Bright young stars: the 2015 Stockholm Furniture Fair adds new luminaries to its abundant roster

Jamb founders Will Fisher and Charlotte Freemantle, known for their bespoke lighting tailored for leading interior designers, are set to launch their new Deco collection. This collection, which will debut at London Design Week, features five distinct pieces that deliberately eschew current trends, focusing instead on timeless design and exceptional craftsmanship. The duo, operating from their London home and studio, emphasizes traditional skills and meticulous attention to detail, a philosophy that stands in contrast to the rapid-fire launch cycles common in contemporary design. The Deco collection is characterized by a glamorous and somewhat majestic aesthetic, designed to soften the edges of each piece in a romantic fashion. This romantic sensibility extends from their previous work, including their distinctive pink room at the Wow! House at Chelsea Harbour Design Centre. Will Fisher's background in studying antique objects heavily influences their design process. The team initiates new designs by identifying original antique pieces that serve as the foundational inspiration. Their deep immersion in historical objects led to the early twentieth-century themes evident in the Deco collection, drawing from movements and periods such as The Bloomsbury Group, the Roaring Twenties, and the Belle Époque. The collection highlights a focus on rich materiality, combining hand-planished metal, luminous alabaster, and shimmering silk textiles to create compelling juxtapositions. Some designs incorporate hand-carved patterns, which are then cast using the traditional lost wax technique, a method Will Fisher describes as the "noblest form of manufacture." Charlotte Freemantle is particularly interested in integrating decorative fabrics, a concept carried over from the Wow! House show, into their new product lines. She notes that drapery softens and diffuses light in a room, and similarly, the textiles in their collection evoke the gentle glow of candlelight, enhancing the overall ambiance. Often described as the "jewelry of the home," lighting in the Deco collection aims to create unique and inviting atmospheres. The pieces are designed to complete and complement diverse interior aesthetics, whether mid-century modern or traditional, effectively bucking trends and potentially establishing new ones. To illustrate their versatility, the designers have photographed the collection in various in situ settings, demonstrating how these objects can seamlessly integrate into different environments. The article specifically mentions pieces like the Hopper Alabaster wall sconce, the Thelma pendant light with its hand-stippled brass frame and optional linen or silk skirt, a new floor lamp styled with antique furniture, and the Hatton Rod, which embodies the Art Deco aesthetic with its alabaster bowl and brass detailing, offering both down and uplighting. The collection will be available from Jamb at 95-97 Pimlico Road, London, and through their website. #JambLighting #DecoCollection #LondonDesignWeek #BespokeLighting #InteriorDesignTrends #AntiqueInspired #Craftsmanship #AlabasterLighting #LuxuryLighting

The article details a collaborative project between flooring brand Bolon and French architect Jean Nouvel, focusing on an installation at the Stockholm Furniture Fair. The collaboration stemmed from Nouvel's prior use of Bolon flooring in the Musée du Quai Branly in Paris, where he appreciated its hardwearing, tactile qualities, and visual appeal both from a distance and up close. Bolon, on the other hand, sought to challenge traditional perceptions of flooring and explore new artistic applications for their material. The inspiration behind the Stockholm Furniture Fair installation, as explained by Jean Nouvel, was to create a "Bolon universe" composed entirely of floors, devoid of ceilings or walls. This concept aimed to push the boundaries of how flooring material is perceived and used. Nouvel also emphasized the importance of human interaction within the installation, wanting visitors to engage with the material by lying on it or touching it. Initially considering regular mannequins, he humorously decided to use four copies of a sculpture of himself by Xavier Veilhan, noting that architects should seize opportunities for humor amidst the seriousness of their profession. From Bolon's perspective, Nouvel's installation has significantly influenced their future outlook. While currently a 100% flooring company, the project introduced the idea of blurring the lines between different architectural surfaces, such as floors, ceilings, and walls. This has opened up possibilities for future applications of their material, even suggesting the ambitious idea of covering building facades. The installation showcased Bolon's new 'Create' collection, some designs of which feature a unique 3D-effect pattern, further demonstrating the versatility and innovative potential of their products. The discussion highlights the mutual respect and creative synergy between the architect and the brand. Nouvel’s vision transformed a functional material into an immersive artistic experience, while Bolon gained new insights into the potential of their product beyond conventional uses. The collaboration underscores a shared commitment to innovation and artistic expression within the design and architecture industries, encouraging both parties to explore uncharted territories for material application and spatial design. The project serves as a case study for how design thinking can transcend traditional boundaries and inspire future product development. #JeanNouvel #BolonFlooring #StockholmFurnitureFair #ArchitecturalInstallation #DesignInnovation #MaterialApplication #CreativeCollaboration #InteriorDesign #ExhibitionDesign

This monthly series, "In Our Carts," highlights a curated selection of new product launches and collaborations in the home and lifestyle sphere. The June 2024 edition features a range of items, from bedding and rugs to furniture, lighting, and kitchenware, all chosen for their design and functionality. One of the notable collaborations is between Danish home brand Tekla and Artek, which resulted in a new line of bedding. This collection includes duvets and shams in three colors, adorned with Finnish architect Aino Aalto’s Kirsikankukka pattern, inspired by a Japanese scarf. The collaboration also marks Tekla's first venture into kids' bedding. Cold Picnic, known for its printed rugs, has expanded its offerings with a new collection of richly hued, solid-color rugs. These nature-inspired designs, such as Grass Green, Roasted Tomato, Sky Blue, and Pear, are crafted from 100% New Zealand wool, providing a luxurious feel underfoot. Dusen Dusen has introduced three new vibrant and graphic throw pillow designs: Daisy, Hourglass, and Ricrac. These pillows come in bold colors like sunflower yellow, denim blue, and Kelly green, adding a playful touch to home decor. CB2 has launched new alabaster sconces designed by Australian studio VUUE. These hand-carved alabaster globes are available in two sizes, 6 and 10 inches, and offer a blend of old-world glamour with a modern sensibility, suitable for various interior and exterior settings. Fashion designer Carly Cushnie has collaborated with Lulu and Georgia on her first furniture collection. This 11-piece line showcases a mix of materials, including cane, wood, bouclé, fringe, and velvet. Standout pieces include the warm-toned Yucca sofa and the burl-wood Sabal console table, offering extensive mix-and-match possibilities. Opinel has released a cleverly designed grilling set that emphasizes simplicity and utility. The stainless steel tongs are extra-long with notched tips and a curved edge for effective gripping. A unique feature is the folding knife that ingeniously transforms into a spatula handle, complete with a Virobloc locking ring. The knife handle also integrates a bottle opener, enhancing its functionality for outdoor cooking. R+D Lab has partnered with Mexican chef Elena Reygadas and Fenn Apartamento to create the Rosetta collection of glassware. This collection features three new glass shapes—Acqua, Sour, and Martini—inspired by ancient vessels discovered in Pompeii. While named for specific drinks, these versatile glasses are suggested for various beverages, such as white wine in the water cups and cordials in the stemmed glasses. Finally, Belgian architect Vincent Van Duysen continues to expand his collection with Zara Home. The latest additions emphasize natural materials like wood, concrete, and solid brass, featuring pieces such as a daybed, a library system, and organically shaped concrete side tables. Dark brown is a prominent color throughout this new iteration of the collection, reflecting a sophisticated aesthetic. Baggu has also collaborated with Collina Strada on a line of limited-edition prints for its reusable bags, picnic blankets, and towels. A new highlight from this collaboration is the Horse Bag, a mini zippered pony-shaped bag, and the Boxer Plaid print on the Small Cloud carry-on, combining playful design with practical application. #ProductLaunches #HomeDecor #InteriorDesign #TextileDesign #Furniture #Lighting #Kitchenware #DesignCollaborations #NewArrivals

The author attends the High Point Market, the world's largest home furnishings trade show, to observe emerging trends in interior design for 2020. Accompanied by local designers, the author explores various showrooms, noting a significant return to classic furniture forms. Manufacturers are reinterpreting traditional pieces through embellishments, exaggerations, or simplifications, creating fresh perspectives on familiar designs. Statement pieces are abundant, ranging from upholstered chairs and sofas featuring sculptural metal or wood exoskeletons to uniquely formed tables, consoles, and chests, alongside elaborate chandeliers. Color and texture are making a strong comeback. The palette includes blues, greens, soft pinks, and earth tones, alongside neutrals and even hints of 1970s harvest gold. Upholstery features soft velvets, fuzzy sheepskins, and embossed fabrics like snakeskin and alligator. Traditional florals, in both petite and overscale prints, are also returning, appearing on case pieces such as media cabinets and consoles. Seating upholstered with vertical channel tufting evokes an Art Deco aesthetic, while pieces with horizontal tufting offer a more exotic feel. Mixed metals remain prominent, with brass making a significant resurgence. Contemporary Italian firms like Calligaris incorporate shiny 1970s-style brass tubing with blackened nickel or bronzed metals, while traditional manufacturers such as Hickory Chair opt for softer, brushed brass finishes. Material mixing extends beyond metals to include cabinets and consoles with upholstered frames and natural stone tops, textured metal elements, and caned insets. Stone finishes, both natural and faux, are widely used for tabletops, including thick, 1970s-inspired designs and sleek porcelain surfaces mimicking marble. Geodes and crystals are employed as decorative elements, appearing in bowls, boxes, and even a fireplace surround. Dining tables, regardless of shape or style, are generally large, often featuring sculpted pedestals. Nesting side tables and coffee table groupings are prevalent, as are collections of small drink tables reminiscent of 1970s cigarette tables. Practicality is also a key theme, with many multimodal pieces designed for versatility, such as adjustable console tables that can function as sofa tables or narrow kitchen islands, and sofas with ratchet backs for adjustable lounging. Cocktail tables with tops that raise to desktop height also demonstrate this focus on functionality. Additionally, indoor/outdoor performance fabrics are gaining popularity, with traditional fabric houses like Thibaut and Kravet integrating them into their core offerings. #HighPointMarket #InteriorDesign #HomeDecor #FurnitureTrends #DesignExposition #ColorTrends #MaterialInnovation #FurnitureDesign

Dezeen Showroom has unveiled 14 new products this week, featuring a diverse range of furniture, lighting, and finishes for both commercial and residential projects. Among the highlights is the "Technicolour" textile collection by graphic designer Peter Saville for Danish brand Kvadrat. This collection draws inspiration from the colorful sprays used by farmers to mark sheep, translating this rustic aesthetic into a series of vibrant handwoven and robot-tufted rugs with color spots, iridescent curtains, and upholstery made from British sheep's wool. Saville describes the collection as bringing "the industry of the land, in raw form, into the living environment," likening it to "rural graffiti." Other notable product additions include the "Mouro" lamp, designed by Patricia Perez for Case Furniture. This portable and rechargeable table lamp, suitable for indoor and outdoor use, features a disc-shaped LED light that rotates 360 degrees, enclosed within a rectangular frame that doubles as a handle. Rainlight's "Phlox" collection for Okamura offers a comprehensive range of seating and tables, including conference chairs, lounge chairs, high stools, and five table shapes. The collection, characterized by its gently undulating silhouettes, is inspired by the petals of the night-blooming phlox flower. For storage solutions, Bruno Rainaldi's "Ptolomeo" bookshelf for Opinion Ciatti is designed to emulate the appearance of books stacked in high piles while providing structural stability. Named after the founder of the Library of Alexandria, this stainless steel shelf is available in black, white, or Corten effect lacquered finishes. Dedar introduces two new textile collections: "The Art of Jacquard" and a "Textile wall covering collection." The Jacquard collection features ultra-thin yarns woven directly into the fabric to create rich patterns, including tropical bird motifs, nature-inspired designs, bold graphics, and abstract floral landscapes. The wall covering collection, inspired by grand tapestries, includes four patterns, such as screen-printed illustrations on linen and classic weaves of jute and linen, aimed at creating a cozy atmosphere. The "Hymn" lamp by Hiroto Yoshizoe for Ambientec is another portable and durable lighting option for indoor and outdoor settings. It employs two magnets to create constant oscillations, producing a flickering effect reminiscent of a candle flame. GamFratesi's "Beetle Chair," available through Suite NY, has been re-released with four new upholstery options in neutral shades, alongside black or brass leg finishes. John Pawson's "Frame" dining table for Nikari, originally designed for his own farmhouse, is a minimalist piece made from responsibly sourced ash or oak wood with a natural oil finish, boasting a lifespan of over 100 years. Alegre Design's "Talent" desk for Actiu is a versatile, mobile, and height-adjustable workstation designed for educational and training environments, featuring a dry-erase worktop that functions as a whiteboard when folded. Finishes also see new additions with CDUK's expanded "Corian Solid Surface" range, now available in a broader spectrum of neutral and warm colors. This material is lauded for its hygienic, durable, abrasion-resistant, and fade-proof qualities, making it suitable for both commercial and residential applications. Forbo Flooring Systems introduces "Marmoleum Linear," a carbon-neutral, plant-based linoleum flooring made from linseed oil, waste wood flour, and jute, designed to mimic wood with irregular grey and neutral stripes. ADEX presents the "Habitat" tile collection, a sustainable ceramic option for interior walls made with 55 percent white-body ceramics for enhanced durability. Lastly, Decocer's "Crag" tiles offer a family of porcelain tiles that replicate the look of stone and weathered steel, suitable for indoor and outdoor walls and floors, characterized by an industrial aesthetic and textured matte finish. #ProductLaunch #InteriorDesign #FurnitureDesign #TextileDesign #LightingDesign #SustainableMaterials #DesignInnovation #HomeDecor #WorkplaceSolutions

Designer Lee Broom launched his new 'Optical' lighting collection by transforming his studio's delivery van into a mobile exhibition space. This innovative concept, named 'Salone del Automobile,' involved meticulously designing the van's interior to resemble a traditional Italian palazzo. The transformation included painting the van's interior in Broom's signature grey, and adding ornate Corinthian columns, architraves, and stuccoed details, complemented by an illuminated floor. This elaborately decorated van served as a dramatic backdrop for the new monochromatic lighting fixtures. The 'Salone del Automobile' embarked on a journey from Broom's London headquarters to Milan, where it was showcased at various prominent locations during Salone del Mobile, including Brera Design District, Spazio Rossana Orlandi, ZonaTortona, San Gregorio Docet, and Ventura Lambrate. This unconventional exhibition strategy allowed the collection to reach a wider audience and provided a unique viewing experience, highlighting the pieces within an unexpected, yet grand, setting. The 'Optical' lighting collection itself features illuminated globes adorned with graphic, linear patterns. These designs are asymmetrical, creating a dynamic visual effect where their appearance shifts depending on the viewer's angle. Broom drew inspiration for this collection from his own experiences in the early 1990s, specifically recalling his use of monochrome graphics when decorating his bedroom. This personal connection to the design imbues the collection with a sense of nostalgia while maintaining a contemporary aesthetic. The collection is characterized by its stark black and white palette, which further emphasizes the graphic quality of the patterns. Each piece is designed to create an interplay of light and shadow, enhancing the 'optical' illusion and making the fixtures captivating from all perspectives. The installation within the van was carefully orchestrated to maximize this effect, presenting the lights as functional art pieces within a curated, mobile environment. This method of presentation not only served as a launch for the 'Optical' collection but also demonstrated a creative approach to exhibition design in the competitive world of furniture and lighting. By bringing the showroom directly to the audience in an artistic and memorable way, Lee Broom successfully generated significant attention and discussion around his new works, solidifying his reputation for innovative design and marketing. #LeeBroom #LightingDesign #SaloneDelMobile #ProductLaunch #ExhibitionDesign #OpticalLighting #MilanDesignWeek #InteriorDesign

Allied Maker, a New York-based design and manufacturing studio founded in 2012, recently introduced four new lighting fixtures at the Architectural Digest Design Show. The studio is known for its minimalist designs that emphasize the inherent beauty of materials such as brass, glass, and hardwoods. The newly unveiled collection continues this aesthetic, incorporating both angular, structural lines, specifically triangles, and soft, curving circular forms into their latest creations. One of the new additions is the Tri Cone Pendant, a fixture that features a cone-shaped shade designed to direct a focused beam of light. This focused illumination is achieved with a glass disc, all contained within a tetrahedron-inspired structural frame. The design seamlessly blends geometric precision with functional lighting, creating a visually compelling piece that is both modern and elegant. Another significant launch is the Grand Aperture 4, an expanded version of Allied Maker's existing Aperture 4 chandelier. This larger chandelier is specifically engineered to make a substantial visual impact in spacious environments. It comprises four glass domes strategically placed to encircle four distinct light sources. This arrangement ensures a broad and even diffusion of light, making it suitable for grand living areas or commercial spaces where significant ambient lighting is desired, all while maintaining a sophisticated aesthetic. The collection also includes the Contour Wall Lamp 22”. This wall-mounted fixture is characterized by its graceful, hand-bent arc, which extends to connect with a glass sphere. The design's functionality is enhanced by its ability to swivel against the wall, allowing for adjustable lighting direction and adaptability to various room configurations. The elegant curve and spherical element offer a blend of art and utility, providing both illumination and a sculptural presence. Completing the quartet of new fixtures is the Concentric 15”, a versatile piece designed for either wall or ceiling installation. This fixture stands out due to its handcrafted wooden dome, which features a series of concentric circles. These circles create a topographic effect, giving the fixture a unique textural and visual depth. The pleasing arrangement of the concentric rings adds a subtle yet striking decorative element to any space, reinforcing Allied Maker's commitment to thoughtful design and meticulous craftsmanship. These new offerings from Allied Maker reinforce their dedication to creating lighting solutions that are not only functional but also serve as artistic statements within a space. The combination of high-quality materials, expert craftsmanship, and a keen eye for minimalist design ensures that these fixtures enhance the ambiance and aesthetic of contemporary interiors. #AlliedMaker #LightingFixtures #ArchitecturalDigestDesignShow #MinimalistDesign #BrassLighting #GlassDesign #Chandeliers #WallLamps #HomeFurnishings

Stockholm Design Week 2025, held from February 3-9 in conjunction with the Stockholm Furniture Fair, showcased the dynamic and evolving landscape of Scandinavian design through a diverse array of exhibitions, events, and furniture launches. The event featured experimental and limited-edition pieces, particularly from the collectible design platform Älvsjö Gård. Among the notable presentations was "Table 4" by Niklas Runesson for Älvsjö Gård, a birch table featuring legs inspired by a beaver's tail, designed to comfortably seat seven. OEO Studio, for &Tradition, introduced the Ita table and bench collection, crafted from oak using Miyadaiku, an ancient Japanese carpentry technique that eliminates the need for screws or glue. This collection, including dining and coffee tables and benches, is designed for flat-pack shipping and easy assembly. Studio Stockholm, in collaboration with Dusty Deco, presented "Decadent," a club chair with a gracefully curved backrest and seat. Made from FSC-certified wood and upholstered in a dusty rose wool-blend bouclé Jacquard, it adds a feminine touch to a classic design. Erik Bratsberg's "CabinEtt" for Älvsjö Gård was a striking limited-edition piece made of walnut framing unevenly cut Mappa burl wood veneer. Form Us With Love designed the Nest Club Chair for +Halle, integrating a side table into a lean silhouette, aimed primarily at the hospitality market. Axel Wannberg's "Lamp 53" for Nordiska Galleriet, named for its 53-degree design angle, was re-released in new powder-coated stainless steel finishes. Thomas Bernstrand and Stefan Borselius, for Blå Station, introduced "Villhem," a lounge chair that blurs the lines between business and residential design with various customizable upgrades. David Ericsson's "V.DE.07" for Verk is a distinctive armchair with an optional Gotland sheepskin seat cover, known for its unique wool. Rug company Layered celebrated a decade with "Ten Years Unfolded," an archival collection re-presenting three existing geometric patterns—Illusion, Letters, and Triangle—in new colorways, all hand-tufted from 100% wool. Form Us With Love also collaborated with Baux on "X-Felt," a soundproofing solution featuring large-format acoustic panels and tiles with circular patterns inspired by Japanese Zen gardens. These panels are made from GRS-certified PET plastic, meeting fire safety standards without harmful chemicals. Finally, Kay Bojesen introduced the "Painted Mini Monkey," a four-inch rendition of the iconic wooden monkey, now available in apple green and power pink, crafted from FSC-certified beech wood. These highlights collectively demonstrate the innovation and aesthetic diversity showcased at Stockholm Design Week 2025. #StockholmDesignWeek #ScandinavianDesign #FurnitureFair #InteriorDesign #ProductLaunches #SustainableDesign #Craftsmanship #DesignExhibitions

The 2025 Salone del Mobile in Milan showcased a variety of furniture and lighting innovations, with Moooi's collection of sculptural lighting fixtures standing out among the exhibitors. Moooi, a Dutch design company, presented pieces that merge artistic expression with practical functionality, embodying the exhibition's theme of "A Life Extraordinary." Their display featured designs from both emerging talents and renowned international designers, emphasizing dynamic movement and aesthetic appeal in lighting solutions. Among the notable contributions was Umut Yamac's 'Perch' series, characterized by lamps resembling paper origami birds. These fixtures offer an elegant design that diffuses soft light, while also functioning as kinetic sculptures. The birds are designed to gently sway, adding a subtle, dynamic element to interior spaces. The 'Perch' series is versatile, suitable for individual sconces or as part of larger, tree-like light installations, demonstrating how lighting can contribute to a home's artistic ambiance. Another compelling collection was Moooi's 'Raimond II' series, originally conceived by Raimond Putts in 2009. These spherical lights, punctuated by numerous LED bulbs, create captivating shadow patterns as they twist and turn. The series was presented in various models at Salone del Mobile, illustrating its capacity to transform a room into an engaging visual experience, reminiscent of a contemporary disco ball. The interplay of light and shadow highlights the theatrical potential of well-designed illumination. Adding to Moooi's innovative offerings is the 'Serpentine' suspension lamp, a new fixture designed by the Swedish studio Front. This lamp features interconnected elements that resemble a series of interlocking paper fans. Its design allows for diffuse lighting, and its serpentine form suggests continuous movement, contributing to a sense of fluidity and dynamism within a space. The 'Serpentine' exemplifies Moooi's commitment to exploring novel forms and functionalities in lighting design. Moooi's approach involves collaborating with individual designers, ensuring a continuous stream of fresh and inventive products. This strategy allows the brand to maintain its position at the forefront of design innovation, showcasing that design can seamlessly integrate artistic vision with everyday utility. The company's presentation at Salone del Mobile underscored its philosophy that lighting fixtures can transcend their primary function to become significant art pieces within a living environment. For those interested in acquiring these lighting solutions, Moooi provides a store locator on its website, detailing both physical retail locations and online purchasing options. #SaloneDelMobile #Moooi #SculpturalLighting #UmutYamac #RaimondPutts #FrontDesign #InteriorDesign #ModernLighting #DesignInnovation

This article highlights 15 emerging talents in product design who are making significant contributions to the industry. These designers and studios showcase innovation across various materials, techniques, and product categories, ranging from home furnishings to decorative objects. Lucie Roy, a member of the Kaléidosco collective in France, specializes in float-glass wall tiles. Her Blue Lands tiles manipulate translucency and opacity with aqueous hues, achieved through multiple enamels and three firing processes, and finished with subtle gold details. Bond Hardware, founded by Dana Hurwitz and Mariah Pershadsingh, originally known for jewelry made from scrap metal, has expanded its offerings to include home furniture. Ben Erickson's Erickson Aesthetics presents the "Halo Drippp," a product that integrates a rainbow spectrum into a fundamental form. Soft Geometry, led by Palaash Chaudhary and Utharaa Zacharias, focuses on shapes and references dessert in their new collection. Asa Pingree, drawing inspiration from his boat-building apprenticeship, explores fiberglass in his Brooklyn workshop, evident in his experimental stool designs. Jude Heslin Di Leo, inspired by feng shui principles, created "Amplifier," a 15-inch-high table crafted from pure quartz crystal, intended to enhance natural energy. Sasha Burchuk, founder of New Age Design Studio, reinterprets the ancient terrazzo technique for cement tiles and candleholders, utilizing ethically sourced precious and semiprecious stones in her "Gemstone Terrazzo" and "Ziv" lines. Marie Schumann, a Swiss designer, creates vibrant tapestries called "Softspace #5" and "Softspace #6." These textiles feature haptic fringing and draped threads, woven from materials like Lurex, Trevira CS, or cotton on an industrial jacquard loom and distributed through OKRO. Henri Judin’s "Liquorice" shelves, available vertically or horizontally, are crafted from black rods of bent and powder-coated steel by Lankapaja metalsmith, evoking the candy they are named after and sold through Young Finnish Design. Felicia Arvid, a former fashion designer, introduces "Addéra," a reconfigurable daybed. Its wool-covered cushions, armrests, backrests, and painted-birch tablet can be rearranged to slot into a tubular-steel base. Emiliana Gonzalez and Jessie Young, founders of Estudio Persona, launched "Flecha," an angled side table made of mahogany-veneered plywood, coinciding with the opening of their Los Angeles showroom. Virginia Valentini and Francesco Breganze of LatoxLato designed "Aracne," a coffee table with a 40-inch-diameter glass top supported by eight legs in light oak or dark walnut, noted for its innovative structure. Brecht Wright Gander of Birnam Wood Studio collaborated with jeweler Suna Bonometti on "Brutiful U&I," a cocktail table inspired by Carlo Scarpa’s Brion Cemetery, made from Valchromat wood-fiber visible through an acrylic top. Kyle Comeaux, founder of Komolab, offers "Walden," a dog bed featuring a walnut or white oak base topped with a removable wool-upholstered cushion and a waterproof liner. Finally, Daria Belyakova designed "Paspartu," an armchair described as an "inhabitable sculpture." It is made from chromed, molded fiberglass with wool upholstery and is supported by a nearly invisible glass stand, available through Palisander Gallery. These designers represent a diverse range of styles, materials, and functional applications within contemporary product design. #ProductDesign #RisingStars #InteriorDesign #FurnitureDesign #HomeDecor #TextileDesign #GlassArt #ContemporaryDesign

The "Innesti" series, developed by designers Alexandra Denton and Sofia Lazzeri, introduces a collection of vessels that seamlessly integrate glass and textiles. The name "Innesti" is derived from the Italian word for grafting, a botanical process involving the fusion of tissues from two distinct plants to cultivate new varieties. This concept serves as the foundational principle for the project, which aims to merge disparate materials to generate novel forms and aesthetic experiences. The core idea behind Innesti is to combine the inherent qualities of a hard, rigid material like glass with the soft, pliable nature of textiles. This juxtaposition results in a compelling visual and tactile harmony, where the seemingly contradictory characteristics of the materials complement each other, creating a sense of belonging and unity. The designers intentionally chose these materials to highlight their individual voices and to stimulate an aesthetic appreciation that thrives on contrasts. This approach celebrates the unique properties of each component while showcasing how they can be harmoniously integrated. Innesti is not merely about combining materials; it is also a deliberate exploration of knowledge and tradition within design. By drawing inspiration from the ancient technique of grafting, Denton and Lazzeri infuse their contemporary design with a reverence for established practices. The project underscores the potential for innovation when traditional methods are reinterpreted through a modern lens, emphasizing the enduring relevance of craftsmanship and material understanding. The series was prominently featured at Greenhouse during Stockholm Design Week, an event recognized for showcasing emerging talent and innovative design concepts. Its exhibition there highlights the project's significance in the broader design landscape, drawing attention to its inventive use of materials and its thoughtful conceptual framework. The public presentation allowed for a wider appreciation of how Innesti challenges conventional perceptions of material compatibility and opens new avenues for design exploration. Through Innesti, Alexandra Denton and Sofia Lazzeri offer a compelling narrative about the transformative power of material synthesis. Their work demonstrates that by thoughtfully combining diverse elements, designers can create objects that are not only visually striking but also imbued with deeper meaning, fostering a richer aesthetic and intellectual engagement with everyday objects. The project serves as an example of how designers can push boundaries by exploring the interplay between contrasting textures and forms, ultimately enriching the discourse on material innovation and design artistry. #InnestiVessels #AlexandraDenton #SofiaLazzeri #GlassTextileDesign #MaterialFusion #DesignInnovation #StockholmDesignWeek #ContemporaryDesign #HomeFurnishings

The importance of a well-conceived lighting plan in home design is often underestimated, frequently being an afterthought rather than an integral part of the initial concept. Good lighting significantly contributes to an inhabitant's well-being, optimizes functionality, and elevates the overall aesthetic of a room, transforming an ordinary space into something remarkable through strategic fixture selection and placement. This principle was vividly demonstrated at the recent WOW!house design exhibit held at the Design Centre, Chelsea Harbour in London, England. The exhibition featured 22 unique rooms, each crafted by leading interior designers, where lighting often took center stage. The WOW!house exhibition, open to the public for a month in June to support the United in Design charity, was not a traditional house but an innovative installation. It comprised a series of exterior and interior spaces within the atrium of the Design Centre. These spaces were diverse, ranging from entries, kitchens, dens, bars, and dining areas to libraries, bathrooms, bedrooms, and outdoor courtyards, all brimming with originality and creative design solutions. Across most of these spectacular settings, lighting played a prominent role in defining the ambiance and functionality. One of the most striking examples was the grand entry of the installation, which featured an dramatic leaf chandelier by Cox London. Victoria Davar, founder of Maison Artefact, specifically requested a five-meter ceiling height to ensure the fixture was not only accommodated but also given pride of place, asserting its visual dominance upon entry. Davar emphasized that this height aligns with classical design principles. Her design philosophy for the entry embraced a blend of classical and modern elements, where the chandelier was framed against a traditional-surround fireplace. This approach allowed each element to balance the other, creating a dialogue between the old and the new. Davar intentionally utilized negative space, leaving the wall above the fireplace blank, to allow the chandelier to stand out as a sculptural piece without visual interruption, fostering a sense of airiness. Another innovative approach was seen in the courtyard room designed by Emma Sims-Hilditch. This multi-functional space, envisioned to support various aspects of country living such as a boot room, dog wash station, and gardening area, integrated classical elements of heritage country homes with modern touches. Sims-Hilditch positioned an oversized Charles Edwards lantern as a focal point above an island, drawing inspiration from classical English country house lanterns. The lantern received a contemporary update through its coloration, painted in Farrow & Ball's Lulworth Blue. Wall lights, inspired by carriage lanterns, and pendant lights with fabric shades in corner spaces were strategically placed to layer the lighting, ensuring both functionality and comfort. Sims-Hilditch underscored the importance of soft lighting and avoiding bare bulbs, opting for a layered system that included John Cullen Lighting for downlights and Soane Britain for wall lights. The bathroom designed by 1508 London exemplified how lighting can transform a functional space into a luxurious retreat. The design studio incorporated an advanced lighting system by John Cullen Lighting and Lutron, offering three distinct illumination programs: Ritual, Revitalizing, and Revery. Paris Albert, an associate at 1508 London, explained that “Ritual” supports daily cleansing routines, “Revitalizing” enhances vanities and showers for rejuvenation, and “Revery” creates a dreamlike state for relaxation. These options, accessible at the touch of a button, elevated the bathroom experience from mere utility to a restorative escape. Interior decorator and antiques dealer Daniel Slowik presented his morning room design, emphasizing subtle, layered lighting rather than bright, centralized fixtures or intrusive task lighting. He advocated for side lights, often converting decorative vases or antique items like Arts & Crafts candlesticks into lamps, to create ambient illumination. Slowik aimed for a subdued, not overlit, atmosphere, focusing on objects that also serve as beautiful design elements. While generally disliking overt task lighting, he integrated a brass floor lamp discreetly next to a reading chair, chosen for its distressed appearance that conveyed a sense of history and permanence. The unifying theme across all these designs is the necessity for lighting to be an intrinsic component of the overall design strategy. A thoughtful approach to illumination enhances comfort and functionality, highlights the aesthetic, and can dramatically transform a room into a unique and spectacular environment. #HomeDesign #InteriorDesign #LightingSolutions #WOWHouse #DesignExhibition #ArchitecturalLighting #DecorativeLighting #SmartLighting

Parachute, a prominent bedding and decor brand known for its minimal, California-inspired, and sustainably-minded designs, has expanded its product offerings with a new living room furniture collection. This expansion follows the brand's successful ventures into bedroom furniture, which included bed frames launched last year and benches and nightstands introduced earlier in the current year. The decision to delve into living room furniture was a natural progression, driven by the positive reception of their previous furniture lines. Launched on October 5th, the new collection is available on Parachute’s website and features 15 "trendless" foundational pieces. These pieces, designed with a neutral color palette, cover essential living room furnishings such as sofas, chairs, coffee tables, side tables, and lamps. Ariel Kaye, founder and CEO of Parachute, highlighted that the brand drew inspiration from the soft lines of its existing collections and the natural landscape of California to create an effortless aesthetic for the new line. The goal was to produce timeless pieces that possess character and durability, intended to integrate seamlessly into various home styles. Sustainability was a core consideration in the development of the living room collection. Kaye emphasized that each piece is crafted to be "forever furniture," designed to transcend fleeting trends and offer longevity to customers. The manufacturing process reflects Parachute's commitment to environmental responsibility; the collection explicitly avoids the use of PFAS (per- and polyfluoroalkyl substances) and incorporates sustainably sourced wood. Additionally, customers have the option to choose between recycled polyester blend fabrics and natural fiber fabric options, further enhancing the collection’s eco-friendly profile. Upholstered items are made-to-order, a strategy implemented to minimize waste associated with bulk manufacturing. This debut living room collection represents an edited mix of products, but Kaye confirmed that this is just the beginning of Parachute's journey into this category. The brand plans to continuously iterate and introduce new products to its furniture collection in the coming months and years, signaling a long-term commitment to expanding its home furnishings range beyond its initial bedding and decor offerings. The brand's philosophy of creating high-quality, sustainable, and aesthetically pleasing items remains at the forefront of this new venture. #ParachuteHome #LivingRoomFurniture #HomeDecor #SustainableDesign #CaliforniaInspired #InteriorDesign #FurnitureCollection #TimelessPieces

This week's Dezeen Showroom highlights eight new product introductions, focusing on furniture and lighting designs from various international brands and designers. Kicking off the selection is the Chord sofa by Canadian design company Part & Whole. This modular seating system draws inspiration from 1970s lounge aesthetics while incorporating modern construction techniques and upholstery. The Chord sofa allows for flexible arrangements with its corner module, flat back module, and backless ottoman, catering to diverse spatial needs and user preferences. Following the Chord sofa, the Stair table lamp by Notchi Architects for Swedish lighting brand Oblure is introduced. This playful lamp features a stepped steel base topped with a spherical light, designed to evoke a sense of geometry and gravity. Its versatile design makes it suitable for both home and office environments, with an added functionality as a bookend. Another notable product is the 4PM chaise longue by Swedish brand Massproductions. Unveiled at Stockholm Design Week 2022, the 4PM chaise longue prioritizes comfort without relying on traditional upholstery, utilizing laminated wood. It includes a raised footrest that can serve as an additional seat or a side table. In a tribute to Italian designer Enzo Mari, Massproductions also offers a self-build version of the 4PM, complete with instructions for assembly using readily available hardware store materials, promoting DIY engagement. Monogram, distributed through Galerie Revel, presents the Spirit coffee table. This sculptural piece features an inverted cone tabletop and a substantial base crafted from exotic oak. It is part of Monogram's forthcoming Escales collection, which reinterprets 19th-century furniture characteristics into contemporary designs, emphasizing artistic form and material quality. The Lumo pendant lamp, designed by Thomas Bernstrand for Zero Lighting, offers customizable lighting solutions. This conical pendant can be installed individually or grouped in various configurations, including straight lines, circles, rectangles, triangles, or squares, thanks to a range of available fittings. This flexibility allows for diverse lighting arrangements in different interior settings. Studioforma, a Swiss architecture and design practice, introduces the Tribù sofa, conceived as a seating island to foster social interaction. The sofa is built on an elliptic walnut wood base and features cushioned seats and backrests upholstered in vibrant patterns, aiming to create an inviting and engaging communal space. Moa Sjöberg's Moci dining table for Swedish brand Asplund is an oak table distinguished by its rounded edges. This design was recognized as furniture of the year in RUM Magazine's Swedish Design Awards 2022, lauded for its harmonious balance of straight and curved elements, offering a contemporary yet classic aesthetic. Finally, the Koster outdoor collection by Studio Norrlandet for Skargaarden is highlighted. This collection of outdoor furniture is specifically engineered to withstand harsh weather conditions. Available from Swedish brand Skargaarden, the Koster range includes chairs, bar stools, and tables in three sizes, all constructed from durable teak wood and UV-resistant rope, ensuring longevity and resilience in exterior environments. These products collectively demonstrate a range of innovative approaches to design, material use, and functionality across different furniture and lighting categories. #ProductDesign #FurnitureDesign #LightingDesign #InteriorDesign #ModularFurniture #OutdoorFurniture #SwedishDesign #CanadianDesign

The High Point Market Fall 2024 showcased numerous new collections and collaborations from prominent designers and brands in the home furnishings industry. This event served as a platform for unveiling innovative designs and product lines across various categories, including furniture, textiles, lighting, and rugs. The market attracted a significant number of design professionals, all seeking to discover the latest trends and offerings. Bernhardt's Designer in Residence showcase, led by Nicole Fuller, presented an installation inspired by the Moroccan desert. This collection featured exotic elements such as pierced brass lanterns, an art deco-style faceted credenza, bullion fringe-trimmed settees, and pillows with beaded "evil eye" accents. The showcase aimed to create an immersive and unique design experience for visitors. Four Hands introduced the second installment of its collaboration with designer Amber Lewis. This launch comprised over 160 artisan-made SKUs, reflecting Lewis's signature coastal-cool aesthetic. Notable items included the shearling-covered Bennett chair, the paper cord-accented Salvador coffee table, and the hammered-bronze Corinne stool, catering to a blend of comfort and style. Tara Shaw's collaboration with Century Furniture drew inspiration from French flea market finds. The collection highlighted antique-driven designs such as the midcentury Italian-style Saint Laurent lounge chair and ottoman, the Rococo-esque Sainte Rome accent table, and the Trocadero desk, which featured ebonized detailing and hand-carved animal paw feet. This partnership aimed to merge historical elegance with contemporary craftsmanship. Thibaut's Anna French room displayed the Camelot collection, characterized by vibrant, jewel-toned fabrics. The collection included chairs upholstered in Linden Velvet, a sofa in moire-esque Regia, and drapes made from flame-stitched Kamut Embroidery, providing a luxurious and colorful aesthetic. Hickory Chair presented new collaborations with Kim Scodro and Suzanne Kasler. Scodro's contributions included soft-hued designs like the pale pink Harrison lounge chair, while Kasler's Bruges collection featured pieces such as the bone-inlaid Luc cocktail table and the tufted, art moderne-style Annabelle sofa, combining traditional and modern influences. Abner Henry's launches featured Sasha Bikoff's second collection, inspired by Memphis Milano, and the sinuous Aero console. These pieces emphasized unique shapes and artistic expressions, attracting attention from industry figures like Thom Filicia. Kravet's collaboration with fashion label Altuzarra at 200 Steele showcased a couture-fueled line. The collection included the ombre, sunset sky-inspired Colorscape mural, the Moth Weave, and the finely feathered Caspia, available as both fabric and wallcovering, reflecting a blend of fashion and home decor. Hubbardton Forge introduced the Snaps collection, an interactive lighting system composed of leather straps, LED modules, and alabaster diffusers. This modular design allowed for various configurations, offering customizable lighting solutions. Interlude Home presented petite versions of its Lucie and Theo sheep and a line of designer-selected chairs upholstered in Kravet fabrics, adding playful yet sophisticated options. Eliko Rugs by David Ariel collaborated with Anne-Marie Barton for a 27-piece collection of artisan-crafted rugs. This collection, which included the ultrashaggy Adorne and geometric Terra Luna styles, blended European design influences with contemporary aesthetics. Universal Furniture's Dwell collection featured architectural designs like a latticework-like bed frame, a cast concrete-shelved bar cart, a multifunctional cocktail table with an attached ottoman, and the Basalt credenza with pine lap-siding. Harbour showcased its new Palm Beach collection at the 313 Space, alongside other outdoor retailers and sustainability-minded brands such as Loose Parts, Nanimarquina, and Soil to Studio. Barbara Barry expanded her line with Baker and McGuire, introducing pieces like the rattan-framed Encircle sofa, the oak veneer-topped Cinch dining table, the plaster Dias Cylinder lamp, and the L-shaped Lao cocktail table made of honed Honey Onyx. Jaipur Living collaborated with House Sprucing on a collection of six artisan-crafted rugs, including the distressed Tesorino and hand-tufted Amata styles, made from 100 percent PET yarn. This collection emphasized European design and sustainable materials. Cordless lights were a notable trend, with introductions from Surya, Visual Comfort, Currey & Company, and Pooky, offering portable and flexible lighting solutions. Verellen celebrated its silver anniversary with a line of colorful upholstered furniture, including the polychromatic Otis club chair, the rainbow-speckled Roger swivel stool, and a bold color-blocked iteration of the modular Diego sectional sofa. Loloi featured Chris Loves Julia’s Scottie collection, a line of hand-tufted rugs with scalloped edges and striped double borders, available in various sizes and colorways. Burton James presented plush designs like the slope-armed Ally swivel chair, the sinuous Grayson sectional sofa, and the tightly upholstered Roy ottoman. Brown Jordan’s bestselling Luca collection, designed by Ann Marie Vering, offered a range of outdoor furniture with gently curved teak frames and weather-safe cushions. American Leather updated its Menlo Park series by Rick Lee, introducing a curvaceous bed and serpentine sofa upholstered in Ultrasuede fabric with channeled backs and welt detailing. Regina Andrew Detroit unveiled new lighting designs, including the mobile-inspired Artemis chandelier, the asymmetrical Happy Outdoor sconce, and the leather-wrapped Denver table lamp. BDI’s Elements collection by Matthew Weatherly provided acoustic-savvy storage solutions with laser-carved wood door fronts and metal mesh panels, designed to conceal audio equipment without compromising sound quality. #HighPointMarket #ProductLaunch #InteriorDesign #HomeFurnishings #DesignerCollaborations #FurnitureTrends #LightingDesign #TextileCollections #RugDesign

This article, part of a weekly series spotlighting the latest product debuts in the marketplace, presents a curated selection of new launches in home furnishings and materials. The featured introductions span various categories, from furniture and wallcoverings to surfaces, lighting, and textiles, offering a comprehensive overview of recent innovations in interior design. RH's fall 2025 “RH Interiors” sourcebook is highlighted for its reinterpretation of classic designs with a modern sensibility. Key pieces include the 1970s brutalist Adilon tables, the Modena sofa featuring a sleek slipcover, the Calamette chandelier by Jonathan Browning with onyx paneling, and the Toulouse canopy bed, a Julie Lawrence creation crafted from sand-cast solid iron. These pieces collectively showcase a blend of historical inspiration and contemporary execution, emphasizing sophisticated aesthetics and materiality. Fromental's "Phantasm" wallcovering, designed by Amy Lau, is another notable debut. This wet-dyed silk mural, originally a custom piece for Lau's home, draws inspiration from iridescent Loetz glass. It features a painterly polychromatic pattern and metallic accents reminiscent of Gustav Klimt's work. A portion of the proceeds from its sale supports causes selected by Lau’s family, adding a philanthropic dimension to the product. Cambria introduces four new quartz surfaces, expanding its collection of American-made materials. These include "Traymore Bay," a misty neutral; "Claremont," characterized by chocolate and taupe veining; "Kenwood," a marbled ivory design; and "St. Isley," a bold blue-gray with dark wavy lines and white crackles. These surfaces provide diverse options for countertops and other applications, catering to various aesthetic preferences. To commemorate a decade of collaboration, Brooklyn-based Remains Lighting and Los Angeles design studio Commune launched an anniversary collection. The collection features eight new lighting designs, such as blown-glass Cylinder lanterns and brass-mesh Linear sconces. Additionally, it includes the curvaceous Halo mirrors and a range of storage accessories with faceted edges and perforated detailing, blending functionality with distinct design elements. Nurture by Nature, a collectible design gallery in Burlington, Vermont, is set to launch with its inaugural exhibition, “Unknown Friends.” This exhibit will feature 34 handcrafted works by 15 makers, available for public viewing and purchase. Featured pieces include Yuxuan Huang’s Lamp I, made from bamboo and hand-painted mashi paper; Luke Malaney’s reclaimed-wood Gambler cabinet; and Anna Gukov’s ceramic Tassel Il sculpture, showcasing a commitment to artisanal craftsmanship and unique design. Chaddock unveiled its first collaboration with Palm Beach County designer Allison Paladino. This made-to-order, 14-piece collection, produced in North Carolina, includes the French deco-inspired Kuester ottoman, the architectural Randee chair, and the Sir Martin mitered sectional. The sectional is distinguished by its clean lines, canted front, and column-like ends, reflecting a focus on tailored design and quality. OuterClé, a division of Clé Tile, introduced the "Lido Splash" collection of graphic pool tile mosaics. Designed to evoke a Mediterranean aesthetic, the collection features 18 distinct mosaics in various multitonal hues, such as "Pavone" (cool blue) and "Meraviglia" (warm neutral). These tiles can be combined to create customized focal points in outdoor spaces. Pindler’s "Mini Prints" collection showcases small-scale patterns printed on a cotton-linen ground. Available in seven colors, the collection includes designs such as the striped "Tilly," the floral "Fearne," the ikat-esque "Imogen," the dotted "Evienne," and the quatrefoil "Gemma." These textiles offer versatile options for adding subtle pattern and color to interiors. Studio Abrash, an India-based rug manufacturer, launched a new line inspired by William Morris and the Arts & Crafts movement. This collection features 10 hand-knotted rugs made from pure wool and silk, incorporating art nouveau botanical designs. Examples include the acanthus-clad "Eden," the marigold-covered "Mary," and the iris-filled "Luna," reflecting a revival of historical textile motifs. Finally, WallPops collaborated with Bangladeshi American designer Nabela Noor on a line of peel-and-stick wallpapers. The collection features four South Asian block print–style patterns: the sari-inspired "Aliviya," the banded "Zareen," the paisley-accented "Faiza," and "Safia," which features a traditional buta motif. This collaboration brings culturally inspired designs to accessible home decor solutions. #ProductPreview #HomeFurnishings #InteriorDesign #NewArrivals #LuxuryDecor #TextileDesign #SurfaceMaterials #LightingDesign #FurnitureDesign