from waste to functional art: remli by we+ transforms recycling into portable lighting fixture

Emily Packer, a British/American videographer, identified a critical issue in global plastic recycling, noting that only about 9% of plastics are actually recycled in America, and observed significant waste accumulation in Kigali, Rwanda. This motivated her to shift from environmental storytelling to creating a tangible local impact. Partnering with Jake Calhoun, she co-founded Coldharbour Tiles, an initiative that transforms Rwanda's plastic waste into durable, stylish home decor materials. The project's core involves melting down high-density polyethylene (HDPE) plastics, primarily from bottle caps, to create decorative tiles. Approximately 50 bottle caps are required for each tile, demonstrating the significant volume of plastic that can be diverted from landfills and waterways through this process. Coldharbour Tiles are designed for various home applications, including backsplashes, and the team provides guidance and design ideas to customers through a free tile information brochure. Packer's journey began after an internship with the United Nations Environmental Program, which highlighted the environmental consequences of inadequate waste management systems in developing countries. She recognized the pervasive nature of single-use plastics and the illusion of waste being simply 'thrown away,' realizing it often ends up in oceans, landfills, or other countries. Moving to Rwanda, she initially attempted to reduce plastic waste through a café that used biodegradable containers and bamboo straws, but soon recognized the unavoidable reliance on plastic in daily life, prompting her to seek a more impactful solution with long-term utility. To establish Coldharbour Tiles, Packer collaborated with Jake Calhoun, who brought experience from a social enterprise and an online food delivery company. They partnered with Kigali's IPRC engineering school, which provided a warehouse facility and technical support from professors and students. Initially, Packer personally collected HDPE plastic from waste management sites, demonstrating the project's grassroots origins. Through extensive experimentation with color, temperature, cooking times, and mold designs, they refined their tile production process despite limited engineering experience and funding. The team encountered challenges, particularly in scaling production. Their current facility, while effective for initial development, lacks the capacity for large-scale orders. The Kickstarter campaign aims to raise funds for essential equipment like a plastic-waste washing machine and commercial shredder, which would significantly boost production capabilities. The long-term vision for Coldharbour Tiles includes becoming a leader in the eco-tile industry, processing thousands of tons of plastic waste annually, and establishing manufacturing sites in Asia, Europe, the U.S., and Africa to address plastic waste globally and connect with diverse consumer markets. This expansion would also address the logistical challenges of operating in Rwanda, where access to advanced manufacturing technology is limited, necessitating creative, hands-on solutions for processes like mold design and fabrication. #SustainableDesign #RecycledMaterials #HomeDecor #PlasticWaste #Rwanda #SocialEnterprise #Crowdfunding #EcoTiles #WasteManagement

High Society, an Italian sustainable design start-up founded in 2015 by craftsman Johannes Kiniger and designer Giulia Farencena Casaro, focuses on creating plant-based lighting pieces by recycling local post-industrial waste. Their core mission is to emphasize the value of waste as a primary resource, developing solutions to repurpose seemingly useless materials, exploring new production processes, and fostering a genuine connection between nature and humanity. The studio, based in South Tyrol, Italy, specializes in up-cycling agricultural by-products into unique objects. Among their notable creations is the Highlight pendant lighting collection, a series of suspended lamps crafted from agricultural waste. This innovative project gained recognition, being selected to participate in the London Design Fair 2019 as part of the Material of the Year exhibition, which highlighted biomaterials and agricultural waste. The Highlight collection extends its creative concept by transforming materials associated with human vices—hemp plants, tobacco, and wine production leftovers—into elegant, bright light sources. Each of the three pieces in the Highlight collection is made from distinct waste materials. The raw materials are sourced from local productions, then processed by chopping them into powder. This powder is subsequently compression-moulded with a bio-based binder using a low-temperature machine, a process that relies on renewable resources and minimizes environmental impact. To ensure durability and protect the surfaces from moisture, the finished pendants are coated with natural wax. The compression technique used in the manufacturing process results in sleek, natural-looking designs. A unique characteristic of these lampshades is their unpredictable surface pattern, making each piece distinctive. These designs are well-suited for contemporary commercial or residential environments. Beyond their aesthetic and environmental benefits, High Society demonstrates social responsibility by supporting initiatives against drug dependency through the Highlight collection, in collaboration with Forum Prävention in Bolzano, Italy. Specifically, the Highlight hemp lamps are crafted from industrial hemp harvest leftovers, cultivated without pesticides at an altitude of 1300 meters. The article notes the growing popularity of hemp-based products and the increasing number of innovative hemp production ventures in Italy. Industrial hemp has seen a significant surge in cultivation acreage over the past five years, indicating a potential multi-billion euro market across various sectors, including cosmetics, furniture, food, pharmaceuticals, and packaging. This broad utility has inspired many designers to integrate experimental hemp uses with modern digital manufacturing processes. For the Highlight Tobacco pendants, High Society sources waste from an Italian supplier that cultivates tobacco without additives. The article highlights that Italy is a top ten global tobacco producer. The Highlight Wine pendants are created from pomace leftovers, the pulpy residue from wine production, which is collected from a local organic winery in South Tyrol. This approach underscores High Society’s commitment to utilizing readily available local waste streams to produce their sustainable lighting solutions. #LightingDesign #InnovationDesign #InnovativeMaterials #SustainableDesign #Upcycling #AgriculturalWaste #BioMaterials #HempProducts #CircularEconomy

The textile industry generates vast quantities of fabric waste annually, with a significant portion ending up in landfills. This problem is being addressed through innovative collaborations that focus on transforming discarded textiles into functional and aesthetically pleasing home decor. One such project, a collaboration with Mobella Galleria, demonstrates how fabric scraps can be given a second life through creative design and manufacturing processes. The core concept of this initiative is "deconstruct to reconstruct." Workshops bring together designers and makers to explore new uses for textile waste. Instead of viewing fabric scraps as refuse, they are seen as valuable resources. The process involves utilizing 3D-printed molds and finely shredded fabric waste. The processed textile waste is uniformly packed into these molds, then subjected to compression, which solidifies the material into a new shape. After careful removal from the molds, the result is a reimagined design object, showcasing that discarded materials can regain value. Several distinct pieces exemplify this approach. "Chubby" is a sculptural item created from compressed fabric fibers. It functions as both an art piece and a practical object, adding a unique, sustainable touch to home interiors. "Skates" is another innovative design—a tray equipped with wheels, made from molded textile waste and a roller attachment. This design transforms mundane tasks like serving or organizing into an interactive experience, highlighting the potential for sustainable products to be both fun and functional. The "Link Floral Vase" introduces a modular approach to sustainable design. This vase is constructed from interlocking bricks, each made from repurposed fabric. Supported by a brass column, its customizable nature allows it to adapt to various spaces. The vase's varied heights and rhythmic pattern draw inspiration from musical harmony, blending natural aesthetics with artistic expression through sustainable methods. Similarly, the "Link Lamp" reinterprets lighting design. Inspired by the shape of a light bulb, this lamp features a neon tube running through its modular segments, producing a warm and continuous glow. Its flexible design enables it to suit diverse moods and environments, merging creativity with practicality. Completing the collection, the "Link Table" exemplifies upcycling by converting fabric offcuts into a side table. Its sculptural form evokes a bamboo forest, combining sturdiness with ease of assembly, as it requires no screws or additional hardware. This collaboration underscores a crucial message: with imagination and skilled craftsmanship, textile waste can be transformed into beautiful, purposeful items. These creations not only contribute to reducing environmental impact but also inspire a new perspective on discarded materials, establishing a new benchmark for sustainable design in home decor. #SustainableDesign #TextileWaste #EcoFriendlyDecor #Upcycling #ProductDesign #HomeDecor #CircularEconomy

The article introduces the 'Nest Lamp' by Bored Eye, a design studio founded by industrial product designer Liam de la Bedoyere, as their submission to the Render Weekly challenge. The challenge tasked designers with creating a custom light shade that seamlessly integrates with a provided socket. Bored Eye's innovative approach for the Nest Lamp focuses on accentuating the light's long cables, turning what is typically hidden into a central design feature. This concept was partly inspired by Gantri's ethos and their use of 3D printing in lighting products. The Nest Lamp is designed with a minimalistic aesthetic, appearing as a nest for a large 'egg lamp.' Its body is crafted from a plant polymer, which provides a soft-touch matte finish. This material choice is intended to avoid harsh, unflattering lighting, contributing to a more comfortable and natural illumination. The design philosophy behind the Nest Lamp aims to transform a seemingly messy pile of cables into a relatable and functional art piece, which Bedoyere believes is achievable by most users. Key features of the Nest Lamp include its eclectic warm opal shade, which effectively diffuses light to produce a natural and evenly distributed glow. Furthermore, the lamp boasts an extra-long cord, offering greater flexibility in terms of placement and how users can interact with the lamp within their environment. This extended cord length not only enhances the lamp's functionality but also contributes to its unique visual identity, reinforcing the idea of the cables as an integral part of the design rather than a component to be concealed. The design studio Bored Eye, based in Essex, UK, aims to create conceptual objects that blend function, style, and imagination. Liam de la Bedoyere, the founder, emphasizes crafting products that are far from conventional or 'boring,' focusing on unique solutions to common design challenges. The Nest Lamp exemplifies this by reimagining the functional elements of a light fixture as aesthetic components. This product represents a shift from traditional lamp designs where cables are typically hidden, instead embracing them as a core element that defines the lamp's form and interaction. #LightingDesign #ConceptDesign #InnovationDesign #IndustrialDesign #ProductDesign #SustainableDesign #HomeDecor #MinimalisticDesign

Philips MyCreation, a brand introduced by Signify, a global leader in lighting for over 125 years, is at the forefront of sustainable design, offering innovative 3D printed lighting solutions. This brand was developed in response to growing environmental challenges, aiming to contribute to a circular economy, significantly reduce CO2 emissions, and eliminate waste. At the core of Philips MyCreation's production process is advanced 3D printing technology, where all printed components are manufactured using at least 55% recycled or bio-circular plastics. This approach not only supports environmental sustainability but also enables the creation of unique, custom-fit designs tailored to specific brands and spaces, all while maintaining a minimal carbon footprint. For design enthusiasts and professionals, Philips MyCreation offers two distinct pathways to acquire their ideal luminaires. The first option involves exploring a curated selection of pre-designed lighting solutions. These include a variety of high-quality luminaires such as downlights, projectors, and pendants. Clients can customize these pre-designed products by mixing and matching elements like color, texture, and shape, providing extensive possibilities for personalization. Notable examples from this collection include special edition pendant products such as the Spring Oasis collection, which innovatively repurposes water jugs, and the Coastal Breeze collection, which champions sustainability by utilizing recycled fishing nets sourced from the coast of Cornwall. The Jewels collection, another highlight, has received an IF Design Award, signifying its artistic and functional excellence. The second pathway caters to those seeking truly bespoke lighting solutions through a co-creation process with Philips MyCreation’s expert designers. This collaborative model empowers clients to materialize their vision, ensuring the luminaire perfectly complements their space and brand identity. The co-creation journey is streamlined into six straightforward steps: clients share their project ideas, designers develop initial sketches, and then work with the client to select the design, texture, and color. Further details are specified, a prototype is fine-tuned, and finally, the unique creation is 3D printed and delivered. This methodical process ensures that every custom luminaire is a precise and personalized reflection of the client's requirements. Philips MyCreation's commitment to sustainability extends beyond material use to the entire production lifecycle, ensuring that the future of lighting design is both brilliantly illuminated and environmentally responsible. Whether opting for customizable pre-designed options or embarking on a comprehensive co-creation journey, Philips MyCreation offers unparalleled design possibilities. The brand positions itself as a beacon of inspiration for those looking to integrate innovative and sustainable lighting solutions into their environments. This initiative not only addresses critical ecological concerns but also offers a flexible and creative platform for diverse lighting needs. DesignWanted plans to further explore Philips MyCreation's impact in an upcoming series of articles, delving deeper into how the brand is revolutionizing the lighting industry with its responsible approach to illuminating spaces. #LightingDesign #3dPrinting #SustainableDesign #InnovativeMaterials #CircularEconomy #CustomLighting #EcoFriendly #DesignInnovation

Rechargeable lamps have surged in popularity due to their ability to enhance interior aesthetics by eliminating visible cables and providing versatile lighting options. This article, based on extensive testing by the Good Housekeeping Institute, evaluates several leading wireless lamps, focusing on their brightness, battery life, ease of use, and overall design to determine if they meet consumer expectations. The evaluation aims to provide a comprehensive guide for individuals looking to integrate portable lighting into their homes. Good Housekeeping's testing methodology involved precise measurements of battery life, charging times, and light levels at various distances. Experts also assessed bulb temperature for overheating, lamp stability, user-friendliness (including remote control or smart features), design quality, and clarity of instructions. This rigorous process ensured that each lamp was thoroughly vetted against practical usage scenarios. Pooky's Swan Neck Rechargeable Wall Fitting was highly rated, scoring 94/100, primarily for its innovative design featuring replaceable LED cells, which extends its lifespan and makes wall-mounting simpler. It demonstrated an impressive battery life of nearly 20 hours, exceeding its advertised 15 hours, and offered strong brightness with 534 lux directly below the lamp. However, its universal remote control for multiple Pooky lamps was noted as a minor drawback. Similarly, the Pooky Trindle Rechargeable Table Lamp, also scoring 94/100, received praise for its customizable shades and robust magnetic LED cell system, though its lampshade slightly reduced brightness. Both Pooky models stood out for their durability and commitment to sustainability through replaceable components. The White Company Harris Portable Lamp achieved a score of 93/100, lauded for its elegant design and excellent battery life of 11 hours with a quick 3.5-hour recharge. While its lux levels were lower (214 max), making it ideal for ambient lighting rather than bright illumination, its stable build and responsive controls were appreciated. Houseof Tube Cordless Table Lamp scored 89/100, recognized for its lightweight design, good brightness dispersion, and decent 10-hour battery life, despite a basic instruction manual and no low battery indicator. The Philips Hue Go Portable Table Lamp, also scoring 89/100, was highlighted as the brightest and most technologically advanced option, offering smart control via an app or Alexa and diverse color settings. Although its battery life was average at 6.5 hours, it emitted over 600 lux, making it the top choice for intense illumination, suitable for outdoor use as well. John Lewis Mushroom Rechargeable Dimmable Table Lamp earned an 89/100 as the best value option, providing good brightness (over 470 lux on high) and an 8-hour battery life for its price. Its responsive touch controls, while sometimes too sensitive, offered three dimmable settings. The Next Brass Lambeth Battery Operated Rechargeable Table Lamp scored 85/100, praised for its affordability and long 12-hour battery life, though it has low lux levels and no dimming function. Heal's Orion Portable LED Outdoor Table Lamp, with a score of 83/100, was commended for its versatile outdoor design and decent brightness but was criticized for its shorter 5-hour battery life and slight wobbliness. Lastly, the Dunelm Keko Rechargeable Touch Dimmable Table Lamp, scoring 81/100, was the fastest charging lamp, fully recharging in 2.5 hours, and offered good portability, though its battery life was around 5 hours and stability was a minor concern. Key considerations for potential buyers include battery life, brightness (portable lamps are generally best for mood lighting), lampshade design, weight for portability, outdoor compatibility, and the availability of replaceable lightbulbs for sustainability. The Pooky brand is recommended overall for its design, battery life, and replaceable LED cells, while the John Lewis and Dunelm options provide excellent value for those on a budget. #RechargeableLamps #PortableLighting #HomeDecor #SmartLighting #InteriorDesign #ProductReview #GoodHousekeeping #SustainableLighting #MoodLighting

Ambience Studio, a lighting design firm based in Melbourne, has introduced the Linear LEGO Luminaire, a lighting fixture crafted entirely from repurposed LEGO bricks and plates. This innovative design offers a vibrant and playful addition to any space, utilizing a sleek, minimalist form while radiating a whimsical character through its colorful frame and diffused LED light source. The luminaire's frame is meticulously constructed from carefully chosen LEGO pieces, ensuring a lively and engaging aesthetic. At the core of the Linear LEGO Luminaire's design is a 7W opal diffused linear extrusion, which emits a soft, even LED glow. This lighting element is seamlessly integrated into the LEGO brick frame, creating a harmonious blend of recycled materials and modern illumination technology. The light is designed for versatility in placement; it can be suspended from the ceiling as a pendant light, adding a focal point to a room, or positioned upright on the ground to serve as a decorative sculptural element. This adaptability is facilitated by a two-toned, color-matched flex cord that complements the vibrant LEGO construction. This new offering is a part of Ambience Studio's 'Symphony' range, a collection that specializes in creative linear, pendant, profile, LED neon, and strip lighting solutions. The studio, established in 1987, has a notable history of collaborating with prominent clients such as Aesop, MUJI, and Hilton, and has received international acclaim through various design awards including \[d\]arc, LIT, and the London Lighting Design Awards. Their expertise in lighting design is evident in the thoughtful execution of the Linear LEGO Luminaire, which combines sustainable practices with sophisticated design principles. The Linear LEGO Luminaire represents an intersection of playful nostalgia and contemporary design, transforming discarded toy components into a functional and aesthetically pleasing lighting solution. The use of repurposed LEGO bricks not only champions sustainability but also injects a sense of fun and creativity into interior lighting. The product's design ensures that it is not merely a light source but also a conversational art piece that can enhance the ambiance of diverse environments, from residential spaces to commercial establishments. Through this design, Ambience Studio continues to demonstrate its commitment to innovative lighting concepts and environmentally conscious product development. #LightingDesign #LEGO #RepurposedMaterials #SustainableDesign #LinearLuminaire #PendantLight #LEDLighting #HomeDecor #ProductDesign

The article introduces Anthropologie's Bobbin Lamp, highlighting its distinctive design, portability, and practical features that make it a standout home decor item. The author, a style editor, emphasizes the lamp's ability to combine functionality with exciting aesthetics, a quality they actively seek in home furnishings. The Bobbin Lamp is noted for its unique shape, glossy finish, and dome shade, but its most significant advantage is its portability and rechargeable battery, offering up to 10 hours of illumination without needing an outlet. This feature allows the lamp to be easily moved throughout the home, from a desk for reading to a patio table for outdoor dining, making it a versatile lighting solution. The lamp's design contributes to its appeal, with a high-gloss lacquer finish that adds a touch of sophistication. It also offers three adjustable light outputs, allowing users to customize the intensity of illumination to suit different moods and activities. The Bobbin Lamp is available in salmon pink or denim blue, providing options to add a vibrant pop of color to any room. Its compact size, combined with its character and style, positions it as an effective tool for brightening up spaces. Beyond the Bobbin Lamp, the article suggests three additional table lamp styles from Anthropologie that cater to various aesthetic preferences. The Loki Alabaster Table Lamp is presented as an alternative for those who appreciate the Bobbin lamp's unique spherical base but prefer a less colorful, more sophisticated look. Its all-white finish and alabaster base are described as contributing to a luxurious elegance in a room. The Flowerpot V9 Rechargeable LED Portable Table Lamp is another portable option, sharing the glossy finish of the Bobbin lamp but featuring a skinny base for a more modern appearance. This lamp is available in six colors, enabling users to choose a shade that either complements their existing home color palette or serves as a statement piece. Finally, the Edie Pivoting Metal Table Lamp is highlighted for its unique blend of a spherical brass base and a sharp triangular shade, creating a geometric and modern aesthetic. This lamp is part of Anthropologie's Artful Aesthete curation from its spring collection and is praised for its chic and effortlessly cool design, capable of enlivening any space. The article concludes by encouraging readers to explore how these statement lamps can be integrated into a home lighting scheme, emphasizing the role of lighting in enhancing interior design. #PortableLamp #Anthropologie #HomeDecor #InteriorLighting #TableLamp #DesignTrends #RechargeableLamp #ModernDesign #DecoratingIdeas

In an era that values multi-functionality, a new luminaire named “Oloïd” emerges as an innovative solution combining lighting with acoustic dampening capabilities. Designed by Swiss studio atelier oï for Impact Acoustic, this contemporary fixture addresses both aesthetic and functional needs within modern spaces. Its standout feature is the use of high-performance, sound-absorbing felt panels, which are sustainably produced from recycled plastic bottles. This not only contributes to environmental responsibility but also provides a unique material challenge and design opportunity. The creation of “Oloïd” involved working with the inherent stiffness of the recycled felt panels, which Impact Acoustic processes from waste material. The design team at atelier oï overcame this by developing a precise system of scores and folds. This intricate method allows the rigid felt to be transformed into an undulating shape, which can then be cut into various sizes and interlocked to form the fixture's exterior shell. This manufacturing approach highlights a clever integration of material properties with design constraints, resulting in a product that is both visually appealing and structurally sound. The availability of “Oloïd” in 32 different colors offers versatility, allowing it to integrate seamlessly into diverse interior design schemes, from residential to commercial environments. The project underscores a growing trend in design towards sustainable practices and multi-functional products. By utilizing recycled plastic bottles, “Oloïd” exemplifies how industrial waste can be re-purposed into high-value items, reducing landfill waste and conserving resources. The acoustic properties of the felt material mean that the fixture not only illuminates a space but also helps to mitigate noise pollution, a common challenge in open-plan offices and modern homes. This dual functionality is particularly relevant in contemporary living and working spaces where comfort, aesthetics, and environmental consciousness are increasingly prioritized. The design reflects a thoughtful approach to product development, where environmental impact and user experience are considered alongside form and function. The collaboration between atelier oï and Impact Acoustic represents a successful partnership in sustainable design. Impact Acoustic's expertise in transforming recycled materials into acoustic solutions, combined with atelier oï's innovative design sensibility, has resulted in a product that pushes the boundaries of conventional lighting. The “Oloïd” luminaire is more than just a light source; it is an integrated design element that enhances the sensory environment of a space through both light and sound management, while simultaneously championing eco-friendly manufacturing processes. Further details about this product and its features are accessible through the Impact Acoustic website, providing insights into its design philosophy and technical specifications. #ProductDesign #SustainableDesign #AcousticSolutions #RecycledMaterials #LightingFixtures #InteriorDesign #EcoFriendly #Innovation #FeltPanels

The Air Light is a sustainable and recyclable lighting fixture designed to introduce elegance and a warm ambiance into home spaces. This innovative suspension lamp is the result of a collaboration between Italian brand Contardi Lighting and designer Adam Tihany, who aimed to address the question of "green lighting." The design emphasizes both aesthetic appeal and environmental responsibility. The Air Light features a dual lampshade design that actively contributes to a warm and inviting atmosphere. This is achieved through an engaging interplay of light and shadow, enhanced by precisely engraved laser cuts on the lampshades. The fixture's aesthetic is intended to serve as a sculptural element within a room, reflecting the owner's personal taste and sophisticated curation capabilities, while simultaneously fulfilling its primary function of illumination. From its initial design concept through the entire production process, significant attention was given to minimizing the environmental impact of the Air Light. A key aspect of this commitment is the material choice: the lamp is constructed from Green Cast, an acrylic material that is 100% recyclable. Green Cast is particularly noteworthy for its ability to incorporate recycled industrial waste and end-of-life products into its composition. Despite multiple recycling cycles, Green Cast consistently maintains its mechanical, thermal, and aesthetic integrity. Further demonstrating its eco-conscious manufacturing, Contardi Lighting applies the cream-colored finish to the lamp during the production phase, thereby eliminating the need for a separate lacquering process. This strategic approach further reduces the environmental footprint associated with the manufacturing of the Air Light. The Air Light possesses a sculptural and ethereal quality, giving the impression of floating both upwards and downwards, which creates a visually intriguing illusion. The fixture is equipped with both upper and lower LED lights that emit a comprehensive glow, contributing to a cozy and peaceful atmosphere in any interior setting. This design aims to seamlessly integrate functionality with sophisticated, environmentally responsible aesthetics, offering a lighting solution that is both visually captivating and sustainably produced. #AirLight #SustainableLighting #RecyclableDesign #HomeDecor #LightingFixture #ContardiLighting #AdamTihany #GreenCast #EcoFriendlyDesign

iGuzzini introduces Light Shed, an integrated lighting solution designed for various commercial environments including working spaces, retail, hospitality, and infrastructure. This product family combines acoustic absorption, decorative aesthetics, sustainable materials, and smart, human-centric lighting, aiming to enhance visual comfort and overall well-being. The design is characterized by its minimal appearance, transitioning from two-dimensionality to three-dimensionality, which visually breaks the ceiling plane and creates a dynamic and inviting atmosphere. The Light Shed is engineered with advanced technical features, including high-efficiency LEDs that can be controlled via a DALI system. This system allows for optimized energy usage, activating the lights only when necessary. A key aspect of Light Shed is its commitment to sustainability, being composed of up to 85% recycled materials and fully recyclable. This eco-conscious approach aligns with iGuzzini's broader objective of minimizing environmental impact throughout the product's entire lifecycle. The system provides a comprehensive, versatile solution that prioritizes performance, environmental responsibility, and user well-being. Light Shed offers powerful yet comfortable illumination through its microprismatic optic. Users can customize color temperatures to 3000K, 4000K, or utilize the Tunable White feature, along with high color accuracy. A specialized variant, the 60 dB model, incorporates sound-absorbing panels that effectively reduce ambient noise, contributing to a calmer and more focused environment. The product is available in a square format in three sizes (120 cm, 60 cm, and 30 cm) and can be installed as recessed or pendant fixtures. It comes in a selection of colors, including white, grey, green, and blue. Customization options extend to personalized ad hoc images or finishes. Additionally, smart accessories such as sensors and cameras can be integrated to enhance safety, comfort, and space management capabilities. Further expanding on its sustainable offerings, iGuzzini presents Light Shed Linen, an even more environmentally friendly and lightweight version crafted from a durable linen fiber composite. This variant integrates natural and artificial elements, adhering to biophilic design principles to foster environments that promote well-being and creativity. The use of linen fiber significantly reduces the product's carbon and water footprint, while also adding a natural aesthetic and improving its circularity. Equipped with a Tunable White system and integrated sensors, Light Shed Linen intelligently balances natural and artificial light to ensure optimal visual comfort and cultivate a serene atmosphere. The project information specifies the products as Light Shed and Light Shed Linen by iGuzzini. #SmartLighting #AcousticAbsorption #Ecodesign #RecycledMaterials #HumanCentricLighting #OfficeLighting #RetailLighting #HospitalityLighting

Dutch designer Inge Sluijs has developed a novel method to transform landfill waste into a durable, rock-like material she calls 'plasma rock,' offering a potential solution to waste management and a source of sustainable materials. The process involves subjecting waste to extreme temperatures using plasma, which is ionized gas capable of generating intense heat. Waste collected from landfills, particularly coastal ones, is first heated in a gasifier to 800 degrees Celsius, converting it into gas. This gas is then superheated to 1,500 degrees Celsius and blasted with plasma, reaching temperatures exceeding 5,500 degrees Celsius—hotter than the sun's corona. This intense heat breaks down the gasified waste into its atomic elements. The end product of this gasification process is a slag that, upon cooling, solidifies into a vitrified, rock-like material with sharp edges. The chemical composition of plasma rock varies depending on the type of waste processed, but it predominantly consists of silica, lime, and alumina, along with traces of titanium, magnesium, sodium oxide, iron oxide, phosphate, and potassium. Crucially, tests confirm that the process consistently yields syngas (a potential fuel), reusable heat, and the plasma rock, irrespective of the initial waste material, whether it be food scraps, plastic, or even baby diapers. Approximately 100 kg of landfill waste can be converted into 20 kg of plasma rock. Sluijs emphasizes that despite originating from toxic landfill waste, the resulting plasma rock is virtually un-bleachable, meaning any hazardous materials present are rendered inert and will not leach out. This quality makes the material mechanically strong, very dense, and environmentally stable. To showcase the versatility and practicality of this innovative material, Sluijs and her collaborators have created various functional and decorative items. For example, waste from the East Tilbury landfill in Essex, England, has been transformed into 'Tilbury Tiles,' which are sold as souvenirs. Furthermore, Sluijs has crafted glass vases adorned with plasma rock specks, illustrating how discarded landfill materials can be repurposed into aesthetic pieces for home decoration, thereby giving waste a 'second life' and contributing to a more circular economy. #PlasmaRock #SustainableMaterials #WasteManagement #EcoDesign #CircularEconomy #LandfillWaste #EnvironmentalInnovation #MaterialScience

The integration of lighting with other essential elements like color, texture, and shapes is fundamental to achieving a cohesive interior design. Lighting transcends mere functionality, offering significant aesthetic potential to invigorate and transform living spaces. This year, several key lighting trends are emerging, emphasizing both technological advancements and design principles aimed at enhancing sustainability, mood, and visual appeal. Technological innovation is at the forefront of contemporary lighting trends, primarily driven by a global push towards sustainability. This shift is evident in the widespread adoption of LED technology, which offers superior energy efficiency compared to traditional lighting sources. Beyond energy conservation, modern lighting systems incorporate advanced control mechanisms that allow for precise optimization, further reducing energy consumption and environmental impact. There is also a growing emphasis on powering lighting fixtures with renewable energy sources, contributing to a more sustainable energy ecosystem. Furthermore, the industry is increasingly prioritizing the use of eco-friendly materials and manufacturing processes, minimizing the carbon footprint and waste generated throughout the product lifecycle. This comprehensive approach ensures that lighting design is not only innovative but also environmentally responsible. Layered lighting is another prominent trend, enabling designers to create dynamic and visually engaging environments. This approach involves combining multiple light sources, including ambient lighting for general illumination, task lighting for specific activities, and accent lighting to highlight features. The strategic use of layered lighting provides flexibility in adjusting the ambiance and functionality of a space to suit various needs and occasions, thereby enhancing both its aesthetic appeal and practical utility. Biophilic lighting design is gaining traction, focusing on incorporating natural elements and mimicking natural light to bring warmth and a sense of the outdoors indoors. This design philosophy often integrates materials such as wicker, stone, or wood, which contribute to a more natural and calming atmosphere. The aim is to improve mood and productivity by connecting inhabitants with nature, reflecting a broader trend towards well-being in interior design. Upcycled and vintage lighting options are also popular, reflecting a commitment to sustainability and a desire for unique, character-filled pieces. Reusing materials for lighting fixtures reduces the demand for new production and celebrates historical aesthetics, creating a sense of homeliness and individuality. This trend encourages exploring antique shops, consignment stores, and repurposing existing items, resulting in one-of-a-kind lighting solutions. Silver and chrome finishes are making a significant comeback across various design elements, including lighting. These sleek, reflective materials add a contemporary edge and enhance the luminosity of a space by reflecting ambient light. Their polished surfaces contribute to a modern aesthetic, making fixtures stand out as sophisticated design statements. The reflective quality of silver and chrome can also visually expand a room, adding depth and brightness. Finally, lighting is increasingly being viewed as a form of art. This involves using light to draw attention to specific design features or elements, such as artworks or architectural details, through spotlights or LED strips. Chandeliers, in particular, are being designed with interesting shapes and forms to serve as dramatic focal points, adding elegance and a unique artistic statement to a room. This trend emphasizes the transformative power of lighting to elevate a space from merely functional to visually captivating. #LightingTrends #InteriorDesign #SustainableLighting #LEDTechnology #LayeredLighting #BiophilicDesign #VintageLighting #UpcycledDecor #HomeDecor

Signify myCreation, a leading lighting company, is revolutionizing the lighting industry through advanced 3D printing technology and a strong commitment to sustainability. The company empowers brands, startups, and designers to create personalized luminaires tailored to specific identities, visions, and needs. This is achieved through an intuitive online configurator that allows users to select from a diverse range of shapes, colors, textures, and lighting specifications. The platform offers over 190 design variants, facilitating the creation of lighting solutions that seamlessly integrate into retail, hospitality, business, and residential spaces. Additionally, all functional lighting solutions are designed to be energy-efficient and can be integrated with connected systems for further energy savings. Signify myCreation is returning to Milan Design Week 2025 with an elegant bar installation at Milan’s Palazzo Giureconsulti. This installation, designed in collaboration with Dekker Zevenhuizen and Triboo, will be illuminated by a curated selection of award-winning luminaires. The exhibition will feature the Gleam and Smooth luminaires, along with the Voila table lamp, showcasing the platform's ability to combine functionality with sophisticated aesthetics and environmental responsibility. A new addition to the Smooth Spotlight series, promising superb adaptability, will also be previewed. The Gleam luminaire, designed by Sebastian Bergne, is a refined bulb-based pendant light known for its serene, heptagon-inspired silhouette and its ability to add a touch of wonder to everyday objects. Available in multiple sizes, the Gleam design aligns with the 3D print grain, with all printed parts made from ISCC Plus certified bio-circular materials. Its minimalist and delicate nature allows it to create intimate atmospheres or serve as a striking interior accent. The Gleam lighting pendant family, recognized with a 2025 iF Design Award, reinterprets the simple glowing pendant globe through alternative geometry and Bergne’s distinctive flair. The flexibility of 3D printing enables horizontal form lines that create a skeleton of uninterrupted harmony, with each piece possessing a unique presence and allure, available in three sizes and one texture. The Smooth Spotlight series, also a recipient of the 2025 iF Design Award, is designed for hospitality and residential settings, offering superior customization in both colors and textures. This allows for the creation of unique lighting formulas to highlight spaces effectively. Its printed components are made from 65% recycled and ISCC Plus-certified bio-circular materials, while the heatsink is crafted from 85% recycled aluminum, ensuring durability and longevity. The minimalist spotlight includes a honeycomb accessory to reduce glare and improve light distribution. Its circular design ensures it can be upgraded throughout its lifespan. The Voila collection of table lamps features charmingly proportioned designs with a vibrant color palette and playful presence. These lamps, reminiscent of 1960s interior design with their petite mushroom silhouettes, are crafted from bio-circular materials like biomass and natural waste, processed into sustainable polycarbonate. The single light source shines both upward and downward, creating a mesmerizing diffused light with a mandala effect through the crafted underside of the lampshade. The Voila lamp, an iF Design Award winner in 2022, is available in various colors such as white, bronze, gold, pink, and green, subtly complementing any interior space with its lightness and versatility. Signify myCreation emphasizes eco-friendly practices by incorporating at least 65% recycled and bio-circular materials in all its products. The 3D printing process reduces material waste and carbon emissions through local, on-demand production, minimizing transportation impacts. The company actively collaborates with research institutions, startups, and industrial organizations to advance 3D printing technology and sustainable practices, having produced nearly 2 million luminaires globally. At Milan Design Week 2025, visitors can explore the potential of personalized, smart, efficient, and sustainable lighting solutions at Signify myCreation’s pavilion. The initiative plans to expand its offerings and improve user experience through enhanced configurators and advanced product roadmaps, aiming for ambitious sustainability goals such as increasing climate action revenues to 72% and achieving zero waste to landfill. Signify myCreation sets new standards in circular lighting design by blending cutting-edge technology with artistic expression and a commitment to sustainability. #LightingDesign #3DPrinting #SustainableDesign #InnovativeMaterials #MilanDesignWeek #CircularEconomy #ProductDesign #SmartLighting #BioCircularMaterials

The article explores the increasing trend among designers, architects, and builders to utilize reclaimed and upcycled materials in home construction and design, focusing on the environmental benefits and creative possibilities of this approach. It highlights how repurposing materials like timber, plastic, metal, and brick can significantly reduce construction waste and contribute to sustainable living practices. Penny Craswell's upcoming book, "Reclaimed: New Homes from Old Materials," serves as a central point of reference, offering insights into the philosophy behind using pre-used palettes and showcasing various projects that embody this sustainable design ethos. Craswell emphasizes the substantial volume of construction waste generated annually, citing examples such as 13 million tons of brick and clay tile debris in the U.S. in 2015 and nearly 9 million tons of wood discarded in the U.K. each year, with 80% of it being recyclable. Her book aims to inspire individuals to embrace secondhand materials by illustrating their potential through diverse case studies and providing a global list of suppliers. The core message is that reclaimed materials are not only environmentally responsible but also possess inherent qualities—like the hardening of timber with age, the pleasing patina of metal, and the cleanability of bricks—that make them ideal for reuse. The article features several homes that exemplify the innovative use of reclaimed materials. One project involves an apartment in New York City renovated by Andrew Franz Architect, where reclaimed ash timber from old barns was extensively used for flooring, cabinetry, a storage wall, and door jambs, transforming a small space into a bright, comfortable home. Another example is a London renovation by CAN, which incorporates recycled plastic chopping boards and bottle tops for kitchen benchtops and cabinets, along with reclaimed bricks and recycled aluminum, creating a vibrant and inventive design. Studio Bright's "8-Yard House" in Melbourne showcases the use of reclaimed, cream-painted bricks both inside and out, blending modern design with a sense of history and coherence. Alessia Mosci’s London flat demonstrates a subtle approach to upcycling, utilizing a marble slab leftover from a larger job for the kitchen counter and backsplash, alongside plywood and pine boards. Further examples include a Melbourne renovation by Kim Kneipp, where recycled timber forms the kitchen island and cabinets, drawing inspiration from existing wooden elements. Kyle Huberty’s transformation of a garage into a multifunctional workspace in Saint Paul, Minnesota, highlights the use of Douglas fir boards, pavers, bricks, and various salvaged furnishings and fixtures found through community resources. Lastly, Office for Architecture's Brooklyn townhouse renovation features Eastern white pine reclaimed from demolished building joists for the front door and timber flooring, retaining original bay windows and brickwork to blend new and old elements seamlessly. These projects collectively demonstrate that reclaimed and upcycled materials can achieve a variety of aesthetic outcomes, from rustic to modern, and contribute to both environmental sustainability and unique architectural expressions. Craswell encourages designers and homeowners to explore the unexpected possibilities that reclaimed materials can offer, moving beyond preconceived aesthetic notions. #ReclaimedMaterials #UpcycledMaterials #SustainableDesign #GreenHomes #RecycledWood #RecycledPlastic #ArchitecturalDesign #HomeRenovation #EnvironmentalSustainability

This article explores six ingenious methods for repurposing leftover decorating materials, promoting both financial savings and environmental sustainability in home interior projects. As resources are finite, minimizing waste by reusing materials is crucial. The piece emphasizes changing consumption habits to reduce waste, particularly highlighting offcuts that often go unused. One approach involves rethinking the use of stone, especially in kitchens. Instead of traditional upstands from stone offcuts, the article suggests opting for more renewable materials or entirely omitting them. Small stone or marble offcuts can be saved to create practical shelves for kitchen essentials near the hob, optimizing material usage. Clever utilization of leftover paint is another key strategy. While using eco-friendly paints initially is beneficial, residual paint can be applied creatively. Painting a single area in another room with leftover paint can introduce a striking splash of color, especially when aligned with a whole-house color scheme for a cohesive design. An example cited is a living room with a bright citric yellow door trim, demonstrating how a small detail can make a significant impact. The article also addresses the imaginative reuse of leftover tiles. Rather than discarding extra or broken tiles, they can be incorporated into various design elements. Options include decorative stair treatments or inserting tiles into joinery pieces, such as closet doors, to add visual interest. Mirror or stone pieces, or contrasting timbers, can also be used in a similar fashion to enhance aesthetics. Furthermore, repurposing unused timber flooring or cladding is presented as an effective waste reduction method. Leftover wood can be transformed into new furniture, or used for cladding or flooring in smaller spaces. An innovative technique mentioned is cutting parquet thinly to create light marquetry, forming decorative geometric panels that are visually engaging. For wallpaper, which can be a significant investment, the article advises against waste by utilizing offcuts or leftover rolls. These can be used to line the backs of bookcases or drawers, making a considerable impact with minimal material. This method transforms otherwise overlooked areas into decorative features. Finally, the article advocates for repurposing fabrics, whether new or old. Instead of discarding old curtains that are damaged or worn, they can be given a new life by being re-stitched into new home items. Creating new headboard designs, adding a skirt to an open vanity shelving unit, or even crafting bowl covers are presented as practical ways to reuse fabrics, supporting sustainable shopping practices. The article concludes by identifying glass jars as one of the easiest household items to upcycle, offering ideas like rustic flower jars or craft containers, and also suggests repurposing old pillows for new items in the home and garden, further encouraging resourceful interior design. #Upcycling #SustainableDesign #EcoFriendlyHome #MaterialReuse #DIYDecor #InteriorDesignTips #WasteReduction #CreativeRecycling #HomeImprovement