such as Beata Heuman, are actively integrating marbled objects and fabrics into their clients' residences. This signifies a high-end endorsement of the trend, demonstrating its versatility and elegance in interior spaces. Beyond bespoke designs, a multitude of products are available for individuals looking to infuse this dreamy, rippling motif into their own homes. Entertaining experts and lifestyle brands, including John Derian, Rebecca Gardner, and Skye McAlpine, are offering their unique interpretations of marbling across various household items. Key product categories showcasing this trend include tabletop linens, such as those from Summerill & Bishop, which recently launched a collection of marbled linen tablecloths in multiple patterns. John Derian's shop features an array of marbled pieces, from decoupage items and papers to a unique collaboration with Astier de Villatte, and newly added marbled tabletop additions like plates, platters, and bowls crafted using a specialized stamping technique by Sylvie Saint-Andre Perrin in Paris. Decorative trays, exemplified by Wolfum Handcrafted Wooden Mix & Match Trays, offer a practical and stylish way to incorporate the pattern for organizing trinkets or serving. Dinnerware also embraces the marbled aesthetic, with brands like Bornn offering multicolor enamel sets featuring soft marbled patterns in various hues. Lighting fixtures are not left out, with Rebecca Gardner's Houses & Parties offering a range of marbled paper lampshades in diverse colors and swirls, alongside other marbled items such as party crackers, cachepots, lanterns, and scented candles. The trend extends to stationery, with Skye McAlpine's collaboration with Papier resulting in a line of marbled products including menu cards, place cards, and customizable recipe journals. Even luxury home accessories like candles are seeing this revival, as seen with the Acqua di Parma Oh L’Amore Candle, which comes with an elegant Carrara marble stand, a collaboration involving Artemest and the historic Giannini bookbinding company. Smaller decorative accents also feature marbling, such as Chantico Fireplace Matches from Ark Elements, which also offers marbled plates and bowls. Hand-marbled candles from BrightnessVermont showcase the pattern in various color schemes, highlighting its artisanal appeal. Furthermore, textiles play a significant role, with Beata Heuman's Dappled Velvet fabric available by the yard and in pillows, and Susi Bellamy's Mulberry Fantasy Marbled Velvet Square Cushion drawing inspiration from Florentine artistry. Finally, the trend makes a bold statement in wallcoverings, with Voutsa's collaboration with Lambert McGuire Design on an eye-popping marbled wallpaper used in the Hotel Saint Vincent, demonstrating the pattern's capacity to transform entire spaces. #MarblingTrend #HomeDecor #InteriorDesign #TabletopDecor #TextileDesign #DesignerCollaborations #LuxuryHome #ArtisanCraft #PatternResurgence

Industrial designer Robin Grasby has launched a new furniture collection crafted from Altrock, a unique material he developed. Altrock is composed of marble offcuts, sourced from luxury marble workshops, suspended in resin. This innovative material, first unveiled at the end of last year, is 87 percent recycled stone, making it a sustainable alternative in the design industry. The inaugural furniture line, showcased at this year's London Design Fair, features three primary pieces: a coffee table, a console, and a dining table. Grasby's intention behind designing these fundamental items was to demonstrate the versatility and adaptability of Altrock. The base designs can be extensively customized to create a wide array of furniture, catering to diverse functional and spatial requirements. Altrock's fabrication method allows for a broad spectrum of colors, achieved by combining different resins with various types of reclaimed stone. The material's unique aesthetic highlights the raw beauty of marble, with its broken edges and chaotic shapes bringing out the natural textures and materiality often lost when marble is used in large, polished slabs. Grasby emphasizes that the material aims to showcase the inherent beauty of marble, which results from millions of years of natural geological processes. A key aspect of Altrock's design flexibility is its mitring technique. This method involves creating angled cuts in the Altrock slabs, which are then rejoined. This allows for the creation of various geometric shapes and gives the appearance of both a solid mass and a folded, sheet-like surface. The process is designed to be highly efficient, with minimal waste generated during cutting and 'folding.' The seamless appearance of the rejoined slabs is further enhanced by a meticulous color-matching technique. This process ensures that the resin used to bond the slabs perfectly complements the base color of the Altrock material and the colors of the embedded marble pieces. Altrock has already found practical applications, such as in Hølte's East London design studio. Here, the material is used to create made-to-order fronts and worktops for IKEA kitchens, showcasing its potential for integration into existing design systems. The launch of the Altrock furniture collection at the London Design Fair aligns with a broader trend towards sustainable design, a significant focus of this year's London Design Festival. The festival featured numerous projects emphasizing recycling and the reuse of materials that would otherwise contribute to landfill waste. Examples include tableware made from industrial clay waste and an exhibition composed entirely of wooden dowels leftover from a previous installation. Grasby's Altrock collection stands out as a notable contribution to this movement, demonstrating how waste materials can be transformed into high-quality, aesthetically pleasing, and customizable furniture pieces, thereby promoting a more circular economy in design. #Altrock #FurnitureDesign #ReclaimedMarble #SustainableMaterials #LondonDesignFair #Terrazzo #IndustrialDesign #MaterialInnovation #BespokeFurniture

Electronic waste, or e-waste, significantly contributes to the global trash problem, with gadgets and devices frequently ending up in landfills at the end of their lifecycle. Joe Doucet, a designer known for his minimalist and thought-provoking aesthetic, has addressed this challenge by creating a piece of furniture that highlights the potential for repurposing discarded materials into functional and aesthetically pleasing objects. Doucet's OLO Table is a prime example of sustainable design, crafted from electronic waste such as old refrigerators, keyboards, and computer mice, which are given a new purpose. The core material used in the OLO Table is Polygood Oyster, manufactured by The Good Plastic Company. This material is made from polystyrene meticulously extracted from various electronic waste sources. Once collected, the polystyrene undergoes a thermoforming process, utilizing heat and pressure to mold it into the desired shapes, specifically for the table's base. The distinctive characteristic of Polygood Oyster is its inherent beauty derived from the recycling process; it retains colorful flecks and fragments from its original electronic components. These visual elements are not considered imperfections but rather serve as a historical narrative, with each table subtly telling the story of its previous life. This unique visual aspect adds considerable depth and character to the OLO Table, making it a compelling conversation piece. The table's design further reinforces its sustainability message through its fluid geometry, featuring a seamless and monolithic top that transitions into semi-circular legs. This continuous form visually embodies the closed-loop design philosophy advocated by both Joe Doucet and The Good Plastic Company. This approach emphasizes the cyclical nature of materials, where discarded resources are reintegrated into a closed system, thereby minimizing waste and maximizing material value. More than just an attractive furniture item, the OLO Table conveys a significant message about circularity and the inherent value found in waste. By utilizing discarded electronics, Doucet directly confronts the escalating issue of e-waste, transforming what is typically considered refuse into a desirable and practical object. This innovative method challenges conventional perceptions of waste and underscores the considerable potential for creative upcycling within the design industry. Although the OLO Table is a unique, one-off creation with no current plans for mass production, it stands as a powerful statement on sustainable practices. #Ewaste #SustainableDesign #ClosedLoopDesign #FurnitureDesign #RecycledMaterials #PolygoodOyster #JoeDoucet #ProductDesign #CircularEconomy

The "Ideas for Business" initiative, launched by DesignWanted in May, aimed to reimagine the side table, a typically overlooked domestic object. The call challenged designers to explore new functionalities, materials, and meanings for this common furniture piece, in response to evolving domestic life and contemporary living. This platform connects designers with industry stakeholders to foster the development of innovative, relevant, and thoughtful projects through open calls and competitions. Over 150 proposals were submitted, each demonstrating creativity and effort. A jury comprising Juan Torres, DesignWanted’s Creative Director; Mario Alessiani, product designer; and Denis Aktay, designer and founder of DEZIN, selected three winning projects. The criteria for selection emphasized not only design quality but also the projects' ability to reflect and adapt to a changing understanding of domestic spaces. The modern home's side table is no longer merely a surface for books and lamps; it must accommodate diverse activities, serving as an office, lounge, or personal retreat. The winning designs stood out for their unique interpretations of care, intimacy, and daily life, illustrating how a simple object can become emotionally resonant, sculptural, or intelligently designed. The call revealed that the side table can act as a micro-stage, capable of shifting the narrative of domestic life and reflecting broader themes such as sustainability, technological integration, emotional well-being, and the increasing fluidity of home spaces. The selected projects underscore that effective contemporary design can be subtle, attentive, and purposeful without being overtly radical. Each of the three winning entries embodies distinct aspects of DesignWanted's research focus. "Bable" by industrial designer Abin Rajendran, a side table that subtly integrates ambient lighting, gentle notifications, and a ring light, reimagines the home robot without resorting to typical tech aesthetics. Its strength lies in its poetic restraint and emotional tuning, aiming to blend seamlessly into the domestic environment and provide quiet care. "Ardea" by product designer Giuseppe Campanale, is a sculptural and architectural piece that serves as both a shelf and a light. Its elongated vertical form impressed the jury with its formal coherence and its delicate balance between functionality and artistic expression, offering a calm presence in an interior space. "Bale" from Copenhagen-based Bundle Studio, is a highly functional side table crafted from a bio-composite of flax fiber and PLA. Designed for the living room, it functions as both storage and seating, featuring four thermo-pressed panels joined by visible snap rivets. This design was recognized for its material honesty, emotional clarity, and inherent adaptability, making it approachable, repairable, and ready for practical application. The diversity of the winning projects, which included speculative technologies, handcrafted aesthetics, modular systems, and social rituals, highlights the richness of the submissions received. All entries utilized the side table as a means to observe and re-envision contemporary living. This first edition of the call demonstrated that such initiatives can foster a dynamic dialogue between designers and their innovative approaches, reaffirming that even minor domestic details warrant reconsideration in a design landscape that often prioritizes revolutionary concepts. The three winning designers will receive dedicated editorial features, social media promotion, and newsletter inclusion to amplify their work within the DesignWanted community. DesignWanted encourages designers to participate in future "Ideas for Business" calls to share their visions. #Design #FurnitureDesign #SideTable #ProductDesign #InnovativeMaterials #SustainableDesign #HomeDecor #DesignCompetition #DomesticLife

The perception of marble in interior design is undergoing a significant shift, moving away from subtle, softly-veined varieties like Carrara and Calacatta Gold towards bolder, more expressive types. While marble remains a timeless and enduring material due to its natural diversity in color and veining, current interior design trends favor marbles that make a distinct statement. This evolution in taste is prompting designers to explore a wider range of marble options, each offering unique visual characteristics and contributing to a more dramatic and original aesthetic in modern spaces. Interior designers are increasingly drawn to marbles with generous sweeps, bold, expressive swirls, deep tonal variations, and dynamic veining, which resemble abstract art. Greg Natale, a prominent interior designer, emphasizes that these rich and vibrant materials, when mixed in unexpected combinations, bring drama, originality, and sumptuousness to a space. The inherent solidity and permanence of stone are balanced by the natural material's softness and warmth, making it a versatile choice for various applications. Several specific types of marble are gaining popularity among designers for their unique qualities. Arabascato marble serves as an ideal transition for those seeking a step up from traditional Carrara and Calacatta. Its slightly darker and more defined veining offers a statement without sacrificing a calm and mellow feel, as exemplified in a muted mushroom and marble kitchen by And Studio featuring Arabascato Corchia marble countertops. This choice contributes to a calming color palette that creates an inviting atmosphere. Palladian marble, while still on the softer side, introduces more intriguing undertones, providing a distinct character. In a stylish kitchen by Smac Studio, Palladian marble used for backsplashes, countertops, and shelving demonstrates its depth and uniqueness, with pink, orange, and bronze tones within its veins that inspire surrounding material choices. Rosa Portugués marble marks a turn towards colored natural stones. Its soft baby pink hue is contrasted by dark black and grey veining, elevating it to a sophisticated and mature aesthetic. YSG Studio's modern bathroom design effectively utilizes pink marble to infuse energy into a pared-back space, delivering a 'wow-factor' without being overly saccharine. Viola marble makes a significant impact through its high contrast, featuring clearly defined black and white shades that are bolder and more striking than Arabascato. However, its strong presence can be overwhelming if not used judiciously, and some designers, like Joan Enger of J. Patryce, note its potential for overexposure as a copycat trend. For a dramatic atmosphere, Rosso Levanto, a rich burgundy marble, is a favored choice. Brooklyn-based design studio Le Whit incorporated this marble for a bathroom vanity, creating a moody and intimate setting that balanced the home's airier public spaces with a touch of warmth and dramatic saturation. Monet marble, a white-based variety with warm undertones, is a micro-trend that complements neutral decorating schemes. Shona of Smac Studio used Monet marble for a striking, monolithic vanity in a small bathroom, highlighting its dramatic and unexpected qualities. She suggests that such expressive marbles are particularly effective in smaller spaces like powder rooms, where they can stand as glorious focal points without overwhelming a larger area. Breccia Capraia marble, with its subtle undertones, can define a room's color scheme. In a Manhattan apartment kitchen, the purple veining of this marble complemented pink accents, creating cohesion. Designers Corey Kingston and Liza Curtiss meticulously selected slabs to ensure a harmonious installation. Finally, Taj Mahal marble, with its soft, tonal beiges, contributes to a zen atmosphere in spaces like a La Quinta home designed by AMB Design. Its textural quality enriches the design without creating a bold contrast, allowing it to subtly complement lighting and shelving, embodying a subdued and elegant aesthetic. #MarbleTrends #InteriorDesign #NaturalStone #HomeDecor #KitchenDesign #BathroomDesign #LuxuryInteriors #MaterialTrends #DesignStatements

Marble, a natural stone esteemed for centuries in building and decorating, remains a luxurious and timeless material in interior design. Despite evolving trends, experts affirm its enduring appeal, attributing it to its natural character, diverse color and texture variations, and inherent durability. While marble is undeniably popular for kitchens, bathrooms, flooring, and decorative accessories, its practicality, especially in high-traffic areas, and cost-effectiveness are factors designers consider. In kitchens, marble is celebrated for its elegant and luxurious aesthetic as a countertop option. However, its softness and porous nature make it susceptible to staining and chipping. Designers like Naomi Astley Clarke suggest quartz as a practical alternative, offering a similar natural stone look with enhanced durability and resistance to stains and scratches. Claudio Corniola of Laminam highlights porcelain slabs as another innovative option, capable of emulating marble's appearance without the high maintenance and cost. These alternatives cater to those seeking marble's aesthetic without its specific care requirements. For bathrooms, marble is a favored choice due to its natural water resistance and ability to create a spa-like ambiance. Designers recommend honed finishes over polished ones in wet areas to improve durability and reduce slipperiness, advising against dark marble for these spaces. The versatility of marble extends beyond primary surfaces. Interior designers such as Artem Kropovinsky and Kristina LoMonaco emphasize incorporating marble through accent pieces like trays, coasters, and lamp bases. These smaller elements provide an effortless way to introduce luxury, offering an accessible entry point for those on a budget or looking to add subtle sophistication. Kristina LoMonaco particularly notes how marble, when combined with warmer materials like wood and textured fabrics, can modernize a space. When it comes to flooring, marble provides a classic and opulent foundation, though it is typically a more expensive option. Patricia Knight of Zinnia Design Studio underscores marble's timelessness and artistic potential but also points out its porosity and susceptibility to scratches, necessitating frequent sealing. She suggests modern alternatives like sintered stone products, such as Neolith, which offer strength, durability, and a more sustainable profile. These alternatives allow for a marble effect without the premium price or intensive upkeep. Overall, the consensus among interior designers is that marble transcends fleeting trends. It is viewed as a classic, sophisticated, and versatile material that continues to bring a unique, luxurious, and timeless quality to any home, regardless of style or age. The material's natural beauty and ability to create an indoor-outdoor connection ensure its lasting presence in interior design, even with the rise of more affordable and practical alternatives. #MarbleTrends #InteriorDesign #LuxuryMaterials #KitchenDesign #BathroomDesign #HomeDecor #NaturalStone #DesignAlternatives #TimelessDesign

Marble, once a less common choice in American homes, has seen a significant resurgence in popularity, especially over the last two decades. While historically requiring extensive persuasion from designers to convince clients of its appeal, advancements in fabrication technology and a more robust global supply chain have made natural stone more accessible and affordable. However, the market for surface materials is currently experiencing shifts due to the rise of engineered quartz-based options and evolving client expectations. This has led to a dynamic environment where natural stone purveyors and designers are adapting to new challenges and opportunities. The natural stone industry, particularly marble, remains largely traditional, characterized by numerous family-owned quarries operating independently rather than being consolidated under large corporations. This structure emphasizes the importance of personal relationships between distributors and quarries, which can significantly impact the quality and quantity of stone available. For instance, obtaining a sufficient number of matching slabs for large-scale projects can be challenging, requiring designers to select stone earlier in the design process and sometimes even travel directly to source materials from regions like Italy. The increased demand for marble is evident, with designers incorporating it into nearly all projects, especially in bathrooms where clients seek unique aesthetics. While granite's popularity has waned, marble continues to be highly sought after. However, the kitchen countertop market has seen significant inroads by engineered quartz. Brands like Cambria, Caesarstone, and Cosentino have improved their products, making them competitive with natural stone not only in terms of functionality but also often in price, as high-end quartz can sometimes be more expensive than natural stone. Clients are increasingly drawn to the durability of synthetic options, despite ongoing debates about the practical differences between the two materials. Technological advancements have also benefited natural stone, with improved sealants and honing techniques addressing previous concerns about scratches and etching. Better high-resolution imaging and faster sample delivery have further streamlined the selection process for clients. Despite these improvements, quartz has captured a considerable share of the middle and lower-tier market segments, particularly in kitchens. This has prompted natural stone suppliers to focus on the high-end residential sector, cultivating relationships with architects and designers to cater to exclusive projects. Companies like Marmi emphasize a high-touch service model, offering dedicated project managers, proprietary templating software, and in-house fabrication for complex designs. They also actively monitor design trends to curate relevant stone selections. Selecting natural stone has evolved from a perceived chore into a luxurious experience. Designers are increasingly involving clients in the selection process, sometimes even organizing trips to quarries in places like Carrera, Italy, to choose specific blocks of marble. These experiences are seen as a competitive advantage and align with a broader shift in luxury consumerism towards experiences rather than just objects. For those unable to travel to quarries, distributors like Artistic Tile have created showroom experiences that mimic art galleries, offering bright lighting, ample browsing space, and personalized assistance. They also organize tours to significant quarries, enhancing the educational and experiential aspect for designers. This immersive approach leverages social media's influence in generating interest in raw materials, attracting clients who may visit these galleries even without a designer. The future of natural stone appears stable, with industry experts agreeing that while the market is evolving, it is not in decline. White marble kitchens, in particular, are considered timeless. The unique and artistic qualities of natural stone cater to a growing desire for personalization and self-expression in home design. Despite the strong competition from quartz, proponents of natural stone highlight its inherent beauty and, for some clients, its natural properties, which address concerns about off-gassing associated with synthetic materials. Ultimately, the choice often comes down to individual preference, with purists continuing to favor the authenticity and unique character of natural marble. #MarbleDesign #NaturalStone #KitchenDesign #BathroomDesign #InteriorDesignTrends #QuartzCountertops #LuxuryMaterials #MaterialSourcing #DesignProcess

Another Brand, a furniture company, has introduced the Primo Terrazzo Tavolini tables, a new addition to their product line that leverages the aesthetic and durable qualities of terrazzo. These tables represent the first in a series of terrazzo products the brand is developing, serving as an updated version of their existing Primo collection, which was designed by creative director Theo Williams. The Primo Terrazzo Tavolini tables are characterized by their structure, featuring a cubic column support that rests on a circular base. These tables are available in various sizes—small, medium, and large—making them suitable for diverse applications within a home environment. The design emphasizes both functionality and a distinct visual appeal that integrates seamlessly into residential settings. The brand highlights terrazzo's appeal, attributing its recent resurgence in popularity to its "endless potential for colouration and customisation." This characteristic allows for significant design flexibility, enabling each piece to possess a unique visual identity. Furthermore, terrazzo is noted for its ability to evoke the "luxury and strength of marble," providing an opulent yet robust material choice for furniture. Terrazzo is a composite material created by embedding marble offcuts into cement. This traditional technique, which has been utilized for centuries, results in the distinctive mottled patterns seen in terrazzo products. The material is also recognized for its inherent durability, a quality that historically made it a popular choice for flooring in various architectural contexts. The manufacturing process of the Primo Terrazzo Tavolini tables involves hand-casting the marble chips into cement. Following the casting, the tables undergo an intensive polishing process. This polishing step is crucial as it enhances and brings out the intricate details of the material's pattern, contributing to the tables' refined finish. The renewed interest in terrazzo is not confined to Another Brand's collection. The material has seen a broader revival within the design community, being increasingly incorporated into various furniture and homeware items. For instance, at IMM Cologne, Italian designer Alberto Bellamoli showcased a collection of homeware, including tables and bowls, that featured prominent marble spots. Similarly, Normann Copenhagen introduced a series of tables with speckled terrazzo tops, further illustrating the material's contemporary relevance. Design studios such as Los Angeles-based Besler & Sons have also explored innovative applications of terrazzo, experimenting with coloured glass flecks in the material to create sculptural items like doorstops, bookends, and paperweights. Beyond individual pieces, polished concrete terrazzo has gained traction in both commercial and residential interior design, being applied to a wide range of surfaces, from flooring to bar counters, underscoring its versatility and aesthetic adaptability in modern spaces. #Terrazzo #FurnitureDesign #HomeDecor #AnotherBrand #TheoWilliams #InteriorDesignTrends #ModernFurniture #MaterialInnovation #Craftsmanship

The 'Connected' project, a collaboration between British furniture brand Benchmark and the American Hardwood Export Council (AHEC), emerged from the unique challenges posed by a global pandemic. This initiative brought together nine designers to create furniture pieces aimed at enhancing the working-from-home experience. A significant aspect of this project was the designers' inability to physically visit the workshop or interact directly with their creations, necessitating reliance on remote communication tools like Zoom and WhatsApp, and a considerable degree of trust in the craftspeople at Benchmark. Sean Sutcliffe, co-founder of Benchmark, highlighted the increased leap of faith required from designers in trusting the technical, visual, and sensory aspects of the craftsmanship without in-person observation. An example of the innovative problem-solving employed by Benchmark is demonstrated in Studio Swine’s chair, which required its red oak and cherry wood components to be submerged in the River Kennet for a week to facilitate steam-bending. This resourcefulness is characteristic of Benchmark's workshop, which boasts 58 skilled craftspeople. Sabine Marcelis, a Wallpaper* Designer of the Year, praised Benchmark's willingness to push creative and technical boundaries, a stark contrast to the limitations often encountered with other manufacturers. Marcelis's contribution to 'Connected' is the 'Candy Cubicle,' a maple-veneer box designed to conceal home-working tools, including her partner’s monitor, with a surprising acid-yellow interior. Sustainability is a core principle of 'Connected,' mirroring previous collaborations between AHEC and Benchmark. Designers selected from red oak, maple, and cherry—woods that represent 40 percent of American hardwood forests but are often underutilized. David Venables, European director at AHEC, explained the council's mission to reintroduce these 'unfashionable' woods to designers and consumers, thereby promoting the sustainable use of all natural resources. The project underscores how consumer choices influence forest composition, advocating for a broader appreciation of timber species beyond the obvious choices. The pandemic and the chosen materials appear to have fostered a renewed appreciation for nature among the designers. Works range from Thomas Heatherwick’s biomimicry-inspired maple planters to Studiopepe’s 'Pink Moon' chair, reflecting a collective desire to connect with the natural world. Despite a common theme of natural inspiration, each designer's individuality is evident. Maria Bruun created a Scandinavian-style table from rippled maple, while Jaime Hayon’s 'Mesamachine' showcases complex, humorous, and movable cherry wood components. Ini Archibong's 'The Gate,' an outdoor collection, draws inspiration from the Giant’s Causeway, featuring a hexagonal plinth of red oak and cherry and a green-lacquered red oak top with brass inlays. Maria Jeglinska-Adamczewska's seat utilizes barrel-making techniques for its curved form, and Sebastian Herkner designed 'Stammtisch,' a modern Lazy Susan with sliding trays made from various woods and finishes. The designers will see their completed pieces in person for the first time at London's Design Museum, where 'Connected' will be exhibited from September 11 to October 11. This exhibition marks the culmination of a project that navigated unprecedented challenges through remote collaboration, trust, and a shared commitment to design and sustainability. #FurnitureDesign #Woodworking #RemoteCollaboration #SustainableDesign #HomeOffice #Craftsmanship #DesignMuseum #HardwoodExports #InteriorInnovation

Duffy London introduces the Megalith Coffee Table, a furniture piece inspired by the iconic monoliths from Stanley Kubrick's film '2001: A Space Odyssey.' The table features a glass top that appears to be precariously balanced on six monolithic structures, creating an illusion of arrested motion and defying the conventional laws of physics. This design is characterized by its dramatic and eye-catching visual effect, achieved through precise engineering and a balanced distribution of weight among the supporting monoliths. The Megalith Coffee Table is part of a broader collection of similar designs by Duffy London, all of which incorporate a glass surface supported by multiple toppling monoliths. A dining table variant of this design exists, requiring eight to nine monoliths to adequately support its larger glass base. The visual appeal of the table is maintained across its various iterations through meticulous design and engineering, ensuring stability while creating a playful and dynamic aesthetic. Christopher Duffy, the founder and creative director of Duffy London, describes the Megalith Coffee Table as a concept-based idea intended to serve as a focal point in any living space. Duffy London's design philosophy centers on elevating and developing sculptural, one-of-a-kind furniture pieces that merge art with functionality. This approach results in modern furniture that is both unique in its artistic expression and practical in its use. The Megalith Coffee Table is available with several base design options to suit diverse aesthetic preferences. These options include powder-coated finishes in single or multiple colors, brushed and mirror-polished stainless steel, and mirror-polished variants in gold, rose gold, or other bright metallics. The most premium options feature vein marbles, such as Marquina black or white Calacatta, adding a touch of natural elegance and luxury to the sculptural design. The range of materials and finishes allows for customization, ensuring that the table can complement various interior design schemes. The design emphasizes a blend of imaginative concept with tangible, high-quality craftsmanship, making it a statement piece that challenges perceptions of stability and form in furniture. #FurnitureDesign #ArtDesign #HandmadeFurniture #InteriorDesign #SculpturalFurniture #DuffyLondon #MegalithCoffeeTable #ContemporaryDesign #LuxuryFurniture

This article explores the evolution and significance of console tables in interior design, offering a curated selection of ten distinguished pieces. Historically originating in 17th-century France as wall-mounted half-moon tables, console tables have evolved into versatile, freestanding furniture elements. Their role extends beyond mere utility, serving as functional accents that enhance the aesthetic and flow of a space. The article emphasizes the importance of proportion, materiality, and placement when selecting a console table. A well-chosen console table is neither too deep nor too narrow, providing optimal functionality without overwhelming the space. Materiality plays a crucial role in defining the table's character; solid wood imparts warmth, marble introduces gravitas, and metal adds an industrial touch. Strategic placement is equally vital, whether as a landing zone in a hallway for everyday items, a support for lamps behind a sofa, or an anchoring element within a seating arrangement. The article highlights that the best console tables combine hardworking functionality with an effortless appearance. The featured console tables represent a blend of originality, exquisite form, and skilled craftsmanship. Each piece is described in detail, showcasing its unique design philosophy and material innovation. The 'Primal Mysteries Scarp' console table by Ralph Pucci is presented as a sculptural piece crafted from plasterglass, drawing inspiration from renowned sculptors and embodying a raw, artistic elegance. Tipstudio's 'Light Tension' console for Movimento Gallery is noted for its unconventional use of travertine and wood, where travertine forms a soft curve and wood provides a stable base, challenging traditional material roles. Studio Œ's 'MC23 OTO' medium console table for Mattiazzi demonstrates technical precision through its distinctive rounded joint detail and use of sustainably grown African okoumé wood. Nao Tamura's 'Origata' console for Porro, inspired by kimono-making, is crafted from aluminium sheet with a focus on minimalist geometry and waste reduction. A Space's 'The Source' console table no. 2, hand-carved from black tuff, reflects Armenian antiquity and craftsmanship, with natural variations in stone adding unique character. Johan Wilen's 'Contourage Quartz Sand' console table for Studio Tooj features a 3D-printed quartz sand surface, blending organic form with modern manufacturing techniques. Tatjana von Stein's 'Mise En Scène' console, part of a dance-inspired collection, balances softness and strength through its angular legs and sycamore wood. Matteo Leorato's 'Loggia' console table for Portego, crafted from terrazzo, draws inspiration from Greco-Roman archways, merging historical grandeur with contemporary design. Yabu Pushelberg's 'Blink' console table for Stellar Works is characterized by its lightness, playful sculptural form, and refined steel frame with an elliptical top. Finally, Roberto Lazzeroni's 'Fidelio' console table for Poltrona Frau embodies 'sentimental design' with rich materiality and considered craftsmanship, balancing historical references with modern precision. These examples illustrate the diverse approaches to console table design, ranging from sculptural artistry to material innovation and cultural inspiration. The article underscores that while the function of a console table remains practical, its design can significantly elevate an interior space, making it a focal point rather than a mere utility. #ConsoleTables #InteriorDesign #FurnitureDesign #LuxuryFurniture #ModernDesign #Craftsmanship #MaterialInnovation #HomeDecor #SculpturalFurniture

Coffee tables are evolving beyond their traditional function, becoming central design elements that reflect personal style and contribute significantly to a home's aesthetic. For 2025, the emphasis is on bolder and more expressive designs, moving away from conventional and predictable styles. Interior designers and editors are highlighting nine key trends that are shaping the current coffee table landscape, ranging from material choices and shapes to overall design philosophy. One prominent trend is the resurgence of post-modernist designs, characterized by sculptural and geometric forms for legs and bases. These tables often incorporate playful elements from the 1980s, combining classical pillar-like structures with modern clean lines and restrained color palettes. Materials like travertine and glass are frequently used to showcase these intricate forms, creating versatile pieces that transcend fleeting trends. An example is a vintage Lella & Massimo Vignelli for Casigliani coffee table, praised for its timeless blend of references. Another significant trend is the use of ethereal glass, which brings a soft, otherworldly quality to interiors. Inspired by contemporary lighting trends, these glass coffee tables, such as Glas Italia’s Simoon range by Patricia Urquiola, offer unique textures and depth. The surface, often coated with ground Murano glass, provides a subtle texture that adds chic and understated glamour, making the coffee table a functional art piece that integrates seamlessly with its surroundings. The 'library table' concept emphasizes practicality and authenticity in coffee table decor. Instead of purely decorative objects, designers are opting for stacks of books, often mixed with useful catchalls. This approach allows for a less pretentious display, where book selections can be diverse in topics and colors, encouraging interaction and conversation among guests. The focus is on a 'lived-in' feel, with book arrangements considering color schemes for a symbiotic visual effect. Flared legs are making a comeback, adding a sense of whimsy and generous proportion to coffee table designs. This style, reminiscent of 70s fashion, helps tables feel less basic and more playful, blending well with various decor styles. Designers note that flared legs offer a unique character that can enhance the overall interior aesthetic. Beautifully-veined stone, particularly marble, continues to be a sought-after material for coffee tables. The trend leans towards bold veining that creates drama and visual texture, especially in spaces with a sparse color palette. Custom-designed marble tables, often utilizing remnants from other projects, feature unexpected shapes like three legs instead of four, adding dynamic movement and a unique sculptural quality to the room. Architectural styles are also influencing coffee table designs, with fluted textures and curved forms appearing in pieces that complement other architectural elements within a home. These coffee tables are often designed to integrate with the broader architectural context, echoing curves found in dining tables or skylights, and creating a cohesive design narrative within the space. Monobloc forms, characterized by large, solid blocks of material like concrete, marble, or stone, are popular for their structural feel. These tables act as plinths, grounding the space and emphasizing a central gathering point. They create contrast with softer furnishings and often highlight natural materials, contributing to an aesthetic and minimalist atmosphere. Natural curves in coffee table designs are taking a new direction, moving towards biomorphic aesthetics inspired by organic shapes. These curves, less abstract than previous iterations, use repetition and unique forms to add character. Designers are exploring modern organic and biomorphic designs that offer a fresh interpretation of curved furniture. Lastly, unexpected shapes, such as geometric or triangular forms, are being used to create focal points and inject personality into a space. These unconventional shapes provide interest and depth, particularly in rooms with linear designs, allowing for a more creative and playful approach to styling while maintaining elegance and practicality. Combining multiple nesting tables of unusual shapes can further enhance this effect, shifting traditional layout perceptions. Ultimately, coffee tables are not just surfaces but platforms for personal expression and conversation starters. The objects displayed on them, such as books, candles, plants, and decorative boxes, are chosen for their artistic impact, mood-enhancing qualities, and ability to reflect personal interests, contributing to a welcoming and engaging living space. #CoffeeTableTrends #InteriorDesign #HomeDecor #FurnitureDesign #ModernInteriors #SculpturalFurniture #MaterialTrends #ContemporaryDesign #DesignInspiration

This article explores a diverse collection of innovative ping pong table designs, highlighting how contemporary designers are reimagining the traditional wiff waff setting through novel materials and forms. The selection showcases a range of approaches, from concrete architectural structures to digital 3D-printed creations, emphasizing both aesthetic appeal and functional ingenuity. The featured designs include Sean Woolsey's black walnut table, which emphasizes the organic quality of wood with a warm, elegant aesthetic, complemented by a white coated steel base. This ethically sourced set also includes Japanese balls and an engraved wood-mounted display rack. Another notable design is 'Balance' by Clarus Glassboards, a high-luxe table featuring a clean glass top that reveals a dynamic wooden base, blending sophistication with playful curves. Francesc Rifé for ENEBE Sport Group presents the 'RAM' table, available in recycled glass, Krion, and walnut wood, all designed with an ecological sensibility. The glass version, with its tinted green slats, offers a refined futuristic look, while the Krion version boasts sleek, solid legs. All 'RAM' editions include hidden accessory drawers, allowing them to transform into contemporary dining tables. Office furniture experts Bulo ventured beyond their usual scope with the 'Dan Pingpong Table,' part of their structural 'Dan' collection. This table, featuring stained veneer frames and Japanese joinery, creates a work-zone friendly play area. 'Pull-Pong' by MWA, showcased as a prototype, functions as both a dining table for eight and a foldable table tennis table. Designed by Julien De Smedt, its minimalist form in ash, steel, and plywood embodies a practical, multi-use ethos. James DeWulf's 'Ping Pong Table,' crafted from concrete, demonstrates his expertise in transforming heavy materials into refined outdoor designs, featuring a sleek top and solid framed legs for an austere yet elegant aesthetic. Cristian Zuzunaga for RS Barcelona introduced the limited-edition 'You and Me Zuzunaga' table, which features vibrant tennis-court inspired prints. This table includes a hidden drawer for bats, enabling its use as a boardroom or dining table. The article also highlights 'Ok Point' and 'Step-up Ko' by Laith McGregor and Murray Barker, collaborations that resulted in concrete public art pieces for Monash University Museum of Art. 'Ok Point' features a geometric design with diamond copper inlays, combining high design with public gaming. 'Step-up Ko,' a darker version made of black oxide-tinted concrete, includes a carved stepped base and a space for drinks, reflecting Berlin's outdoor table tennis culture. Both models incorporate matching benches to encourage social interaction. BDDW's ping pong table showcases the American brand's mastery of warm woods and leather, merging maple and cherry woods with mulled leather accents. Matching bats made from carved dark and light timbers with hand-stitched tan leather further enhance the luxurious feel. Finally, 'Deceptor' by Janne Kyttanen and Galerie Vivid stands out as a highly innovative, 3D-printed table. Its black aluminum form on a single leg, along with aerodynamic bats and ball, exemplifies a bold, graphic design approach aimed at enhancing play techniques. #PingPongTable #InnovativeDesign #HomeDecor #InteriorDesign #FurnitureDesign #MaterialInnovation #FunctionalFurniture #ContemporaryDesign #ArtisticFurniture

Duffy London, an innovative design studio, has introduced its latest sculptural furniture piece, the ‘Dune’ coffee table, which is created using large-scale 3D printing with black quartz sand. This marks the studio's initial venture into 3D-printed sand furniture, building upon its previous handcrafted and CNC-machined marble table designs such as 'Civilization' and 'Monument Valley'. The project was a collaborative effort with German manufacturer Sandhelden. The ‘Dune’ coffee table is inspired by the natural, undulating patterns of desert sand dunes, reflecting a sense of fluidity and movement. The table features a rough, textured finish, available in either black or natural sand, and is topped with a thick glass surface, contributing to its grand aesthetic. Designer and founder Christopher Duffy expressed that the unique tactile quality and surprising weightiness of this new material are reminiscent of marble, making it an inspiring medium for their designs. Achieving the intricate, free-flowing twists and distortions of the table's base would be challenging with conventional manufacturing methods. Therefore, Duffy and his team sought a premium material and manufacturing process that could accommodate their artistic and concept-driven designs. The collaboration with Sandhelden allowed them to explore the versatility and beauty of 3D printing with sand, enabling the creation of complex forms that can be scaled up into larger furniture pieces and sculptural installations. Duffy noted that this new process allows their designs to be reimagined and formed in ways previously difficult to achieve, creating visually alluring, tactile, and weighty pieces. The 3D printing in sand provides exceptional flexibility and consistency in realizing the free-flowing design, aligning perfectly with the table's desert-inspired concept. Duffy found the ability to achieve fine details, down to the millimeter, and witness a permanent form emerge from millions of sand particles to be highly inspiring. This technology addresses the common challenge where design concepts are often limited by material constraints or inefficient manufacturing processes. The studio anticipates exploring future concepts and special editions with this method, considering it a significant advancement that redefines their design possibilities. Precision in the 3D printing process also allows for the integration of specific design elements, such as inlays for etched stainless steel authenticity plates and small rubber dots to support the glass tabletop. Duffy London plans to extend this finish to existing product lines, suggesting a 'Dune' version of their 'Abyss' table. The manufacturing technique, binder jetting, employed by Sandhelden, utilizes locally sourced quartz sand from Bavaria. This specific sand, with its edgy grain shape, ensures smooth binder penetration through each layer. The process is also approximately 40% more economical than other methods. Moreover, excess unbound material is recycled, and binders are made from renewable, locally sourced materials such as corn husks, rice hulls, sugar cane, and other biomaterials, promoting a sustainable manufacturing model. Laurens Faure, CEO of Sandhelden, highlighted the strong focus on regionality, with production facilities, partners, and suppliers all located in Bavaria, minimizing the carbon footprint. The studio offers both rectangular and circular variations of the coffee table and will also accept requests for bespoke pieces, emphasizing the adaptability and potential of this design concept. #DuffyLondon #3DPrinting #FurnitureDesign #CoffeeTable #QuartzSand #SustainableDesign #SculpturalFurniture #DesignInnovation #HomeDecor